Tag Archives: ef 50mm 1:1.4


Photo: The Fountain

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The Fountain — water from a man-made fountain, frozen in motion

A coquina-rock fountain out front of the City Hall in Holly Hill, Florida. I used a 1/1600 shutter speed to freeze the water drops. The bright green lawn and yellow rocks matched well. I tried a shot from down low, with the water against the sky, but it was too dark and lifeless. This is certainly more attractive.

Just simple contrast improvements. I cloned out two distracting droplets at the bottom of the frame, and a red stop sign in the background.

Canon Rebel XTi, EF 50mm 1:1.4, 1/1600, F3.5, 50mm, ISO100, 2008-06-12T11:12:14-04, 20080612-151214rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Graceful Flag

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The Graceful Flag — a United States flag keeping still on a windless day

The stars and stripes fly low on a windless day. There was a nice background of clouds, so I shot this of the flag from the ground. I placed the pole off-center a bit, as that’s more appealing to the eye.

I added some contrast and color through curves.

Canon Rebel XTi, EF 50mm 1:1.4, 1/800, F7.1, 50mm, ISO100, 2008-06-12T11:14:07-04, 20080612-151407rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Sun-Kissed Rose

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The Sun-Kissed Rose — a pink rose under the noon sun

A bright pink rose under the noon-day sun. This is normally the worst time to take pictures; the sun was directly overhead. But it didn’t turn out half-bad here; all the light is on the flower, so the background is dark, and the petals are nicely highlighted. It does reveal the defects in the rose, but that gives an air of honesty and truthfulness… right? :grin:

There was a lot of dirt on this rose; small specks, but annoying still. I spent a lot of time with the spot healing brush in Photoshop to take them out. Next was to add contrast and blacken the background, and then I got the finished photo you see here.

Canon Rebel XTi, EF 50mm 1:1.4, 1/640, F3.5, 50mm, ISO100, 2008-04-23T12:37:07-04, 20080423-163707rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Sibling Flowers

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The Sibling Flowers — A red flower and a white flower together

A pair of flowers; one white, one deep red. I shot this at the garden section at Wal-Mart; the flowers were already close together, but I moved them closer. It’s a good combination. I got as close as my lens would focus to cut out the background.

I under-exposed compared to my camera’s meter on purpose, as it was blowing out the whites in the auto-exposure mode. In Photoshop, I desaturated everything, but left color in the red flower and a bit of green in the leaves. I didn’t go all the way to black and white, as I feel the green adds to the mood. Then, it was just a matter of darkening everything and adding in some contrast. I also cloned out distracting highlights at the top and burned the corners slightly.

Canon Rebel XTi, EF 50mm 1:1.4, 1/125, F3.5, 50mm, ISO400, 2008-05-04T18:54:55-04, 20080504-225455rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Sky’s Mirror

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The Sky's Mirror — blue raindrops from a stormy sky, on a glossy window

These raindrops were on the back window of a friend’s car, after the rain (appropriately). This was as close as I could get with my 50mm lens; I put the focus right in the center, so it fades out toward the edges. I liking how the reflections of light and clouds in the background turned out. You can see an outline of each drop on the underside of the window below, which is also interesting.

This is the spiritual successor of The Sky’s Ceiling and possibly Crystal Rain; check them out to see how my ideas are evolving.

The blue colors were largely fabricated. I darkened the photo and added contrast for effect.

Canon Rebel XTi, EF 50mm 1:1.4, 1/400, F2.8, 50mm, ISO100, 2008-05-22T17:05:05-04, 20080522-210505rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Prison

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The Prison — the evil chain link fence

The prison is all in your mind… unless there’s a fence. This is on the campus at my school; behind it is a lot of new construction, though it’s blurry here because of the shallow depth of field. Snapped this in the evening; I like the pattern of chain-link fencing, and this seems like a good angle to shoot it from. Enjoy, and don’t be imprisoned!

I added vignetting and contrast, and desaturated for a cold look.

Canon Rebel XTi, EF 50mm 1:1.4, 1/125, F3.5, 50mm, ISO100, 2008-06-02T18:20:03-04, 20080602-222003rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Twilight Palm

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Twilight Palm — a palm tree in the dark

A palm tree at dusk. Shot this while walking around the campus on break from my class in precalculus algebra. The patterns of darkness between the clouds caught my eye, so I walked far enough away so the palm tree was in the middle of the bright patch.

I went for cooler tones with this one, and added contrast without having the dark clouds go all the way black. Nothing fancy here.

Canon Rebel XTi, EF 50mm 1:1.4, 1/2000, F4.5, 50mm, ISO100, 2008-06-04T19:04:19-04, 20080604-230419rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Abandoned Baseball

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The Abandoned Baseball — the game is over, and the ball forgotten

The game is over, and the ball, forgotten. I found this on the ground outside the baseball field at the park. I moved it to where the grass was more brown (no one waters it), laid in the dirt, and shot this. I used a really large aperture — F1.6, so just the front of the baseball would be in focus, but nothing else, so the subject would seem singled out. I couldn’t even go down to F1.4, because I was maxing out with a 1/4000 second shutter speed.

Fun editing here. I cloned out the sky in the back, added contrast, and darkened a lot, for a (you guessed it) dark look. Before doing this, I used highlight recovery in Adobe Camera RAW, and burned in the highlight on the ball. It was a bit over-exposed, but only a little detail is lost.

Canon Rebel XTi, EF 50mm 1:1.4, 1/4000, F1.6, 50mm, ISO100, 2008-06-05T16:08:38-04, 20080605-200838rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Brave Rose

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The Brave Rose — a pink rose trapped by a chain-link fence

This is a brave rose, because she’s trapped behind a chain-link fence. I went out for a walk with my camera this morning and spotted this; the rose was right near the fence, so I moved it to be peeking through one of the diamonds. The background was a house and the rest of the fence, but I opened up to F2.5 to blur it almost completely, keeping your focus on the flower.

By only leaving color in the red channel, everything else went black and white. I used subtle coloring on the rose, a glow effect, and added plenty of contrast. To balance the frame and draw the eye toward the center, I darkened everything else with the burn tool, especially toward the edges. This is a good example of how editing can produce a mood, the mood here being one of sadness and reflection, not only from the rose being behind the fence, but from the dark feel I added, and by alienating the subject from its surroundings with selective coloring.

Canon Rebel XTi, EF 50mm 1:1.4, 1/100, F2.5, 50mm, ISO100, 2008-05-17T06:47:05-04, 20080517-104705rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Night of Eternal and Unrelenting Darkness

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darkness eternal, insurmountable and unchallenged

Every once in a great while, I create a photograph that is so provocative, so controversial in its unorthodox message, that it sends waves of shock around the world. THE NIGHT OF ETERNAL AND UNRELENTING DARKNESS does just that. I woke up at 2 A.M. with this post-modern vision, immediately going to work on the complex issues of subject matter, composition, and lighting before my dream was forever lost. It is only through my hours of toiling that this ground-breaking achievement can be the domain of all humanity. This is the bifurcation point where new splits from old, from which a whole wave of art can emerge, disrupting our predilections and engaging our senses in new and unstable ways. Can the darkness inspire you? Of course it can. The question is, are you willing to let go of what you’ve learned, to accept that which you now believe you cannot accept? If you cannot, you are the same as the lowly rat, who goes through thousands of generations, never challenging, never innovating, never evolving, never thinking. My highest hope is that you can accept and befriend the darkness, for it represents the darkness of life. The darkness which we cannot escape, the darkness which is always there no matter how we struggle to drown it in light. The darkness which represents what we do not know yet attempt to explain—the darkness which we cannot understand and yet fight so bravely to understand. To know, we must know we cannot know. To understand, we must understand we cannot understand. These are the essential principles of this photograph, THE NIGHT OF ETERNAL AND UNRELENTING DARKNESS, and I know I can pass them on to you.

I had to put all my editing skills to use here, but the end result is so worth the days of torment.

Canon Rebel XTi, EF 50mm 1:1.4, 1/4000, F22, 50mm, ISO100, 2008-05-05T02:55:41-04, 20080505-065541rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.