Photo: The Sky’s Mirror

The Sky's Mirror — blue raindrops from a stormy sky, on a glossy window

These raindrops were on the back window of a friend’s car, after the rain (appropriately). This was as close as I could get with my 50mm lens; I put the focus right in the center, so it fades out toward the edges. I liking how the reflections of light and clouds in the background turned out. You can see an outline of each drop on the underside of the window below, which is also interesting.

This is the spiritual successor of The Sky’s Ceiling and possibly Crystal Rain; check them out to see how my ideas are evolving.

The blue colors were largely fabricated. I darkened the photo and added contrast for effect.

Canon Rebel XTi, EF 50mm 1:1.4, 1/400, F2.8, 50mm, ISO100, 2008-05-22T17:05:05-04, 20080522-210505rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Color and Light

Color and Light — the morning sun shines on refrigerator magnets

These are magnets that are holding up 4*6 copies of my photos on the refrigerator. The sun shines through the window in the morning, lighting them up like this. I didn’t notice it before (not usually up in the mornings), but I had to snap this when I saw it.

I toned down the blue channel while adding to the red channel, and darkened a bit.

Canon Rebel XTi, EFS 18-55mm, 1/50, F5.6, 55mm, ISO400, 2008-05-30T07:39:13-04, 20080530-113913rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Prison

The Prison — the evil chain link fence

The prison is all in your mind… unless there’s a fence. This is on the campus at my school; behind it is a lot of new construction, though it’s blurry here because of the shallow depth of field. Snapped this in the evening; I like the pattern of chain-link fencing, and this seems like a good angle to shoot it from. Enjoy, and don’t be imprisoned!

I added vignetting and contrast, and desaturated for a cold look.

Canon Rebel XTi, EF 50mm 1:1.4, 1/125, F3.5, 50mm, ISO100, 2008-06-02T18:20:03-04, 20080602-222003rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Twilight Palm

Twilight Palm — a palm tree in the dark

A palm tree at dusk. Shot this while walking around the campus on break from my class in precalculus algebra. The patterns of darkness between the clouds caught my eye, so I walked far enough away so the palm tree was in the middle of the bright patch.

I went for cooler tones with this one, and added contrast without having the dark clouds go all the way black. Nothing fancy here.

Canon Rebel XTi, EF 50mm 1:1.4, 1/2000, F4.5, 50mm, ISO100, 2008-06-04T19:04:19-04, 20080604-230419rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Abandoned Baseball

The Abandoned Baseball — the game is over, and the ball forgotten

The game is over, and the ball, forgotten. I found this on the ground outside the baseball field at the park. I moved it to where the grass was more brown (no one waters it), laid in the dirt, and shot this. I used a really large aperture — F1.6, so just the front of the baseball would be in focus, but nothing else, so the subject would seem singled out. I couldn’t even go down to F1.4, because I was maxing out with a 1/4000 second shutter speed.

Fun editing here. I cloned out the sky in the back, added contrast, and darkened a lot, for a (you guessed it) dark look. Before doing this, I used highlight recovery in Adobe Camera RAW, and burned in the highlight on the ball. It was a bit over-exposed, but only a little detail is lost.

Canon Rebel XTi, EF 50mm 1:1.4, 1/4000, F1.6, 50mm, ISO100, 2008-06-05T16:08:38-04, 20080605-200838rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Switched to Google Apps Email

I decided to switch my email over from Gmail to Google Apps Email. I have the same email address (richardxthripp@thripp.com), but Google uses my domain now, so when I send out emails it won’t say “on behalf of richardxthripp@gmail.com.” And instead of just forwarding all thripp.com email to my old Gmail account, I can set up separate accounts with different credentials under thripp.com, while using a catch-all for everything else. There’s some good info and discussions about this here: What Does Google Apps for Your Domain Actually Do?.

If you want a thripp.com email account, leave a message with the name you want (the part before @thripp.com), and I’ll email your password to your old address (add it in the email field on the comment form, or if you’re logged into your thripp.com account, I’ll get it from your profile). Then you can sign on at mail.thripp.com. :grin:

Banned from Technorati

I pinged all of the thripp.com blogs on Technorati using this tool, and now Brilliant Photography has been removed from Technorati. Guess they thought I was trying to game the system (good guess on their part).

Technorati is a blog tracking and ranking service. The main ranking is “authority,” which is based purely on how many blogs link back to you. Since all thripp.com blogs link back here (in the footer of each one), my authority should have shot up from 11 to 71. My blog is still listed on my user page, with a modest authority of 17.

I’m taking the Technorati link out of the Brilliant Photography footer. Our community deserves recognition.

The Irrationality of Apportionment

I remember in 1st grade, doing calculations on how much time I’d spend, say, brushing my teeth each day. If I use five minutes per day on that, that’s 1825 minutes per year, or 30 hours, or a whole school week! My, how much time that was wasting! That’s 2% of my life!

Of course, keeping your teeth clean is very important, a task well worth 2% of your time. But it is when we apply this sort of bean-counting to everything we do, that we run into problems.

When you try to break your day down into minutes and then assign chunks of them to certain projects, like “shoot creative photos for thirty minutes,” it works well on paper, but then in practice it falls flat. You might not even notice it at first. You’ll be busy following the list you made to the letter, taking photos that are decidedly uncreative, thinking you’re making some big accomplishment. Then when you’re waxing the car (or whatever the hip thing is to do nowadays), and you see some great scene like Leafy Sunset 6, you’ll ignore it because it’s not on your list. You’ll miss out on all sorts of opportunities.

You can’t schedule creativity or inspiration. In fact, I’d go so far as to say you can’t schedule your life. Sure, you can make a “schedule” and follow it, but it’s not going to be any better than what you’d do applying yourself without confinement, nor will it wring an ounce of efficiency out of you.

Apportionment’s real value is in building discipline. Once you’ve become disciplined, meaning that you’ve found goals worth focusing on and you’re working toward them, scheduling is just a waste of 2% of your life itself, because you’re so in tune with your work that rigidity shackles your powerful spirit, rather than channeling a weak, uncommitted one (which probably isn’t worth channeling anyway). It’s a lesson that lasts a lifetime, but the lesson itself doesn’t need to take a lifetime. In fact, when I say 2%, it’s often more like 30%. Read stuff like Me and GTD: my worrying addiction to getting organised and Could GTD be harmful? for an example. GTD = Getting Things Done = scheduling to the max. Of course, I’ve been talking more of creative arts rather than the mundane chores apportionment is more often applied to. But I find that apportionment only makes those chores more undesirable; you’re actually less likely to follow through than you would be if it weren’t at the mercy of a rigid schedule.

Further, you have so much untapped creative potential that organizing what you have is going to produce far less than cultivating what you don’t. Work on your strengths, and many other things will fall into place. Hone the talents you already have, rather than the ones you don’t. See the big picture, rather than immersing yourself in the tiny details. This is the difference between someone who keeps a messy desk and gets work done, versus someone who meticulously keeps a clean desk but gets work done. Right now, my desk is covered in piles of school papers, photography accessories, and junk mail needing discarded, yet I’m getting more work done than if I fixed those problems and came back. And the “work” is fun, because I’ve been wanting to write something about this sort of work for a while.

One place you’ll find people often using apportionment is in restricting addictive time-sinks, like emails, blog stats, RSS feeds. You might say, “I will only check these once a day, because they continue pulling me from my work while providing no value.” The immediate problem with this, is that you’re working from a negative perspective rather than a positive one; you’re trying to remove the distractions, rather than let the distractions remove themselves. And they will remove themselves if what you’re focused on is so engrossing that it captures your undivided attention. You’ll see this often, with children playing video or computer games, or younger children making buildings out of blocks. That kind of masterful focus is something we lose when we grow up, instead trying to substitute kludges like demands and scheduling. But if we can get back in the flow to begin with, all of this becomes mere child’s play.

So get back into that flow. If you’re passion isn’t providing that sort of in-built noise filtering, you’re approaching it from the wrong angle or it isn’t right to start with. If you don’t schedule, you don’t have to be afraid of change, and change is much better mastered than feared.

Photo: The Speedy Train

The Speedy Train — a clear train in a blurry world

I was waiting for this quick-moving train to pass, so I took a picture of it, moving the camera with the this car as I exposed the image. It took me 30 tries, but I got this good one. To get a slow shutter speed, I closed way down to F22. Panning is a good technique; you should try it!

Canon Rebel XTi, EFS 18-55mm, 1/13, F22, 18mm, ISO100, 2008-05-13T17:08:44-04, 20080513-210844rxt

Source image. I think there’s some dust on my sensor, but I’m not going to try removing it because it only shows up at small apertures like F22 here. I cloned it out and added some nice colors and contrast. The sky is over-exposed, but I don’t mind it here; seems to match the movement of the train somehow. :sunglasses:

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.