Photo: Leafy Sunset 2

Leafy Sunset 2 — yellow sunset of leaves and vines

Leaves and branches set against a dark yellow sunset. The vines may be distracting, but they have a pattern all their own, which meshes well with the colorful yet ominous sky.

Standard darkening and contrast added through curves here. I had to tone down the colors a bit, as they went out of gamut after the contrast enhancements (that happens often in RGB color spaces).

Fujifilm FinePix A360, 1/63, F4.7, 17.4mm, ISO64, 2006-01-13T17:40:46-05, 2006-01-13_17h40m46

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

More of the Leafy Sunset series.

Photo: Leafy Sunset

Leafy Sunset — bright yellow leaves against a serene sunset

Yellow leaves against a blue and pink sky. This is an early piece, re-edited (January 2006). I took generic photos of the sunset, but wanted to experiment with including other elements of nature, which gave way to this. I used the flash to brighten the leaves, which also made the sunset appear darker and more vivid.

I added contrast and moved the colors from orange to pink to make this look good.
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Fujifilm FinePix A360, 1/30, F2.8, 5.8mm, ISO100, 2006-01-04T17:54:53-05, 2006-01-04_17h54m53

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

More of the Leafy Sunset series.

Photo: The Coy Girl

The Coy Girl — a coquettish lady in sunglasses

A lady named Alicia, in a cute pose wearing sunglasses. This was an impromptu shoot at my college’s photography building; a white wall, wide aperture, and normal fluorescent lighting makes for a studio-like setting.
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Canon Rebel XTi, EF 50mm 1:1.4, 1/100, F2, 50mm, ISO400, 2008-04-25T17:06:49-04, 20080425-210649rxt

Source image. I added contrast, a glow effect, improved her skin tones, and removed some blemishes. The blue clothes weren’t working out, so I changed them to golden-brown to match her hair. Using Photoshop’s color channels tool, I moved the blue and cyan selectors all the way to the right, which made the colors perfect.

Photo: Bubble in the Sea

Bubble in the Sea — an ant, trapped underwater in an air bubble

These are some Loquat fruits that my Dad was washing off (for their cancer-fighting properties). When I looked at them, I saw this going on: an ant, trapped in an air bubble, with another ant outside the bubble, already drowned. The ant in the bubble was moving around, trying to escape. I ran to get my camera; used my small digicam, as it focuses this close while the lenses I have for my DSLR won’t, and captured this scene.

Ants are people too! Actually, they aren’t. They type here is red imported fire ant, which we have far too many of in Central Florida.

I removed some specks of dirt (can’t have dirt on my fruit), plus added contrast to liven things up. I burned in the corners slightly, and dodged the blue areas so they can better play off the yellow and orange bits.
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Canon PowerShot A620, 1/2, F2.8, 7.3mm, ISO50, 2008-03-18T15:52:18-04, 20080318-195218rxt

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Photo: Autumnal Leaves

Autumnal Leaves — the leaves of autumn are about to fall

The leaves of autumn come out. Took this in my yard last fall (2007); the tree always has sublime colors; though not vivid reds and oranges, there are stately reds and browns. This is wide-angle to show how big the maze of branches and leaves is, giving a sense of awe. The dark leaves at the corners help bring your eyes to the center.

No spot editing was needed; I did some simple contrast enhancements to bring out colors and tones.
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Canon Rebel XTi, EFS 18-55mm, 1/640, F3.5, 18mm, ISO100, 2007-09-23T11:30:30-04, 2007-09-23_15h30m30

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Photo: Yellow Sunshine

Yellow Sunshine — sunlit yellow flowers mix with a vivid blue sky

Flowers with the sun behind them. I included the sun in the frame, but it goes to white or else everything else would be black. This was a great scene, especially for the deep blue sky and cloud formations that work together with the yellow flowers.

I added a blurry glow while keeping the grain in the sky as a counter-point to the soft flowers. The added contrast pushes the branches to black while keeping detail in the clouds (not the sun), but adds focus to the flowers. There’s more info in my short article, On Exposure.
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Canon PowerShot A620, 1/800, F8, 7.3mm, ISO50, 2007-08-19T14:38:25-04, 2007-08-19_18h38m25

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Flowers of Gold

Flowers of Gold — bright yellow flowers against a sunny blue sky

These are some golden-yellow flowers in my aunt and uncle’s yard. These were low to the ground; I had to lay in the grass to snap this, potentially exposing myself to pesticides and bugs. It’s worth it for my craft, of course!

I added a lot of contrast and brightened the sky. That was the hardest part, because I wanted the sky to be uniformly and realistically lightened, so I analyzed the dodging by setting the brightness level on the image to be very dark (with an overlay layer), and then looked for dark patches, which I’d dodge or clone out.
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Canon Rebel XTi, EF 50mm 1:1.4, 1/3200, F2.2, 50mm, ISO100, 2007-11-12T14:37:44-05, 20071112-193744rxt

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Stock: Yellow Grasshopper

Yellow Grasshopper — a sharp bug on a white background

A yellow grasshopper from my yard, with my attempt at isolating him. I did alright, so I’m releasing this as a resource to the world.

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Fujifilm FinePix A360, 1/30, F2.81, 5.8mm, ISO74, 2006-07-07T16:42:13-04, 2006-07-07_16h42m13

Photo: The Yellow Symphony

The Yellow Symphony — vivid flowers against a warm sky

Yellow flowers from an roofless flower shop; you can find good photos anywhere. I took this from a low angle, so you can’t see any people or products in the background; just the sky. There’s interesting stuff among the stems and flowers below, but most people just look at the flowers at the top.

I spent a while changing the colors; I was debating between cooler blue tones or warm red and yellow, finally choosing the latter after comparing. There was an out-of-focus flower that creeped into the bottom-right of the frame that I cloned out, and I applied contrast enhancements and a subtle glowing effect. I let the sky go to pure white and the shadowy jungle below the flowers to black, because those areas don’t deserve detail.
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Canon PowerShot A620, 1/1000, F4.5, 7.3mm, ISO50, 2007-06-08T14:23:26-04, 2007-06-08_18h23m26

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Photo: Cherry Tomatoes

Cherry Tomatoes — eight bite-sized tomatoes in a row

Cherry tomatoes that I arranged in a line. The yellow table makes a great background for red-colored still life. They look good enough to eat!

I cloned out the dirt that was on the tomatoes and table, removed background reflections and distractions, brightened the image, and added contrast.
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Fujifilm FinePix A360, 1/74, F2.81, 5.8mm, ISO64, 2006-08-07T14:27:03-04, 2006-08-07_14h27m03

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.