Photo: White Christmas

White Christmas

Christmas is here early! The trees are frosted with ice.

Actually, this is Daytona Beach, Florida, where it doesn’t get cold enough to frost the trees over. I saw this tree in the parking lot at the grocery store; the stark contrast with the background caught my eye. There was a streetlight right near it.

I didn’t have a tripod with me, so I had to hold the camera. The first thing I tried was setting the camera on the ground pointing upward, but I couldn’t get the right composition. My 28-135mm lens only goes down to F3.5, and I didn’t want to go above ISO800 to avoid too much grain, so I held the camera by hand pointing upward, really still, and fired off ten shots. This was the best one. It came out clear even though I had to use a 1/3 second shutter speed due to the darkness. The image stabilization gyroscopes in the lens helped.

Most of the leaves have fallen off this tree. Winter must be here!

Merry Christmas everyone. It’s just 34 days away.

Canon Rebel XTi, EF 28-135mm, 1/3, F3.5, 28mm, ISO800, 2008-11-19T18:04:58-05, 20081119-230458rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Golden Highway

The Golden Highway

The golden highway: International Speedway Boulevard in Daytona Beach, Florida, near the race track. I shot this through the windshield of the car from a few hundred feet away, with my lens at 135mm, the maximum telephoto. Since my camera has a 22.2×14.8mm (cropped) sensor, that’s the 35mm equivalent of 216mm.

The light around the cars struck me immediately. Shooting through a scratched windshield actually makes the scene more beautiful, because you have streaks of light and contrast around the highlights. The downside is that the photo is initially low-contrast. I cranked up the contrast with curves in Photoshop. Even though this is at ISO100, I managed to bring out quite a bit of grain with the editing. Also, I burned in the corners and shifted the colors more toward gold and red. I’m liking this photo quite a bit.

Don’t give up on the golden highway. It’s there, waiting for you to find it. Even if you have to fabricate it.

Canon Rebel XTi, EF 28-135mm, 1/1600, F5.6, 135mm, ISO100, 2008-11-05T16:54:51-05, 20081105-215451rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Bricks and Sunshine

Bricks and Sunshine

The corner of the Riverside National Bank at 1060 W. International Speedway Blvd., Daytona Beach FL. It looks interesting by itself. I angled the camera and set this against a blue, cloudless region of the sky. Then, I made the sky dark and the bricks redder on the computer. Ha ha. Always have to do that sort of editing.

This was an interesting study in geometry and architecture, though I don’t think about those things at all when taking photos. I just photograph what looks unusual.

Canon Rebel XTi, EF 50mm 1:1.4, 1/1250, F4.5, 50mm, ISO100, 2008-09-25T10:13:45-04, 20080925-141345rxt

Location: 1060 W. International Speedway Blvd., Daytona Beach, FL  32114

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Flowery Sky

Flowery Sky

I returned to the spot of Gridiron Sky for this shot. These flowers had fallen to the ground, so I picked them up and held them against the reflective building. It makes a nice background.

For editing, I darkened the sky and corners a lot, while adding color and contrast. I use an RGB working color space, so after adding contrast, the colors become over-saturated. I reduced the saturation overall then, and then used the gamut warning tool for toning down parts of the flower. It’s important that the colors look good on screen and in print.

This is a wide-angle shot, incidentally. 18mm on the Canon Rebel XTi kit lens.

Canon Rebel XTi, EFS 18-55mm, 1/500, F6.3, 18mm, ISO100, 2008-09-22T11:53:02-04, 20080922-155302rxt

Location: Daytona State College, Building 410, Schildecker Science Hall (outside), 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Gridiron Sky

Gridiron Sky

The science building, #410 at Daytona State College. The side of the building is all clear glass in a white grid formation, but from this angle all it does is reflect the sky. It was a bright and sunny day out, and with the fluffy white clouds behind, the effect was quite charming.

I forgot my polarizing filter when shooting this, but I added the polarization effect through burning in Photoshop, so I’m including it under the polarizer tag.

Editing brought out the colors quite a bit. I added lots of contrast, burned in the sky, the corners, and the clouds especially. You can see the dark halo around the clouds from my use of the burn tool, but I like it so it stays. I also brightened the building, as it was a bit dim in relation to the clouds. The turquoise reflection is my favorite part.

Canon Rebel XTi, EFS 18-55mm, 1/1250, F4.5, 18mm, ISO100, 2008-08-25T11:54:20-04, 20080825-155420rxt

Location: Daytona State College, Building 410, Schildecker Science Hall (outside), 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Basketball Hoop

Basketball Hoop

Looking up through a basketball hoop.

I tried thinking of a more abstract title, but nothing is better than “Basketball Hoop.” Sure, if this were a plain, ordinary photo of a basketball hoop, a creative title might add some jazz, but when the photo is creative on it’s own, a mundane title is a good contrast. A creative title would work too, but a mundane title for a creative piece is far better than an unfitting creative title.

I took this at F2.5, so even parts of the netting are out of focus. The background was a dull blue sky, but it works quite well when converted to black and white. Then, I added lots of contrast. No vignetting, because it would feel contrived on this image.

Someone somewhere has done a photo just like this, but I haven’t. :cool:

Canon Rebel XTi, EF 50mm 1:1.4, 1/200, F2.5, 50mm, ISO100, 2008-09-13T07:19:31-04, 20080913-111931rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunrays 6

Sunrays 6

Sunrays 6! W00t! :grin:

Saw this outside my door, so I ran out into the street snapping pictures. It’s amazing what pops up if you watch the sky every evening. These were the most impressive beams of light and darkness I’ve seen; I didn’t even have to edit much. I did a bit of dodging and burning, and added contrast with the curves tool, but that was it.

The light is good. Let the light guide you to courageously fulfilling your dreams and aspirations. But like any good sunset, your dreams are always on the move. I know that, because these sunrays disappeared just a few minutes after I found them.

Canon Rebel XTi, EFS 18-55mm, 1/1600, F4, 28mm, ISO100, 2008-08-26T19:06:22-04, 20080826-230622rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

More of the Sunrays series.

Photo: Sunrays 5

Sunrays 5

The fifth entry in the series: a burst of sunshine through the dark clouds. I like the power lines at the bottom-right… they sweep in at the right angle.

Canon Rebel XTi, EFS 18-55mm, 1/4000, F4, 18mm, ISO100, 2008-08-11T17:21:08-04, 20080811-212108rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

More of the Sunrays series.

Photo: Caramel Sunset

Caramel Sunset

This beautiful sunset caught my eye out the window. The skies here are just getting better and better. I ran out with my wide-angle lens (the kit lens) and started snapping different angles of it. It didn’t look like this to start, but I stuck around for ten minutes and the clouds came together in this odd formation. It looks like cotton candy, caramel flavored. I found it really interesting that the sun was like a spotlight, because it was dark outside of the clouds as you can see at the edges of this photo.

I don’t have many angles to work with because of the trees in my neighbor’s yard, but this definitely works best for showing the origin of the light (at the bottom). I did most of my post-processing right in Adobe Camera Raw. To improve the look, all I did was increase the contrast and black levels, and then I added a bit more contrast with the curves tool.

Canon Rebel XTi, EFS 18-55mm, 1/100, F4, 18mm, ISO200, 2008-08-19T20:04:27-04, 20080820-000427rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunset

Sunset — a vivid, fiery mix of orange and white clouds at sundown

I saw the golden colors flooding in through the window just a few hours ago, so I rain out and snapped this photo of the gorgeous sunset that was gracing my front yard. I haven’t seen a sunset this impressive before. The swirls of clouds were awesome, and went far above what you see in the frame. I couldn’t fit them all in even at 18mm, which is as wide as the Canon Rebel XTi kit lens would go.

I punched the contrast up in Photoshop. The camera always captures images in such a dull way, but editing restores the beauty of the scene (Being a Free Photographer).

I literally ran out of the house to catch this, and kept taking pictures afterward, though they are less impressive. You have to work very quickly to get shots of sunsets; within ten minutes it had mostly faded away. I didn’t notice it while the clouds were forming like this; they may have looked even better then.

Canon Rebel XTi, EFS 18-55mm, 1/200, F4.5, 18mm, ISO400, 2008-08-14T20:07:55-04, 20080815-000755rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.