Rain water draining out of a downspout after a storm. Photo from 2005.
Fujifilm FinePix A360, 1/714, F4.7, 5.8mm, ISO64, 2005-11-14T16:40:23-05, 2005-11-14_16h40m23
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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.
It’s a blizzard! A snow day, at least.
This was a downpour of rain that started while the sun was still out. The sunshine reflected all across the newly fallen water in the parking lot, making it look like snow. I shot this car backing out of a parking space, at 132mm from about thirty feet away.
I made the water look like snow by over-exposing and adding contrast in Photoshop. I also converted to black and white. I didn’t even notice that Adobe Camera Raw 4.0 has a vignetting slider under “Lens Corrections,” but I’m using it now to darken the corners rather than burning in manually. It turned out nice here.
Canon Rebel XTi, EF 28-135mm, 1/500, F5.6, 132mm, ISO100, 2008-11-13T14:07:11-05, 20081113-190711rxt
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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.
A tree branch swaying in the wind, with a UPS truck on the highway behind it. I like how the light and blur turned out. I closed down all the way (F22) so I could use a 1/20 second shutter speed, then holding the camera steady while snapping away to get this. The branch is about to leave this world; it’s just your imagination! That’s what makes it ephemeral. 
I dodged (brightened) the leaves and added contrast with the curves tool.
Canon Rebel XTi, EF 50mm 1:1.4, 1/20, F22, 50mm, ISO100, 2008-05-09T15:05:17-04, 20080509-190517rxt
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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.
This is an interesting technique that I used in my latest photo, The Explosion. Simply, you zoom the lens as you take the photo, and you get some cool motion blur, no Photoshop required.
Now, there are some concerns that you wouldn’t face with your normal photo, where the focal length stays constant through the exposure. Namely, these are:
• You can’t do it on most compacts, because the zoom is locked while taking the photo, as it’s controlled electronically. Using the method on a DSLR, where you turn the barrel yourself to zoom the lens, is usually the only option.
• You can’t do it with a prime lens (non-zooming), such as my favorite, the Canon EF 1:1.4. There’s just no zooming to be had.
• You need a slow shutter speed. It has to be fairly dark out, or in daytime, you have to close down the aperture as far as it goes, and maybe use a filter to keep more light out.
• With a slow shutter speed, you need a tripod. Camera shake does not look good, even in a zooming photo.
• Don’t try this with film, unless you …
This is a cool effect called zooming. While the photo is exposing and the shutter is tripped, you zoom the lens while keeping the camera steady. That way, the middle of the frame is sharp but the edges have cool motion blur. I used it here on some trees in my yard, and at the bottom you can see our clothes line (we avoid the dryer to save energy). It looks like the world is exploding!
Read more about the technique in How to Use Zooming for Explosive Photos.
Since the zoom effect is in-camera, there wasn’t much to edit here. I just added contrast and toned the colors a bit.
Canon Rebel XTi, EFS 18-55mm, 1/8, F14, 18mm, ISO100, 2008-04-20T18:30:51-04, 20080420-223051rxt
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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.
I was waiting for this quick-moving train to pass, so I took a picture of it, moving the camera with the this car as I exposed the image. It took me 30 tries, but I got this good one. To get a slow shutter speed, I closed way down to F22. Panning is a good technique; you should try it!
Canon Rebel XTi, EFS 18-55mm, 1/13, F22, 18mm, ISO100, 2008-05-13T17:08:44-04, 20080513-210844rxt
Source image. I think there’s some dust on my sensor, but I’m not going to try removing it because it only shows up at small apertures like F22 here. I cloned it out and added some nice colors and contrast. The sky is over-exposed, but I don’t mind it here; seems to match the movement of the train somehow. 
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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.
This is the second-anniversary edition of Speed, a photo I took from the passenger’s seat of a car in motion. We were moving at 30 miles per hour, but with the one-second exposure, the center is sharp but the edges are blurred. While I posted this on deviantART back in May 2006, I’ve added nice orange text, a border, and a bit more contrast to this revised version. The street is Derbyshire Road in Daytona Beach, Florida.
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The Call, an English band, put this photo on the cover of their album, Missing Pieces, from October 2007. I enjoy the songs, and though the band broke up last month (April 2008), they will be forever missed.
As you can see above, I took eight photos to get this one. All the others were blurry (camera shake), but I got the highlighted one just right by bracing the camera against the dashboard, and so it became Speed.
Fujifilm FinePix A360, 1″, F2.81, 5.8mm, ISO100, 2006-05-12T20:33:44-04, 2006-05-12_20h33m44
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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.
A speeding car is the foreground for a stunning sunset outside my home. I’m breaking some rules here: the horizon is tilted, and the sky is over-exposed, but it’s worth it because this is different and creative. Right? 
Editing: burning on the sky and dodging on the car, plus more contrast with the curves tool.
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Canon Rebel XTi, EFS 18-55mm, 1/30, F4, 30mm, ISO100, 2008-01-01T17:45:45-05, 20080101-224545rxt
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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.
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