• Make sure everyone is smiling and pretending to be happy before taking the picture. Candid photography? Never heard of it.

• Don’t take photos of people; they don’t want you to take their photos anyway. Just stick to rocks and plants.

• Make your rocks blurry and your flowers over-exposed. Then claim it’s art.

• Pump up the saturation and contrast on that rose, so it’s just (255,0,0) all over. Then everyone will appreciate the beauty.

• Print your photos, then scan the prints at 600 pixels per inch. Now you have 48 megapixels!

• Never switch from auto mode. Only scary people use aperture priority. Manual mode is for the fully insane.

• Or, switch to manual mode, and refuse to use auto-focus. The camera doesn’t know how to focus. It’s just blocking your artistic vision.

• Always talk about your artistic vision, and the wonderful community of photographers your a part of. Maybe people will start believing it.

• Say a 12 megapixel camera is 20% better than a 10 megapixel camera.

• Buy a $2000 DSLR, then stick a cheap lens on it.

• Set your new $2000 camera down to go to the bathroom. Follow the advice in 10 Ways to Get Your Camera Stolen. Why would anyone want a camera?

• Refuse to use anything but a prime lens. Those zoom lenses are too modern and convenient. They’re not sharp enough either. It’s settled. You’re not a real photographer if you use a zoom lens.

• Constantly talk about “real photographers” versus the non-real photographers that are pervading your art form. Make sure some reference to film vs. digital is included.

• Say that film is useless, because digital is magical and does everything.

• Say that digital is useless, because film is the only true photographic medium.

• Assume you should always keep your camera zoomed out, …

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Hello again. I’m back from my exciting four-day vacation. I stayed around Palm Beach for three days with my aunt, uncle, cousin, and grandma. It was 200 miles down there. We had a lot of fun, my aunt cooked great food, there was a cool storm, and we played volleyball in the pool. Afterward, I stayed with my Grandma for Sunday and part of Monday, and my Dad brought me home three hours ago. I’ve been unpacking and clearing out emails.

Here’s some photos. I won’t show family because they don’t want to be shown.

The portrait is me. I’ll be cooking up some edited versions which you’ll see over the next few days. It was hard not having Internet for four days; no computers or Wi-Fi with the family, and all the neighbors had passwords on their networks. I’m glad to be back working on the mission here. I wrote two photography articles I’ll be polishing up tomorrow.

This site and the thripp.com network chugged along fine while I was gone. 2000 unique visitors across both. The HTML caching + gzip compression is working great. I had about 60 new users, but 30 were blatant spam by the same person, which I deleted on the spot. Two-thirds of the rest are non-blatant spam, but I don’t mind that.

The total number of thripp.com blogs is 115, and the MySQL database is up to 40MB. Still working fine on SYN shared Hosting, fortunately. I’ve used 4GB of bandwidth in my 10 days with them. I have 120GB/month, so I’m at 10% capacity. Most of the bandwidth is from my …

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Hello! If you’ve been following my Twitter updates, you know I had my final test in precalculus algebra today, got my grades back, and passed with an A. I have two months off now. I’m traveling to South Florida with my Grandma to visit family in a few minutes, and I’ll be gone till Monday (2008-06-30). I haven’t been posting as much here, as I’ve been making a lot of progress with thripp.com, but I’ll come back with some great photos and ideas for articles, plus plenty of time to execute them.

Thanks everyone, and leave me some comments to come back to. Till later.

I shot this after my cousin’s dance recital, once everyone left. It was quite dark, so I pushed it to ISO800 and went down to F1.6, taking the opportunity to use a shallow depth of field. The theater is a dead one if I’ve seen one, in this picture at least. I like the colors of the chairs, and the lighting was nice and indirect, despite the dimness.

What did I do to this? First, I cloned out the open door in the background, which was a big, white, ugly distraction. I couldn’t get the wall to look right; it looked fake and too smooth. I didn’t want to deal with it, so I just pumped up the contrast till the background went to black. An effective solution in a pinch, and it adds to the mood of… deadness. Finally, I made the colors less yellow and burned in the corners (vignetting).

Canon Rebel XTi, EF 50mm 1:1.4, 1/60, F1.6, 50mm, ISO800, 2008-06-22T00:52:14-04, 20080622-005214rxt

Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

The five chapters in your adventure:

1. an introduction to stock photography
2. taking the photos
3. nitty-gritty editing
4. how to pitch a model release
5. building effective keywords

Stock photography is not art photography. If you’re looking to express your creative spirit while making a comfortable living, this is not the place for you. You can do the latter with work, but not the former, because stock images are boring as salt.

Curiously, the best stock photos are interesting. Crafting a photo that is not boring yet appeals to advertisers is a lot harder than creating a whole bunch of boring photos and making it on volume. I don’t know how to do the interesting, successful ones, but they usually involve people shaking hands or flying kites at the beach. In this article, I’ll be introducing you to the technical details that will help you to create boring stock photos. Then you can move up to better ones later. If you don’t learn these basics, your great ones will look slightly imperfect and won’t sell (read: won’t be accepted by your microstock agency), which we can’t have.

Most people elbowing their way into the stock world start with the microstock networks, because they’re the only shot for an average Joe to make any sort of money. Ones like iStockphoto, Shutterstock, fotolia, and Big Stock Photo. These websites let up upload your photos, which they then sell to their customers, taking much of the profits but giving you a commission (something like twenty-five cents per sale). They’ll only take stuff they think will sell, and only if the image is “perfect”: grain-free and plastic looking, six or more megapixels, no artifacts (if you have a cheap camera, this is …

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I wrote this for a fellow photographer and photo-blogger named Nokao, since he asked what plugins I’m using for this site. As you may know, Brilliant Photography is powered by Wordpress: Wordpress MU to be specific, since I’m in the same database as the Thripp.com network with many other bloggers. I’ve been able to leverage all the great plugins people have created; I haven’t had to do any original coding yet.

You can look up any of these plugins in the Wordpress repository:

Alakhnor’s Post Thumb Revisited creates the thumbnails for all the images, the JavaScript pop-up effects (Highslide), and the gallery pages (PHP code calling the plugin). I just post photos as normal Wordpress posts (just an img src HTML code), and it does the rest. I use it for the random photos in the header and the random stock photo in the sidebar. You can have it just show thumbnails from a particular category, which is what I do.

The category feeds are included in Wordpress, but not linked anywhere. You can see them on your site; just add “/feed” to the end of a category’s URI. You can link to these in your template if you want. For the RSS feeds and email newsletters, I outsource to FeedBurner.com, but there are Wordpress plugins too (I’d prefer to keep the load off my server).

I use Exec-PHP to put Post Thumb’s PHP code in pages and posts, and Text Control to keep Wordpress’ filtering from putting line breaks between thumbnails on gallery pages, by setting it to “No Formatting.” On those posts and pages, I just add HTML myself (paragraph and line break tags).

I use WP-Sticky to keep an introductory post at the top of the home page.

Related Posts, SCF2 Contact Form, SEO Title Tag, Top Level Categories, Ad

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A tree branch swaying in the wind, with a UPS truck on the highway behind it. I like how the light and blur turned out. I closed down all the way (F22) so I could use a 1/20 second shutter speed, then holding the camera steady while snapping away to get this. The branch is about to leave this world; it’s just your imagination! That’s what makes it ephemeral.

I dodged (brightened) the leaves and added contrast with the curves tool.

Canon Rebel XTi, EF 50mm 1:1.4, 1/20, F22, 50mm, ISO100, 2008-05-09T15:05:17-04, 20080509-190517rxt

Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Go into the woods… do not be afraid. This is my Grandma’s yard. There are houses around, but from where I shot this, they’re all obstructed by trees. The lighting and colors were nice, since we had a rainy white sky.

I added contrast and a glow effect.

Canon Rebel XTi, EFS 18-55mm, 1/60, F3.5, 18mm, ISO100, 2008-06-20T16:31:07-04, 20080620-203107rxt

Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

A coquina-rock fountain out front of the City Hall in Holly Hill, Florida. I used a 1/1600 shutter speed to freeze the water drops. The bright green lawn and yellow rocks matched well. I tried a shot from down low, with the water against the sky, but it was too dark and lifeless. This is certainly more attractive.

Just simple contrast improvements. I cloned out two distracting droplets at the bottom of the frame, and a red stop sign in the background.

Canon Rebel XTi, EF 50mm 1:1.4, 1/1600, F3.5, 50mm, ISO100, 2008-06-12T11:12:14-04, 20080612-151214rxt

Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

I found this bug in our yard, hanging upside-down from a branch on a tree. He looked at me in a way that made me feel uncomfortable. That’s why he’s rebellious.

This is the sequel to the free stock photo, Yellow Grasshopper.

I added contrast and burned the corners a lot to contain the creature.

Canon Rebel XTi, EFS 18-55mm, 1/100, F5.6, 50mm, ISO800, 2008-06-10T017:16:31-04, 20080610-211631rxt

Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.