Photo: The Stuccoed House

The Stuccoed House — a lit, yellow home at night, with three ghosts

A thirty-second exposure of my house at night, with the lights on. Our house has creatively applied stucco that is painted yellow, so it makes an interesting and reflective texture, particularly with the yellowish indoor lights. The ghostly figures are of me standing next to two windows and in the light behind the house; I stood still in each spot for eight seconds to achieve the effect (took four tries). I don’t own a proper tripod, so I used a step-ladder; it does well in a pinch.

For the glowing effect, I used a gaussian-blurred layer with soft-light blending in Adobe Photoshop CS3. Other than that, I added contrast and color, burned the sky, and dodged the ghosts.
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Canon Rebel XTi, EFS 18-55mm, 30″, F3.5, 18mm, ISO400, 2008-03-22T22:11:14-04, 20080323-021114rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Golden Tapestry

Golden Tapestry — a golden sun behind silhouetted branches

A golden sunset behind a mess of tree branches. Took this right across the street of my house. It’s the same location and type of tree as A Morning of Fog, but very different lighting.

Darkening and added contrast give this its feeling, though the original is more technically accurate.

Canon Rebel XTi, EFS 18-55mm, 1/3200, F9, 55mm, ISO100, 2008-03-19T19:03:08-04, 20080319-230308rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Sky’s Camouflage

The Sky's Camouflage — a cloudy car in nine colors

Reflections of a vivid sky on a black car. This is my new vision for Sky’s Camouflage; it started with the blue version in the center, and the others I digitally colored for this arrangement.

I’ve been trying this out on my bedroom’s wall for a while; looking at it everyday hasn’t annoyed me yet, so it must be good.

I increased contrast and saturation on the original (blue, center), and mixed up color channels for the eight variations.

Fujifilm FinePix A360, 1/278, F2.81, 5.8mm, ISO64, 2006-06-17T14:44:08-04, the-skys-camouflage-rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunset in Motion

Sunset in Motion — a car speeding past a bright-orange sunset

A speeding car is the foreground for a stunning sunset outside my home. I’m breaking some rules here: the horizon is tilted, and the sky is over-exposed, but it’s worth it because this is different and creative. Right? :smile:

Editing: burning on the sky and dodging on the car, plus more contrast with the curves tool.
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Canon Rebel XTi, EFS 18-55mm, 1/30, F4, 30mm, ISO100, 2008-01-01T17:45:45-05, 20080101-224545rxt

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Photo: Spring Sunshine

Spring Sunshine — bright green and yellow leaves, lit by the sun

Shot this on Christmas day; the winters aren’t so brutal in Florida. This looks like a spring scene, so I named it such. Enjoy. :smile:

Basic contrast enhancements with curves and sharpening is all that this needed.
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Canon Rebel XTi, EF 50mm 1:1.4, 1/640, F3.5, 50mm, ISO100, 2007-12-25T11:49:21-05, 20071225-164921rxt

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Photo: The Garden in Yellow

The Garden in Yellow — sharp yellow flowers against a black background

Yellow flowers highlighting a dark garden. This was in the flower section at Wal-Mart; who says you can’t take great photos there? :big-grin:

A darkened background, brighter flowers, and contrast enhancements make this photo stand out.
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Canon Rebel XTi, EFS 18-55mm, 1/40, F3.5, 18mm, ISO100, 2007-08-23T22:21:15-04, 2007-08-23_22h21m15

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Photo: Symmetry

Symmetry — a yellow, sunlit flower against a deep blue sky

The sky makes a beautiful background for flowers. You might have to lay in grass, but it’s worth it for a photo like this. I am pleased that the yellow, blue, and green colors mix nicely. :smile:

The colors pop because of added contrast, and a blending layer with the “soft light” style in Photoshop. I cloned in extra sky at the top; otherwise part of the flowers get chopped off in the print. This is one thing you need to watch out for if you’re going to do borderless printing; don’t put stuff at the edge of the frame or it will be chopped off (bleed edge). Same for television because of overscan.
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Canon PowerShot A620, 1/1600, F3.5, 7.3mm, ISO50, 2006-11-06T10:30:34-05

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Photo: Sunrays

Sunrays — orange sunlight shines through the clouds in this sunset

Beams of sunshine shoot through the clouds in this beautiful scene. I took this in my front yard; it’s nice that there are no houses there to clutter up the picture. :smile:

I added contrast and brightened the sunrays to enhance the image.
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Canon PowerShot A620, 1/200, F4.5, 8.46mm, ISO50, 2006-10-22T18:26:17-04, 2006-10-22_18h26m17

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More of the Sunrays series.

Photo: Implicity

Implicity — a beautiful yellow rose

Darkness surrounds a fallen yellow rose. I darkened and desaturated the rose’s surroundings to make it stand out.
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Canon Rebel XTi, EFS 18-55mm, 1/15, F5.6, 55mm, ISO100, 2007-10-10T17:41:04-04, 2007-10-10_21h41m04

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.