Tag Archives: ef 50mm 1:1.4


Photo: Glass Rain

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Glass Rain — torrential rain on the windshield at night, with stop lights

Torrential rain on the windshield at night, with stop lights. This is with a lot of droplets on the windshield, and traffic lights and oncoming traffic ahead. Neat patterns, the droplets made.

For editing, I darkened it all a lot, added contrast to push the whites to the limit, and desaturated a bit. Enjoy.
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Canon Rebel XTi, EF 50mm 1:1.4, 1/400, F2, 50mm, ISO1600, 2008-07-16T22:28:56-04, 20080717-022856rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Real Beauty

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Real Beauty — fake pink flowers

An arrangement of beautiful pink flowers and green fern leaves with perfect lighting. All synthetic, of course. But whose to say that makes them less valuable? They sure last longer, for one thing.

Editing involved adding contrast and burning the edges. It was hard to keep the colors in gamut as these are hard to print, but I solved it by toning them down and then selectively re-adding saturation where it would turn out best.

Canon Rebel XTi, EF 50mm 1:1.4, 1/80, F2.8, 50mm, ISO400, 2008-07-12T10:24:02-04, 20080712-142402rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Red Candy

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Red Candy — tasty red flowers in the woods

I came across these delectable flowers on an evening walk. Just had to have them. I positioned the camera to have some palm frond leaves on the sides as a frame, and then snapped away. In Photoshop, I darkened everything but the flowers, desaturated all the color channels except red, and burned the corners especially. An eye-catching effect. Selective coloring is often tacky, but I hope I’ve done a good job of it here.

Canon Rebel XTi, EF 50mm 1:1.4, 1/50, F2.8, 50mm, ISO100, 2008-07-10T19:43:55-04, 20080710-234355rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Florida Lifestyle

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The Florida Lifestyle — an orange smoothie in a tropical paradise

I’ve been wondering what the Florida lifestyle I’ve been hearing so much about is, but I’ve found it here. You may not know it, but the Florida lifestyle involves lots of bugs. There were plenty of flies flying around as flies sometimes do, but I shooed them away to snap this shot of an orange smoothie by the pool. I went with a blue border for this photo. Never done that before, but it fits the image so well.

I added contrast, removed specks of dirt from the glass, and touched up the color on the orange slice.

Canon Rebel XTi, EF 50mm 1:1.4, 1/2500, F3.2, 50mm, ISO100, 2008-06-28T14:16:13-04, 20080628-181613rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Eyes

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Eyes — a melancholic dog stares at the camera

Through the eyes of a dog. This is my aunt’s dog named Joseph; I set the camera on the carpet and snapped this of him staring at it. I was lucky to get his eyes in focus. He looks sad and thoughtful.

I edited some dirt away from his eyes, darkened the corners, and added contrast.

Canon Rebel XTi, EF 50mm 1:1.4, 1/25, F2.5, 50mm, ISO400, 2008-06-26T15:37:03-04, 20080626-193703rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Cars at Night

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Cars at Night — a slick road reflecting the headlights of cars

Cars on a slick highway in the evening. I was liking how the lights were reflecting off the pavement, so I grabbed my camera to snap this from the car. 5 minutes after Ominesence, and 20 minutes before Flash in the Night.

Canon Rebel XTi, EF 50mm 1:1.4, 1/200, F2.2, 50mm, ISO400, 2008-06-26T17:49:53-04, 20080626-214953rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Ominesence

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Ominesence — a stormy, ominous sky over the sea and city

Ominesence: the state or quality of being ominous. The real word is ominousness, but I made up this alternate. This is a river and city with dark clouds overhead. The right side is bright light and good weather, though it too is broached by darkness. I took this in a moving car crossing a bridge; you can see the railing at the bottom. Used a 1/250 second shutter speed to freeze the scene, though I had to go up to ISO800 because it was so dark out.

I added contrast, darkened the dark clouds and corners, and removed a lot of noise. There were lots of markers and pylons in the river which were bugging me. I cloned all of them out. Now it looks like it should.

Canon Rebel XTi, EF 50mm 1:1.4, 1/250, F1.8, 50mm, ISO800, 2008-06-26T17:44:30-04, 20080626-214430rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Flash in the Night

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Flash in the Night — a bolt of lightning brightens the dark sky

A bolt of lightning flashes through the dark sky. This was from the storm during my vacation. My grandmother forbade me from going outside ( :neutral: ), so I shot this through the screen window. You can see the pattern of the window on the sky, though it’s out of focus. The blurred spots may have been water drops on the window. I snapped fifty photos, and was lucky enough to get this one as the lightning struck. I put some of my tips from Torrential Rain to good use.

I closed down all the way to F22 in aperture priority mode, yielding a 1.6 second shutter speed. I braced the camera against the window, and fired away. Before this, I set the exposure compensation to -2, so the lightning would not be too bright.

The source image looks brighter than it should. I purposely underexposed when shooting, so the lightning would not be too bright when it popped up. I shifted the colors to be more bluish, removed some dust spots, burned in the corners, and darkened a bit. That’s all the lightning needed!

Canon Rebel XTi, EF 50mm 1:1.4, 1.6″, F22, 50mm, ISO100, 2008-06-26T18:08:28-04, 20080626-220828rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Dead Auditorium

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The Dead Auditorium — empty red chairs in a dark theater

I shot this after my cousin’s dance recital, once everyone left. It was quite dark, so I pushed it to ISO800 and went down to F1.6, taking the opportunity to use a shallow depth of field. The theater is a dead one if I’ve seen one, in this picture at least. I like the colors of the chairs, and the lighting was nice and indirect, despite the dimness.

What did I do to this? First, I cloned out the open door in the background, which was a big, white, ugly distraction. I couldn’t get the wall to look right; it looked fake and too smooth. I didn’t want to deal with it, so I just pumped up the contrast till the background went to black. An effective solution in a pinch, and it adds to the mood of… deadness. Finally, I made the colors less yellow and burned in the corners (vignetting).

Canon Rebel XTi, EF 50mm 1:1.4, 1/60, F1.6, 50mm, ISO800, 2008-06-22T00:52:14-04, 20080622-005214rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Ephemeral Branch

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The Ephemeral Branch —

A tree branch swaying in the wind, with a UPS truck on the highway behind it. I like how the light and blur turned out. I closed down all the way (F22) so I could use a 1/20 second shutter speed, then holding the camera steady while snapping away to get this. The branch is about to leave this world; it’s just your imagination! That’s what makes it ephemeral. :grin:

I dodged (brightened) the leaves and added contrast with the curves tool.

Canon Rebel XTi, EF 50mm 1:1.4, 1/20, F22, 50mm, ISO100, 2008-05-09T15:05:17-04, 20080509-190517rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.