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Photo: Fiery Hearts

Fiery Hearts

I had this idea of drawing a heart with a laser pointer. I set the camera up on a tripod, set the timer to ten seconds, and then drew this with the laser in the 3.2 seconds the picture was exposed.

Actually, it wasn’t easy like that. It took me 50 tries to get right. Have you ever tried to draw a heart on the wall with a laser pointer? I did two of them, and getting them to look anything like hearts, timed to 3.2 seconds, is quite a feat itself. This was the best I could do. I like the hearts—they look jagged, which is good because hearts aren’t perfect, nor is love. Perfection just doesn’t exist, and life would be boring if it did. The only perfect state is continuous personal growth; you can’t become perfect and then stagnate, wallowing in your perfection.

I drew the hearts on a window because the reflections on the glass turn up much brighter in the camera. In Photoshop, I brightened the laser trails and heart outline to make it more distinctive, while adding contrast and darkness to the surroundings. This was at ISO1600, so the end result is grainy and riddled with artifacts, but spirited nonetheless.

When your hearts meet, let them have fire!

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 3.2″, F2.8, 105mm, ISO1600, 2008-09-06T02:26:48-04, 20080906-062648rxt

Location: Thripp Residence, Ormond Beach, FL  32174-7227

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Photo: Lilac Dreams

Lilac Dreams

Lilac (purple) flowers at the Daytona State College campus. These aren’t lilacs, but I like the name so I’m using it to refer to the color.

A friend volunteered to let me borrow his lens: a Sigma EF 105mm 1:2.8. I have it till next week, so I’ve been taking pictures of stuff with the different perspective it offers. Everything’s so close; I can’t get any sort of landscapes with this. But it’s interesting to focus on the details, and I can get closer to flowers than I can with the kit lens.

While I take good care of my camera and lenses, one of the worries in borrowing a lens–or anything for that matter–is that it will break in your possession, or you’ll break it by accident. Breaking your own stuff isn’t so bad as breaking someone else’s stuff, because then you (generally) feel obligated to replace it. What happens more often is the lender will say you broke it when you didn’t. Or if anything goes wrong with it in a period of one month after you return it, the lender blames it on you. I’m not sure why this happens, but it seems to be a common human trait.

I believe it’s rooted in fear. We want a scapegoat for everything. People may even subconsciously lend items they know are about to break, just so they can blame the borrower when the inevitable happens. Obviously, this is something that you and me must work on overcoming. Most people are reasonable and down-to-Earth already; I don’t consider borrowing a lens from a friend high-risk. But, I don’t borrow by contract if it’s reasonable to buy the item instead. Contracts are bad because they’re generally with people you don’t know; it’s much better to lend an item to a friend on honor than to a stranger with the threat of law.

Borrowing is actually condemned in the Bible, and it’s not something people used to do commonly. You should borrow if you’re sure you’ll be able to produce a lot of value for the world from the loan. Unfortunately, this is very rare. Maybe one in ten-thousand loans comply with this stipulation. Borrowing (paying a mortgage) on a house is good, but too often people buy a house they can’t support. You should live beneath your means, because that’s the only way you can leverage your remaining wealth to contribute to the lives of others, effectively increasing your means. Living beneath your means does not include credit-card debt.

Editing on this photo involved adding contrast and vignetting. That bug on the left is interesting. I didn’t notice him till just now. He gets to stay, though.

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 1/640, F5, 105mm, ISO100, 2008-09-03T13:03:40-04, 20080903-170340rxt

Location: Daytona State College, 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Photo: Don’t Cross Me

Don't Cross Me

2009-12-20 Update: I now believe Jesus Christ is my personal savior, but what I’ve written below still has merit.

… or I’ll cross you right back! Not really, but that’s the best title I can think of for this photo. It’s a church at sunrise, with the ever-wonderful cross towering above.

I edited this in Adobe Camera Raw 4.0 exclusively. Here are the settings I used:

Don't Cross Me settings in Adobe Camera Raw 4.0

I thought about going for cool, bluish tones in the sky, but the golden yellows work better. As you can see, I added contrast and blackness too, to make sure the cross and building really is a silhouette.

I don’t subscribe to Christianity myself, but I see it as a largely good force in this world. People are (ideally) more generous, forgiving, and loving because of the Bible. 80% of people are like that. The other 20% use religion as an oppressive weapon. If they’re high up in the church, they stomp on other people and shun their non church-going friends. They don’t help those in need at all, yet continue asking for donations to line their pockets.

Every field has people like this. Christianity is supposed to be better, because it aspires to higher, Jesus-like perfection, but it isn’t because not everyone will reach Jesus-like levels. In theory, it could happen in this life, but in reality it won’t. It can only happen in an afterlife of some sort, where the bad ones are relegated to Hell or eternal death.

I don’t like Christianity when it brings people down. This isn’t entirely the religion’s fault; these people aren’t willing to go far on their own. But they leave important parts of their life up to the “decision” of God rather than taking initiative themselves. This is bad, bad, bad.

I don’t like that Christians are afraid of tackling big problems. They’ll stay out of politics (the Jehovah’s Witnesses for example) when they should be openly denouncing the crimes our government is committing. They accept being steam-rolled, by politicians and by the vocal atheists.

In the United States, we’ve lost most of our Christian values in my Dad’s lifetime. People have lost modesty, temperance, chastity, love, dignity, etc. We accept abortion, mercy-killing, eugenics, prostitution, eternal dating (do people still get married anymore?), war, murders, torture, crime, and other crap. Don’t tell me that this country is being ruled by fanatical Christians, because it certainly is not.

Canon Rebel XTi, EFS 18-55mm, 1/2000, F5.6, 55mm, ISO100, 2008-08-10T07:57:32-04, 20080810-115732rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Photo: Sunrays 5

Sunrays 5

The fifth entry in the series: a burst of sunshine through the dark clouds. I like the power lines at the bottom-right… they sweep in at the right angle.

Canon Rebel XTi, EFS 18-55mm, 1/4000, F4, 18mm, ISO100, 2008-08-11T17:21:08-04, 20080811-212108rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

More of the Sunrays series.

Photo: Twilight Sundown

Twilight Sundown

I saw this sunset out the window on the Granada bridge over the Halifax river in Ormond Beach. I was a passenger in the car, so I was able to snap this out the window. It was quite dark, almost night. I had to go all the way up to ISO1600 and all the way down to F1.6 to get a 1/60 shutter speed, so the full size version is quite grainy, but it seems artful.

Canon Rebel XTi, EF 50mm 1:1.4, 1/60, F1.6, 50mm, ISO1600, 2008-08-15T20:20:47-04, 20080816-002047rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Photo: Caramel Sunset

Caramel Sunset

This beautiful sunset caught my eye out the window. The skies here are just getting better and better. I ran out with my wide-angle lens (the kit lens) and started snapping different angles of it. It didn’t look like this to start, but I stuck around for ten minutes and the clouds came together in this odd formation. It looks like cotton candy, caramel flavored. I found it really interesting that the sun was like a spotlight, because it was dark outside of the clouds as you can see at the edges of this photo.

I don’t have many angles to work with because of the trees in my neighbor’s yard, but this definitely works best for showing the origin of the light (at the bottom). I did most of my post-processing right in Adobe Camera Raw. To improve the look, all I did was increase the contrast and black levels, and then I added a bit more contrast with the curves tool.

Canon Rebel XTi, EFS 18-55mm, 1/100, F4, 18mm, ISO200, 2008-08-19T20:04:27-04, 20080820-000427rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Photo: Night on the River

Night on the River

Nighttime at the docks, under the bridge over the river. This was a fun shoot, though anything at 3 A.M. is. I did three versions: one at 1/6, one at 3.2″, and this one at 30″. In the slower versions the water looks rippled and ugly, but with a longer exposure it’s beautifully smooth, and the streetlights turn to stars. You can see eight points to each light because my lens has eight aperture blades. If I’d have opened up all the way there would be no spikes, and if I opened up further they’d be less prominent.

The number of spikes is equal to the number of aperture blades if even, and double the number if odd, though they’ll be half as bright. They are often a nice touch. For editing, I did simple contrast and color adjustments.

Canon Rebel XTi, EF 50mm 1:1.4, 30″, F9, 50mm, ISO100, 2008-07-21T02:50:56-04, 20080721-065056rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Photo: Streetlight

Streetlight — a flying saucer pretending to be a street light

This is an overhead light at Publix that resembles a streetlight. In this photo, it looks like a weird spaceship. I found the shape of the light interesting, so I pointed my camera up and snapped this. In Photoshop, I removed all color and added contrast so the background went to black.

Canon Rebel XTi, EF 50mm 1:1.4, 1/1600, F2.8, 50mm, ISO100, 2008-07-12T12:18:55-04, 20080712-161855rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Photo: Shoes

Shoes — hanging by a shoestring, from the power lines

A pair of shoes, dangling from a power line. This line sweeps down across the road rather than being level. I thought the shoes made a nice silhouette, though I wasn’t considering that at the time. The blue sky is quite visible in the original. In Adobe Camera Raw, I pushed the contrast slider all the way to the right, which made the image look like this. I didn’t have to white out the background at all, since it was the brightest part.

Canon Rebel XTi, EF 50mm 1:1.4, 1/1000, F4.5, 50mm, ISO100, 2008-07-10T19:31:07-04, 20080710-233107rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

Photo: Heart

Heart — silver heart necklaces

Two silver hearts. These were necklaces in the display case at Target. Don’t forget your heart. It’s better to have two, because then if you lose one you still have a back-up.

Canon Rebel XTi, EF 50mm 1:1.4, 1/200, F3.2, 50mm, ISO100, 2008-06-29T18:34:21-04, 20080629-223421rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

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