Archive: 2008 September

Just got this check from Google for $112.23. I wasn’t sure if this Google ad program was real till now; perhaps they’d just take my money and ban me when I reached the $100 threshold? 
I started this blog way back at the end of last year, just for my photography. I didn’t do much for a long time, often just spending lots of time fiddling with the layout and code, but in the past two months I’ve made lots of progress. I feel I can do a lot of good here, if not for others, for my own mind.
While DaytonaState.org makes the most, the balance is switching to this blog. I think it’s because I’m writing in-depth, thought-provoking articles like Digital Sharecropping, Personal Development for Photographers, and Transcending Limiting Beliefs. Not lists or tables or mash-ups or charts. No fluff. Writing that takes will work and has a real purpose. I didn’t really start doing this till two months ago, when I added personal development as my main subject alongside photography.
While $112.23 is no more than pennies an hour for all the work I’ve put in here, it’s much better than any job because I would do this for free. Most people can’t say that about their jobs.
Even though I made far more as a criminal, it’s much better to profit as an asset rather than a leech. Friends have been quick in offering to click ads for me or get others to do the same, but I’ll have none of it.
My hosting bill is paid up till 2009 March, and it has totaled $70. I also registered Thripp.com till 2018, costing $73, and thripp.net/org/us/biz/info are mine. I’m in this for the long haul. …
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Before 1994, the Internet was basically unknown. It was just a tool for professors and researchers to connect with their peers. All websites had to be non-profit.
In 1994, the National Science Foundation took away these restrictions. Anyone could register a domain name and start a website, even to sell stuff. Pepsi.com was one of the first, but at the time it seemed a pointless gimmick.
Flash forward to 2008. In the past five years, power has become consolidated between a few major websites, despite the flat nature of the Internet. Google, Yahoo, Facebook, MySpace, and eBay are the major players. These corporations control billions of dollars in capital, yet with the exception of eBay, provide free services. How does this happen?

The way it happens is through advertising. Much like how newspapers make money from the classifieds or how the local Pennysaver is completely free despite rising print costs, websites make money from selling ad-space. With technology like HTTP cookies and click-counting, advertisers can pay only when viewers click their ads, or even only when they make a sale. If you think no one buys anything online, take a look at this.

That’s a graph of how much stuff people bought in the 2007 Christmas season. At the peak, for the week ending 2007-12-16, sales totaled nearly 5 billion dollars. Thanks to comscore.com for the stats.
As you can see, people have no aversion to buying things on the web. And unlike with newspapers, websites have far lower overhead. Each visitor costs less than a hundreth of a cent each, while advertisers may be willing to pay in dollars for clicks or sales.
The reason social networks have become so large and wealthy is because most people contribute to them for social benefits, while all …
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When you hide behind sunglasses, you’re hiding in plain sight!
I got Sarah from The Rebel to come back for this shot. She was out of cigarettes, so we compromised by using her neon-green sunglasses as a prop. Once again, she’s looking off-camera. I’d say she’s camera-shy if she wasn’t so good at posing.
Her t-shirt is for the Bad Religion band. I haven’t heard any of their music, but I like the name. Religion is bad if it’s dogmatic rather than being based on logical self-improvement.
I ran out of model release forms after this, so I stopped looking for people to take pictures of, even though I had some time left on my lunch break.
Canon Rebel XTi, EF 50mm 1:1.4, 1/500, F3.2, 50mm, ISO100, 2008-09-24T11:55:05-04, 20080924-155505rxt
Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).
This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.
You can use the models’ likenesses for anything not defamatory. You are one of my “licencees.”

I think Brice and Kayla were just meeting up after a long vacation. I didn’t ask, but either way they’re a nice couple.
This isn’t a candid shot, but their smiles are authentic because I said something funny… I can’t remember what.
I let the camera auto-expose, and it was too dark, so I upped the exposure afterward in Adobe Camera Raw. Though it was bright and sunny out, there were no harsh shadows so this is still a great portrait.
Kayla looks a bit like the actress Adrienne Shelly. I don’t know who Brice looks like.
This reminds me of one of those stock photos you see in the picture frames at Wal-Mart… except they always seem like fake people. I only take pictures of real people.
Canon Rebel XTi, EF 50mm 1:1.4, 1/2500, F3.5, 50mm, ISO100, 2008-09-26T12:13:32-04, 20080926-161332rxt

I met this girl at the college. She was studying some book about history, at least till I found her. She’s not actually studying in the photo, but it reminds me of how someone would look at you if she was busy studying. This is posed, though.
For editing, I brightened this a lot, which helps because she was dark compared to the background. Now the sky is just white. I took the lines out from under her eyes, made her lips a bit redder, and dilated and reshaped her pupils. She looks alive now. I think it was reflections from the glass building nearby that made her pupils seem non-existent in the original. Eyes are a tricky thing, but you can improve them if you’re careful and precise.
The focus is on her hair instead of her face, darn it. It’s still a nice photo though. I’m going to watch focus more closely in portraits, because it’s really important to keep it on the eyes instead of what’s in the middle of the frame.
Canon Rebel XTi, EF 50mm 1:1.4, 1/500, F3.5, 50mm, ISO100, 2008-09-26T12:04:15-04, 20080926-160415rxt
Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).
This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.
You can use the models’ likenesses for anything not defamatory. You are one of my “licencees.”
Personal development is universal, so it includes photographers. A lot of photographers are stuck in a lot of ways. They take too many photos, entangle their intuition with technicalities, refuse to rise above spectatorship, or abandon their creativity for the comfort of rigid rules. I did all these for some time, so I want to help others rise above these limitations.
Too many photos
Most photographers live with a scarcity mindset. This means they believe they must be taking photos every moment, in case they miss the ‘perfect’ moment. There is only one ‘perfect’ moment (scarcity), so it’s important not to miss it.
I can tell you this because I used to be one of these people, and I meet fellow photographers who are stuck in the same mindset all the time.
Back when I was in photography class, I met a lady who took 1500 pictures of a wedding in a span of two hours. I’ve been fortunate enough to avoid weddings, but I can tell you now that I would be taking 1500 photos, even if the wedding was all day. I might take 1000, but I can assure you they’d mostly be duplicates. I’d be deleting the worst and keeping the best on the spot, and by the end of the day I’d be down to 200 photos. Good photos.
What was even more unfortunate about this girl was that she made no effort to cull her work. “Culling” means picking out the best. I slaved for hours over my portfolio, narrowing down hundreds of photos to my best 30. Some good photos didn’t make it because they just didn’t fit in with the other ones. I spent more time ordering them by color / concept than choosing, because the order is far more important than the content.
It’s alright if …
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The science building, #410 at Daytona State College. The side of the building is all clear glass in a white grid formation, but from this angle all it does is reflect the sky. It was a bright and sunny day out, and with the fluffy white clouds behind, the effect was quite charming.
I forgot my polarizing filter when shooting this, but I added the polarization effect through burning in Photoshop, so I’m including it under the polarizer tag.
Editing brought out the colors quite a bit. I added lots of contrast, burned in the sky, the corners, and the clouds especially. You can see the dark halo around the clouds from my use of the burn tool, but I like it so it stays. I also brightened the building, as it was a bit dim in relation to the clouds. The turquoise reflection is my favorite part.
Canon Rebel XTi, EFS 18-55mm, 1/1250, F4.5, 18mm, ISO100, 2008-08-25T11:54:20-04, 20080825-155420rxt
Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).
This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.
It’s a very scary thing when someone openly disproves your limiting beliefs. If you have empowering beliefs, being disproven is a triumph rather than an attack, because you’ve been given the easy opportunity to fine-tune your belief system, which can only lead to improving your self and your model of the world. But if your mind is holding you back, you’re highly afraid of breaking the chains. The three major reasons for this are:
1. If you’re disproven now, whose to say that you won’t be disproven again? If you switch from Catholicism to Protestantism, couldn’t what you really want be Unitarianism? If you disconnect yourself from your heart and intuition, you have no reason to ever change or grow. Depending on where you are in life, that could be much more comfortable than change.
2. Changing your beliefs invalidates your past. If you spend all your life buying groceries at the normal price, and then a spendthrift tips you off that you could easily pay half the price with judicious acquisition and use of coupons, what does that say about all the groceries you’ve already bought? If you accept your new couponing beliefs fully, you’re acknowledging that your previous shopping beliefs cost you thousands upon thousands of dollars. It could be much more comforting to simply block coupons from your reality.
3. Changing beliefs may conflict with your actions. If you don’t want to do what you’re doing, then you must either stop doing it, develop the want, or be a coward by doing what you don’t want. If you’re a lawyer now, and you find you can’t win a case without dishonesty, but you want to be honest, then you have to be a hypocrite, an unsuccessful lawyer, or an unemployed person. But if you continue believing dishonesty is okay, you …
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Looking up through a basketball hoop.
I tried thinking of a more abstract title, but nothing is better than “Basketball Hoop.” Sure, if this were a plain, ordinary photo of a basketball hoop, a creative title might add some jazz, but when the photo is creative on it’s own, a mundane title is a good contrast. A creative title would work too, but a mundane title for a creative piece is far better than an unfitting creative title.
I took this at F2.5, so even parts of the netting are out of focus. The background was a dull blue sky, but it works quite well when converted to black and white. Then, I added lots of contrast. No vignetting, because it would feel contrived on this image.
Someone somewhere has done a photo just like this, but I haven’t. 
Canon Rebel XTi, EF 50mm 1:1.4, 1/200, F2.5, 50mm, ISO100, 2008-09-13T07:19:31-04, 20080913-111931rxt
Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).
This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

I went for a walk and saw these beautiful flowers. I tried putting the sky behind them, but they were too dark then; it looks much better with a green background, which is the plant and shrubs around them. Often we photographers are overly creative, when really the best shot is right in front of us.
This is the sequel to The Garden in Yellow from last year. I added contrast and vignetting for editing. The background was nice and blurry to start because this is at F2.2 on a 50mm lens.
Canon Rebel XTi, EF 50mm 1:1.4, 1/100, F2.2, 50mm, ISO200, 2008-09-13T07:16:33-04, 20080913-111633rxt
Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).
This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.