Rachel, pointing out into space.

She has the same name as my seven-year-old sister, who doesn’t post much.

This was the only pose I could think of. I’m running out of ideas…

Anyway, I took color out of the background so the focus is just on Rachel. She’s pointing up at a squirrel or something.

I also darkened the background a lot.

Rachel is a photographer and has her own photographs here: photographsbyrachelwhited.com. She’s a great model too. I’m only good at photography, fortunately.

Canon Rebel XTi, EF 28-135mm, 1/200, F6.3, 38mm, ISO400, 2008-01-13T12:04:27-05, 20081113-170427rxt1

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A girl named Lyric, holding up a print of Fiery Hearts, which represents her heart. Don’t hurt her! She’s fragile like the glass in that picture frame.

I always try to get my models to look down with eyes up toward the camera, or toward the side… it’s a much more interesting pose than a dead-on stare. That worked well here.

I took out her nose ring, part of a tattoo, and some of her clothes. The photo is much more appealing that way.

The framed picture didn’t turn out good to start, because it was mostly …

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Something about this house just doesn’t feel right. It’s got no color to it. Most things have color. The grass looks warm and inviting… but what’s with those dark clouds overhead? Such oddly shaped clouds too. Like a giant C in the sky.

This is a return to The Red-Brick House… but this time the house has no color at all. Only its surroundings have that privilege, and in the warmest tones. It could be a beautiful afternoon in the country, if not for the ghost house and …

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I came across these delectable flowers on an evening walk. Just had to have them. I positioned the camera to have some palm frond leaves on the sides as a frame, and then snapped away. In Photoshop, I darkened everything but the flowers, desaturated all the color channels except red, and burned the corners especially. An eye-catching effect. Selective coloring is often tacky, but I hope I’ve done a good job of it here.

Canon Rebel XTi, EF 50mm 1:1.4, 1/50, F2.8, 50mm, ISO100, 2008-07-10T19:43:55-04, 20080710-234355rxt

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A pair of flowers; one white, one deep red. I shot this at the garden section at Wal-Mart; the flowers were already close together, but I moved them closer. It’s a good combination. I got as close as my lens would focus to cut out the background.

I under-exposed compared to my camera’s meter on purpose, as it was blowing out the whites in the auto-exposure mode. In Photoshop, I desaturated everything, but left color in the red flower and a bit of green in the leaves. …

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I found this red ornament on the ground while walking with my camera, and was inspired to set it on a nearby tree branch and reach my hand out as a reflection. The ornament represents your dreams, and the hand represents your continued pursuit of them. Don’t give up!

For this, I brightened the ornament while darkening my fingers, added contrast, a blurry glow effect, and stripped the background down to black and white (selective color).

Canon Rebel XTi, EFS 18-55mm, 1/80, F5.6, 55mm, ISO400, 2008-05-12T19:06:17-04, 20080512-230617rxt

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This is a brave rose, because she’s trapped behind a chain-link fence. I went out for a walk with my camera this morning and spotted this; the rose was right near the fence, so I moved it to be peeking through one of the diamonds. The background was a house and the rest of the fence, but I opened up to F2.5 to blur it almost completely, keeping your focus on the flower.

By only leaving color in the red channel, everything else …

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A house of red bricks stands alone against an impending storm. This is my neighbor’s yard; the clouds formed into an ominous circle right before the rain. The phone pole was not optional, as I couldn’t compose the frame as such while excluding it, but I’ve come to like it; its crookedness keeps the level horizon from becoming boring. I made a decision in post-processing to not give color to anything except the red house, and a tiny bit of green to the grass, which gives punch, and …

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The definition of complicity is “involvement as an accomplice in a questionable act or a crime.” So these roses are not your normal, law-abiding citizens. This is along the same thread as Simplicity and Implicity, my other photos of roses, which have similar backdrops.

I spent three hours getting the rose and background to look just right. I used the kit lens as it’s the closest I have to macro, but it lacks good “bokeh” (blurring in out-of-focus areas), so I blurred the background in Photoshop, …

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Darkness surrounds a fallen yellow rose. I darkened and desaturated the rose’s surroundings to make it stand out.

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Canon Rebel XTi, EFS 18-55mm, 1/15, F5.6, 55mm, ISO100, 2007-10-10T17:41:04-04, 2007-10-10_21h41m04

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!