The red Ondura roofing Dad added to our sheds, with our house in the background. We haven’t done any work on the tar and gravel roof. It was installed right before we moved in, 16 years ago (1993-03).

Ondura roofing is widely regarded as biodegradable garbage, but it’s working well for us. Talk to me in ten years. It might disintegrate soon.

The trailer I live in and am typing from now is not visible in this shot. It’s behind the mess of buildings.

Canon Rebel XTi, EF 28-135mm, 1/1000, F4, 28mm, ISO200, 2009-08-15T15:50:59-04, 20090815-195059rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Under the Granada bridge that crosses the Halifax river in Ormond Beach, Florida.

Canon Rebel XTi, EF 28-135mm, 1/320, F3.5, 28mm, ISO100, 2008-12-30T11:06:54-05, 20081230-160654rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

In bizarro world, everything looks like this…

Alternate title: Fun at the Cemetery.

Dad and I stopped off at the cemetery to take photos. I didn’t find the tombstones as interesting as this white railing near the pond, though. From this vantage point, the center crossbeams and the beams of the railing on the other side of the walkway line up, but the ones on the left and right are divergent. An interesting effect.

The railing also appears to be slanted, or maybe I tilted the camera a little. Nothing seemed level in this cemetery. I had to watch out, because I almost fell in the water taking this.

I converted to black and white because I liked the look better. Black and white seems a lot more appealing lately.

Canon Rebel XTi, EF 28-135mm, 1/125, F5.6, 28mm, ISO100, 2008-11-04T11:55:00-05, 20081104-165500rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Holes in the red-brick wall, by the theater (bldg. 220) at Daytona State College. They made the wall like this because it looks interesting.

I converted this to black and white because the color wasn’t working. The repeating pattern plays tricks on your eyes, if you look at it long enough.

For editing, all I had to do was add contrast and vignetting. The image isn’t perfectly level, but it’s as close as I could get, and I got complete holes on the sides which makes the image aesthetically stronger (because they’re dark).

Think of this wall as a thousand eyes, all staring you down…

Canon Rebel XTi, EF 28-135mm, 1/640, F5, 33mm, ISO100, 2008-11-21T13:55:13-05, 20081121-185513rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

The corner of the Riverside National Bank at 1060 W. International Speedway Blvd., Daytona Beach FL. It looks interesting by itself. I angled the camera and set this against a blue, cloudless region of the sky. Then, I made the sky dark and the bricks redder on the computer. Ha ha. Always have to do that sort of editing.

This was an interesting study in geometry and architecture, though I don’t think about those things at all when taking photos. I just photograph what looks unusual.

Canon Rebel XTi, EF 50mm 1:1.4, 1/1250, F4.5, 50mm, ISO100, 2008-09-25T10:13:45-04, 20080925-141345rxt

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The science building, #410 at Daytona State College. The side of the building is all clear glass in a white grid formation, but from this angle all it does is reflect the sky. It was a bright and sunny day out, and with the fluffy white clouds behind, the effect was quite charming.

I forgot my polarizing filter when shooting this, but I added the polarization effect through burning in Photoshop, so I’m including it under the polarizer tag.

Editing brought out the colors quite a bit. I added lots of contrast, burned in the sky, the corners, and the clouds especially. You can see the dark halo around the clouds from my use of the burn tool, but I like it so it stays. I also brightened the building, as it was a bit dim in relation to the clouds. The turquoise reflection is my favorite part.

Canon Rebel XTi, EFS 18-55mm, 1/1250, F4.5, 18mm, ISO100, 2008-08-25T11:54:20-04, 20080825-155420rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Nighttime at the docks, under the bridge over the river. This was a fun shoot, though anything at 3 A.M. is. I did three versions: one at 1/6, one at 3.2″, and this one at 30″. In the slower versions the water looks rippled and ugly, but with a longer exposure it’s beautifully smooth, and the streetlights turn to stars. You can see eight points to each light because my lens has eight aperture blades. If I’d have opened up all the way there would be no spikes, and if I opened up further they’d be less prominent.

The number of spikes is equal to the number of aperture blades if even, and double the number if odd, though they’ll be half as bright. They are often a nice touch. For editing, I did simple contrast and color adjustments.

Canon Rebel XTi, EF 50mm 1:1.4, 30″, F9, 50mm, ISO100, 2008-07-21T02:50:56-04, 20080721-065056rxt

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The side of the photography building at Daytona Beach College, with my camera turned to the side. The sun was right behind the building, which provides the gradation of brightness. The structure looks like it has a chunk taken out in the middle, but that’s how they build ‘em nowadays.

The orange—I made the orange, there was no orange. I added vignetting and upped the contrast. It looks good now, like a sunset or deathly blanket of clouds.

Buy a 4*6 copy for $0.95 (USA only). Lustre finish. After adding, go to your shopping cart.

Canon Rebel XTi, EFS 18-55mm, 1/320, F8, 22mm, ISO100, 2008-03-07T14:35:59-05, 20080307-193559rxt

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I took this shot from right underneath a street light; the subject is quite interesting yet overlooked. Developed this from black-and-white film; it was sunny out yet I managed to get a dark sky.

Buy a 4*6 copy for $0.95 (USA only). Lustre finish. After adding, go to your shopping cart.

Canon Elan IIe, EF 50mm 1:1.4, Kodak TRI-X 400 35mm film, 2008-01-28, common-geometry-rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.