Photo: Raindrops on the Window

Raindrops on the Window — droplets against the clouds and sky

A windshield with raindrops, on the drive home. Behind it are some clouds and trees. I added sharpness which gives the image an edge, as do the vignetting and improved contrast. This has a slightly blue hue; I didn’t go straight to black and white as blue matches the overcast sky better.

Canon Rebel XTi, EFS 18-55mm, 1/500, F5, 43mm, ISO100, 2008-07-11T17:45:31-04, 20080711-214531rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Pale House

The Pale House — a ghost house with dark clouds

Something about this house just doesn’t feel right. It’s got no color to it. Most things have color. The grass looks warm and inviting… but what’s with those dark clouds overhead? Such oddly shaped clouds too. Like a giant C in the sky.

This is a return to The Red-Brick House… but this time the house has no color at all. Only its surroundings have that privilege, and in the warmest tones. It could be a beautiful afternoon in the country, if not for the ghost house and scary clouds.

This was quite a scene to start; I hadn’t seen a cloud formation that ominous, and it was followed by lots of rain and lightning. Once the rain started pouring, the sky went mucky gray. All the tension disappeared. That happens in most storms.

Editing on this was substantial, because it involves almost everything you see. I shifted the white balance in Adobe Camera Raw to make everything yellow, before importing the image into Photoshop. I went over the house with a desaturation brush at 100%, burned the corners in repeatedly with my pen tablet, and burned that dark line across the sky. It was there to start, but I added the curve going up to the left and around just with the burn tool.

Canon Rebel XTi, EFS 18-55mm, 1/200, F5, 18mm, ISO100, 2008-07-28T16:45:44-04, 20080728-204544rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunrays 4

Sunrays 4 — deep blue sunrays break through the clouds

A brilliant sunset with deep blue sunrays. Shot this through the windshield from my Grandma’s car. The colors were interesting, and the contrast and light patterns beautiful.

Editing involved noise reduction, heaps of added contrast and darkening, and lots of burning on the upper-right quadrant. Enjoy!

Canon Rebel XTi, EFS 18-55mm, 1/2000, F3.5, 18mm, ISO100, 2008-07-11T17:25:14-04, 20080711-212514rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

More of the Sunrays series.

Photo: Rift in the Clouds

Rift in the Clouds — black sunshine and white clouds in a dramatic sky

A cool-looking sky that crossed my eyes in the yard one evening. I shot this with my wide-angle (a.k.a. kit) lens, zooming in a bit to exclude the surrounding trees. Just sky. It’s like a rift is about to split the clouds from the sky and destroy the planet. It looks like there are sunrays about the clouds, but instead of being brighter, they’re dark, quite interestingly.

Quick and fun post-processing on this one. I switched to black and white, added contrast, then burned in the corners and dark parts around the clouds. Same for the black sunrays. Makes for a dramatic photo. The scene was dramatic to start, but it takes tweaking to replicate the drama on-screen.

Canon Rebel XTi, EFS 18-55mm, 1/1600, F3.5, 24mm, ISO100, 2007-09-13T17:53:49-04, 2007-09-13_21h53m49

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Last Battle

The Last Battle — a twig vs. the incoming black clouds

The only remaining twig, fighting the last battle against the incoming storm clouds. All the other ones have been washed away, or struck by lightning or something. I ripped this plant life off a bush of some sort in our yard (it’s a jungle out there), because it has a nice shape and pattern of leaves. It fit the bright space in the sky well, so I held it up with one hand while snapping the shot with the other.

It was a bit bluish out; I found the image worked better in black and white. I added a lot of contrast to push the branch to black and the bright parts of the sky to near white, then darkened the dark clouds to add punch. It was late, so I under-exposed to gain a fast enough shutter speed, and because I knew I wouldn’t need shadow detail anyway. That’s why the original image is dark.
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Canon PowerShot A620, 1/100, F2.8, 7.3mm, ISO100, 2007-05-13T19:56:32-04, 2007-05-13_23h56m32

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunset in the City

Sunset in the City — power lines, cars, and a beautiful pink sunset

A sunset near the Wal-Mart in South Daytona, Florida. I couldn’t move away to exclude the distractions, so I made them part of the scene to represent urban life. The colors and cloud dark clouds at the top drew my eye, as did the cars at the bottom. I made the tail light of a car the dot for the i in City, and the headlight the period for the X. in Richard X. Thripp. Creatively incorporating the title into the piece is nice sometimes.

I added a bunch of contrast, shifted the colors from yellow to pink, and brightened the lights of the cars.

Canon PowerShot A620, 1/160, F3.5, 14.93mm, ISO100, 2007-01-19T18:05:27-05, 2007-01-19_23h05m27b

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Ominesence

Ominesence — a stormy, ominous sky over the sea and city

Ominesence: the state or quality of being ominous. The real word is ominousness, but I made up this alternate. This is a river and city with dark clouds overhead. The right side is bright light and good weather, though it too is broached by darkness. I took this in a moving car crossing a bridge; you can see the railing at the bottom. Used a 1/250 second shutter speed to freeze the scene, though I had to go up to ISO800 because it was so dark out.

I added contrast, darkened the dark clouds and corners, and removed a lot of noise. There were lots of markers and pylons in the river which were bugging me. I cloned all of them out. Now it looks like it should.

Canon Rebel XTi, EF 50mm 1:1.4, 1/250, F1.8, 50mm, ISO800, 2008-06-26T17:44:30-04, 20080626-214430rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Flash in the Night

Flash in the Night — a bolt of lightning brightens the dark sky

A bolt of lightning flashes through the dark sky. This was from the storm during my vacation. My grandmother forbade me from going outside ( :neutral: ), so I shot this through the screen window. You can see the pattern of the window on the sky, though it’s out of focus. The blurred spots may have been water drops on the window. I snapped fifty photos, and was lucky enough to get this one as the lightning struck. I put some of my tips from Torrential Rain to good use.

I closed down all the way to F22 in aperture priority mode, yielding a 1.6 second shutter speed. I braced the camera against the window, and fired away. Before this, I set the exposure compensation to -2, so the lightning would not be too bright.

The source image looks brighter than it should. I purposely underexposed when shooting, so the lightning would not be too bright when it popped up. I shifted the colors to be more bluish, removed some dust spots, burned in the corners, and darkened a bit. That’s all the lightning needed!

Canon Rebel XTi, EF 50mm 1:1.4, 1.6″, F22, 50mm, ISO100, 2008-06-26T18:08:28-04, 20080626-220828rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Graceful Flag

The Graceful Flag — a United States flag keeping still on a windless day

The stars and stripes fly low on a windless day. There was a nice background of clouds, so I shot this of the flag from the ground. I placed the pole off-center a bit, as that’s more appealing to the eye.

I added some contrast and color through curves.

Canon Rebel XTi, EF 50mm 1:1.4, 1/800, F7.1, 50mm, ISO100, 2008-06-12T11:14:07-04, 20080612-151407rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunrays 3

Sunrays 3 — orange rays of sunshine pierce black clouds

Orange sunrays emerge from the black clouds. This is from the car like the second; we passed an open field where I had the chance to snap this. I like how the beams are shining down instead of up like you see normally, and the patterns of light and dark in the clouds and between the sunshine were quite a sight.

Added a lot of contrast here, and brightened the sunrays quite a bit, while darkening the spaces in between, to make them more compelling. I wanted the surrounding clouds and land to be black, but I was careful not to over-expose the bright clouds, so they still have detail. This is the kind of editing I enjoy; I’m glad there were no poles and trees to remove like in Pink and Purple Sunset 3. The ones in the bottom-right get to stay because I like them and they’re small.
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Canon Rebel XTi, EFS 18-55mm, 1/1000, F5.6, 55mm, ISO100, 2007-10-30T17:21:20-04, 2007-10-30_21h21m20

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

More of the Sunrays series.