Photo: The Coy Girl

The Coy Girl — a coquettish lady in sunglasses

A lady named Alicia, in a cute pose wearing sunglasses. This was an impromptu shoot at my college’s photography building; a white wall, wide aperture, and normal fluorescent lighting makes for a studio-like setting.
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Canon Rebel XTi, EF 50mm 1:1.4, 1/100, F2, 50mm, ISO400, 2008-04-25T17:06:49-04, 20080425-210649rxt

Source image. I added contrast, a glow effect, improved her skin tones, and removed some blemishes. The blue clothes weren’t working out, so I changed them to golden-brown to match her hair. Using Photoshop’s color channels tool, I moved the blue and cyan selectors all the way to the right, which made the colors perfect.

Photo: Bubblegum Garden

Bubblegum Garden — shiny pink flowers against a rich blue and white sky

I went to Lowe’s flower shop and started snapping photos as I sometimes do. I used my polarizing filter to get the rich blue sky, and waited for the sun to come out (the clouds were moving) to get this shot of these pink perennials. The clouds in the background make the shot; when I got down lower and only included blue sky, the background was too dull.

Bubblegum is pink, and this photo is like bubblegum pop for me, but in a good way.

Just some color and contrast enhancements, plus a light glow effect (by duplicating the image on a new layer in Photoshop, adding a gaussian blur, then choosing soft light blending between the two).
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Canon Rebel XTi, EF 50mm 1:1.4, 1/320, F6.3, 50mm, ISO100, 2008-04-23T13:19:11-04, 20080423-171911rxt

MarioGamer99 from deviantART fiddled with the source file; here’s his creation: Luminessence.

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Stock: The Quill Pen

The Quill Pen — a faux quill pen on black

A ballpoint pen with a decorative quill against a black sheet. At the bottom-left is a book with yellowed pages, which would be perfect for using the pen in.

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Canon Rebel XTi, EF 50mm 1:1.4, 1/160, F3.2, 50mm, ISO400, 2008-04-19T19:43:37-04, 20080419-234337rxt

Photo: The Gaze

The Gaze — a couple looking into each others eyes

Through the eyes of love… or something like that. These are students from my college, who posed for this photograph.

Some of my classmates think they’re about to break into a fist-fight, or that she is backing away fearfully. That wasn’t my intention, but the interpretation is your call.
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Canon Elan IIe, EF 50mm 1:1.4, Kodak 125PX 35mm film, 2008-04-14, the-gaze-rxt

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You can use the model’s likeness for anything not defamatory. You are one of my “licencees.”

Photo: Rose of Purity

Rose of Purity — an isolated white rose

A white rose, floating on a background of white. I was going to have the backdrop as a bunch of other flowers, but decided to do something different. This is from my induction into Phi Theta Kappa; white represents purity (and black impurity?).

I was working in poor light for this, so I pumped up my camera’s sensor to ISO1600. The rose is very grainy, which serves as a conceptual counterpoint to the ideal of the title. You can see my idea (of the rose being the odd one out among the other flowers), but I abandoned that and instead made it the only item on a white canvas, in an almost creepy way (does the lack of boundaries scare you?).

Canon Rebel XTi, EF 50mm 1:1.4, 1/80, F2, 50mm, ISO1600, 2008-04-19T20:06:38-04, 20080420-000638rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Looking for more stock roses? Try these: Simplicity (pink), Implicity (yellow), Complicity (pink x2), and Rose of Orange.

Photo: Night Meets Day

Night Meets Day — sunlit leaves against a moonlit sky

Leaves from the American sycamore tree in my yard. This photo is with my new polarizing filter; I made the sky look as dark as possible with it, and put the moon in the frame to make the scene a cross between night and day. So the moon didn’t become a blurry white blob, I closed down to F18, so I increased the ISO speed to 800, but the grain works well here. So you have the sunshine of late afternoon, but the dark blue sky of a moonlit night.

Though the polarizer took care of making the sky dark, I added some contrast, toned down the colors of the leaves, and added heavy vignetting (darkening at the corners), to keep your eyes from wandering off the edge. I also brightened the moon a bit.
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Canon Rebel XTi, EF 50mm 1:1.4, 1/50, F18, 50mm, ISO800, 2008-04-11T18:15:36-04, 20080411-221536rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Autumnal Leaves

Autumnal Leaves — the leaves of autumn are about to fall

The leaves of autumn come out. Took this in my yard last fall (2007); the tree always has sublime colors; though not vivid reds and oranges, there are stately reds and browns. This is wide-angle to show how big the maze of branches and leaves is, giving a sense of awe. The dark leaves at the corners help bring your eyes to the center.

No spot editing was needed; I did some simple contrast enhancements to bring out colors and tones.
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Canon Rebel XTi, EFS 18-55mm, 1/640, F3.5, 18mm, ISO100, 2007-09-23T11:30:30-04, 2007-09-23_15h30m30

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Photo: Flowers of Gold

Flowers of Gold — bright yellow flowers against a sunny blue sky

These are some golden-yellow flowers in my aunt and uncle’s yard. These were low to the ground; I had to lay in the grass to snap this, potentially exposing myself to pesticides and bugs. It’s worth it for my craft, of course!

I added a lot of contrast and brightened the sky. That was the hardest part, because I wanted the sky to be uniformly and realistically lightened, so I analyzed the dodging by setting the brightness level on the image to be very dark (with an overlay layer), and then looked for dark patches, which I’d dodge or clone out.
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Canon Rebel XTi, EF 50mm 1:1.4, 1/3200, F2.2, 50mm, ISO100, 2007-11-12T14:37:44-05, 20071112-193744rxt

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Photo: The Green Vortex

The Green Vortex — green leaves through a pinhole

Some leaves on a tree, through a rolled-up poster right in front of the lens. The reflections on the glossy paper inside make it look like a vortex… a vortex of doom, of course. Green and black are the colors of spring.

Canon Rebel XTi, EF 50mm 1:1.4, 1/160, F4.5, 50mm, ISO100, 2008-02-29T12:19:33-05, 20080229-161933rxt

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Photo: Ashes and Embers

Ashes and Embers — fiery red embers in a fireplace

Leftover embers in my wood-burning stove. The foreground is crumpled paper that didn’t burn thoroughly; makes for some interesting folds, colors, and patterns. There is still a bit of fire left in them.

I burned in the highlights a bit, made the colors redder, and added contrast. I was hand-holding the camera and the scene was dim, so I went up to ISO1600; the original is grainy. It’s nice grain, though, which I kept, though you can’t see it except at higher resolutions.
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Canon Rebel XTi, EF 50mm 1:1.4, 1/30, F1.8, 50mm, ISO1600, 2008-02-28T21:00:45-05, 20080229-020045rxt

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