Photo: Spanish Moss

Spanish Moss

A tree covered in spanish moss at DeLeon Springs park (Florida), in black and white.

Canon Rebel XTi, EF 28-135mm, 1/500, F3.5, 28mm, ISO400, 2008-12-31T09:28:49-05, 20081231-142849rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Power Jungle

Power Jungle

Power lines through a field of brush. It’s a jungle out there!

I added contrast and vignetting in Photoshop. This is the first photo I’ve posted in over a month; I’m glad to be back though.

Canon Rebel XTi, EF 28-135mm, 1/1600, F3.5, 35mm, ISO100, 2008-12-31T09:30:31-05, 20081231-143031rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Tired Tree

The Tired Tree

I crouched in the dirt below this barren winter tree, camera pointed straight up, to capture this shot. The sky was white and overcast. The tree is old and tired from all that heavy Spanish moss weighing it down. :silly:

This looks like something from a horror movie, where the tree falls on you and kills everyone… I had to be careful framing this, as there were more youthful palm trees to the left and right which I had to exclude. This is often a great perspective, and it was critical not to cut off the branches at the top of the frame or else the tree wouldn’t seem complete. The branches to the left don’t matter. The trunk at the bottom-right doesn’t extend much passed the frame, but by not including its edges, the tree seems more impressive.

I converted to black and white and added a slight amount of contrast in Photoshop. No vignetting needed at the top, though I darkened the bottom corners. If you look at the source file, you’ll find it’s remarkably similar to the final. The sky really was bright like that and the tree was black against it. I shot in color mode (always do that for versatility), but the source file looks black and white because there was little color in the scene. I think I set the camera to cloudy white balance, appropriate for the bluish clouds. If it was sunny out, the neutral gray point would be closer to yellow, necessitating a lower color temperature (5200 K vs. 6000 K) to match the scene. If I shot this at tungsten white balance (3200 K), it would look really blue, but if I was under incandescent or tungsten lighting (yellow), the scene would look normal. Lower white balance temperatures are for yellow scenes, higher white balance temperatures are for blue scenes, because color temperature represents the color output of an ideal black body radiator at that temperature. 273.15 degrees Kelvin is 0 Celsius, 5200 Kelvin is 4926.85 Celsius which is 8900 degrees Fahrenheit. A black body radiator gets bluer at higher temperatures, say 7000 K, and yellower at lower temperatures, say 3200 K. When you set your camera’s white balance to 3200 K, tungsten, you’re telling it to set the color a black body radiator at 3200 K puts out as neutral gray (yellow). At 7000 K (shade), blue colors are neutral gray. So something that appears blue at 3200 K white balance will appear yellow at 7000 K white balance. An object that would appear blue at 7000 K white balance will be much bluer at 3200 K, and an object that is yellow when the camera is set to 3200 K white balance will be much more yellow when the camera is set at 7000 K white balance.

Canon Rebel XTi, EF 28-135mm, 1/500, F5.6, 30mm, ISO100, 2008-11-04T11:53:02-05, 20081104-165302rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Bizarro World

Bizarro World

In bizarro world, everything looks like this…

Alternate title: Fun at the Cemetery.

Dad and I stopped off at the cemetery to take photos. I didn’t find the tombstones as interesting as this white railing near the pond, though. From this vantage point, the center crossbeams and the beams of the railing on the other side of the walkway line up, but the ones on the left and right are divergent. An interesting effect.

The railing also appears to be slanted, or maybe I tilted the camera a little. Nothing seemed level in this cemetery. I had to watch out, because I almost fell in the water taking this.

I converted to black and white because I liked the look better. Black and white seems a lot more appealing lately.

Canon Rebel XTi, EF 28-135mm, 1/125, F5.6, 28mm, ISO100, 2008-11-04T11:55:00-05, 20081104-165500rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Hello Grasshopper

Hello Grasshopper

Ashley says hello to a 17×11 print of Yellow Grasshopper. That was hard to carry around, but it was worth it so they could meet. She’s funny and cute. The grasshopper is too, but he’s more the serious type. :wink:

She was smoking (see her left hand), and I rested the print on the ash can nearby. It was the only way to get them both in the shot looking at each other. Smoking is still as popular as ever.

I added brightness and vignetting, and corrected her skin tones. I set my camera to sunshine white balance, but it was a bit too bluish for this light.

Next time you see a grasshopper, say hello!

Canon Rebel XTi, EF 28-135mm, 1/125, F5.6, 112mm, ISO100, 2008-11-12T13:02:11-05, 20081112-180211rxt

Location: Daytona State College, 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

You can use the model’s likeness for anything not defamatory. You are one of my “licencees.”

Photo: A Thousand Eyes

A Thousand Eyes

Holes in the red-brick wall, by the theater (bldg. 220) at Daytona State College. They made the wall like this because it looks interesting.

I converted this to black and white because the color wasn’t working. The repeating pattern plays tricks on your eyes, if you look at it long enough.

For editing, all I had to do was add contrast and vignetting. The image isn’t perfectly level, but it’s as close as I could get, and I got complete holes on the sides which makes the image aesthetically stronger (because they’re dark).

Think of this wall as a thousand eyes, all staring you down…

Canon Rebel XTi, EF 28-135mm, 1/640, F5, 33mm, ISO100, 2008-11-21T13:55:13-05, 20081121-185513rxt

Location: Daytona State College, 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Blizzard

Blizzard

It’s a blizzard! A snow day, at least.

This was a downpour of rain that started while the sun was still out. The sunshine reflected all across the newly fallen water in the parking lot, making it look like snow. I shot this car backing out of a parking space, at 132mm from about thirty feet away.

I made the water look like snow by over-exposing and adding contrast in Photoshop. I also converted to black and white. I didn’t even notice that Adobe Camera Raw 4.0 has a vignetting slider under “Lens Corrections,” but I’m using it now to darken the corners rather than burning in manually. It turned out nice here.

Canon Rebel XTi, EF 28-135mm, 1/500, F5.6, 132mm, ISO100, 2008-11-13T14:07:11-05, 20081113-190711rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Out of the Frame

Out of the Frame

Rachel, pointing out into space.

She has the same name as my seven-year-old sister, who doesn’t post much.

This was the only pose I could think of. I’m running out of ideas…

Anyway, I took color out of the background so the focus is just on Rachel. She’s pointing up at a squirrel or something.

I also darkened the background a lot.

Rachel is a photographer and has her own photographs here: photographsbyrachelwhited.com. She’s a great model too. I’m only good at photography, fortunately. :grin:

Canon Rebel XTi, EF 28-135mm, 1/200, F6.3, 38mm, ISO400, 2008-01-13T12:04:27-05, 20081113-170427rxt1

Location: Daytona State College, 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

Photo: Velvet Flowers

Velvet Flowers

Light blue flowers, like velvet in the sun.

This was framed well. There are a whole bunch more flowers on the left and below, a dark plant on the right, and deep turquoise sky above. It wasn’t quite like that in reality, but I changed the color of the sky and made the flowers lighter in Photoshop, by manipulating curves on the a and b channels in the Lab colorspace.

These flowers are near bldg. 300 at Daytona State College. I had to sit near the ants on the sidewalk while pointing my camera up to get this shot. I tried one with the flowers in the background, but preferred a lower angle with the clear blue sky as the setting.

Canon Rebel XTi, EF 28-135mm, 1/1000, F5.6, 135mm, ISO100, 2008-11-21T12:52:09-05, 20081121-175209rxt

Location: Daytona State College, 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Road into the Night

Road into the Night

Sunset on the highway at dusk. Into the dark clouds…

The cloud formations caught my eye. There are dark clouds across the whole sky, with sunshine underneath. This was right near dusk, so I had to hold the camera still with a 1/30 second shutter speed at ISO400.

For editing, I added some contrast, darkened the corners, and toned down the clouds that were over-saturated from adding contrast in an RGB colorspace. This one is fairly grainy.

Leave me some comments, loyal readers / viewers. :grin:

Canon Rebel XTi, EF 28-135mm, 1/30, F4, 47mm, ISO400, 2008-11-14T17:47:49-05, 20081114-224749rxt1

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.