Photo: Obey the Sign

Obey the Sign — drink water if you are here for a physical

This was the sign at the doctor’s office for mandatory physical examinations for Volusia County job applicants, way back when I started working at the library (2006 November). The great thing since I was fired, is that I pee into cups far less often being jobless. If I want to repeat the experience, it will only be out of choice and for fun of some sort.

Anyway, I’m sure there’s a more tactful way to work this sign. Perhaps, “please be prepared to give a urine sample.” That wording is more general-purpose too. A sign like that could be everywhere, because who knows when it will come up (for the national security of course).

This was Obey the Sign 6 back on deviantART. The 5 before it are junk, so this is now the definitive Obey the Sign. This photo’s funny in a sad sort of way… we don’t even treat our dogs like this. The clinician has to keep his ear to the bathroom door, to make sure you’re not substituting someone else’s urine. That’s a problem so often, you know?

This isn’t an image you have to beat to death. I just converted to black and white, added a ton of contrast, and burned in the corners.

Canon PowerShot A620, 1/15, F2.8, 50mm, ISO50, 2006-11-10T09:39:53-04, 2006-11-10_09h39m53

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Waterlogged

Waterlogged — a hard disk platter and arm, dotted with raindrops

The hard drive that never was. Waterlogged is two years old, coming on the heels of Raindrops, but a classic nonetheless. This was the hard drive from my first computer, a budget desktop I got in 2000 (I was 9 then). In February of 2005 it failed, and I’d just left it sitting around till June of 2006 when I cracked the case open (harder than you’d think) and took this shot. The drive is a Seagate ST34311A. I was walking around the yard positioning it as a mirror, creating interesting compositions (Blend In is another), when it started raining. The hard drive got wet, and that inspired this photo. The platters make quite a mirror, making the reflections in the drops quite sharp. After drying, the mirror was covered with spots and dust I never could get off, unfortunately.

Don’t ever open your computer’s hard drive, unless it’s broke and you’ve backed up your data, or you have no hope of recovering it. The read/write head you see in the picture hovers on a cushion of air one-tenth the thickness of a hair, produced by the velocity of the spinning disk(s) (7200RPM is common now). Even a speck of dust on the platter can mess up the drive and destroy your data. Hard drives are really fragile, and generally a bad way to save information, but they’re still the best thing we have to store a lot of changing data, cheaply and quickly. Back up your pictures to CDs or DVDs too, as they’re more stable.

Many hard drives have multiple platters (two to five), but this has just one. I found out the disks aren’t thick (slightly thinner than a CD, though very rigid), and they’re double sided. Underneath is another head that moves in tandem with the top one, reading and writing data to the underside. I still have pieces of this drive scattered around the house somewhere.

My finger sneaked into the frame on the top-right, darn it. Had to clone it out in Photoshop. Same for the bright edge at the bottom-left, and the silver bolt at the top, because they were too distracting. I converted to black and white and added a good bit of contrast, making the image more appealing.
[quickshop:4*6 Waterlogged (lustre):price:0.95:shipping:0.45:shipping2:0.45:end]

Buy a 4*6 copy for $0.95 (USA only). Lustre finish. After adding, go to your shopping cart.

Fujifilm FinePix A360, 1/139, F2.81, 5.8mm, ISO64, 2006-06-25T19:03:53-04, 2006-06-25_19h03m53

Location: Thripp Residence, Ormond Beach, FL  32174-7227

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Last Battle

The Last Battle — a twig vs. the incoming black clouds

The only remaining twig, fighting the last battle against the incoming storm clouds. All the other ones have been washed away, or struck by lightning or something. I ripped this plant life off a bush of some sort in our yard (it’s a jungle out there), because it has a nice shape and pattern of leaves. It fit the bright space in the sky well, so I held it up with one hand while snapping the shot with the other.

It was a bit bluish out; I found the image worked better in black and white. I added a lot of contrast to push the branch to black and the bright parts of the sky to near white, then darkened the dark clouds to add punch. It was late, so I under-exposed to gain a fast enough shutter speed, and because I knew I wouldn’t need shadow detail anyway. That’s why the original image is dark.
[quickshop:4*6 The Last Battle (lustre):price:0.95:shipping:0.45:shipping2:0.45:end]

Buy a 4*6 copy for $0.95 (USA only). Lustre finish. After adding, go to your shopping cart.

Canon PowerShot A620, 1/100, F2.8, 7.3mm, ISO100, 2007-05-13T19:56:32-04, 2007-05-13_23h56m32

Location: Thripp Residence, Ormond Beach, FL  32174-7227

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunset in the City

Sunset in the City — power lines, cars, and a beautiful pink sunset

A sunset near the Wal-Mart in South Daytona, Florida. I couldn’t move away to exclude the distractions, so I made them part of the scene to represent urban life. The colors and cloud dark clouds at the top drew my eye, as did the cars at the bottom. I made the tail light of a car the dot for the i in City, and the headlight the period for the X. in Richard X. Thripp. Creatively incorporating the title into the piece is nice sometimes.

I added a bunch of contrast, shifted the colors from yellow to pink, and brightened the lights of the cars.

Canon PowerShot A620, 1/160, F3.5, 14.93mm, ISO100, 2007-01-19T18:05:27-05, 2007-01-19_23h05m27b

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Eyes

Eyes — a melancholic dog stares at the camera

Through the eyes of a dog. This is my aunt’s dog named Joseph; I set the camera on the carpet and snapped this of him staring at it. I was lucky to get his eyes in focus. He looks sad and thoughtful.

I edited some dirt away from his eyes, darkened the corners, and added contrast.

Canon Rebel XTi, EF 50mm 1:1.4, 1/25, F2.5, 50mm, ISO400, 2008-06-26T15:37:03-04, 20080626-193703rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Cars at Night

Cars at Night — a slick road reflecting the headlights of cars

Cars on a slick highway in the evening. I was liking how the lights were reflecting off the pavement, so I grabbed my camera to snap this from the car. 5 minutes after Ominesence, and 20 minutes before Flash in the Night.

Canon Rebel XTi, EF 50mm 1:1.4, 1/200, F2.2, 50mm, ISO400, 2008-06-26T17:49:53-04, 20080626-214953rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Ominesence

Ominesence — a stormy, ominous sky over the sea and city

Ominesence: the state or quality of being ominous. The real word is ominousness, but I made up this alternate. This is a river and city with dark clouds overhead. The right side is bright light and good weather, though it too is broached by darkness. I took this in a moving car crossing a bridge; you can see the railing at the bottom. Used a 1/250 second shutter speed to freeze the scene, though I had to go up to ISO800 because it was so dark out.

I added contrast, darkened the dark clouds and corners, and removed a lot of noise. There were lots of markers and pylons in the river which were bugging me. I cloned all of them out. Now it looks like it should.

Canon Rebel XTi, EF 50mm 1:1.4, 1/250, F1.8, 50mm, ISO800, 2008-06-26T17:44:30-04, 20080626-214430rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Dead Auditorium

The Dead Auditorium — empty red chairs in a dark theater

I shot this after my cousin’s dance recital, once everyone left. It was quite dark, so I pushed it to ISO800 and went down to F1.6, taking the opportunity to use a shallow depth of field. The theater is a dead one if I’ve seen one, in this picture at least. I like the colors of the chairs, and the lighting was nice and indirect, despite the dimness.

What did I do to this? First, I cloned out the open door in the background, which was a big, white, ugly distraction. I couldn’t get the wall to look right; it looked fake and too smooth. I didn’t want to deal with it, so I just pumped up the contrast till the background went to black. An effective solution in a pinch, and it adds to the mood of… deadness. Finally, I made the colors less yellow and burned in the corners (vignetting).

Canon Rebel XTi, EF 50mm 1:1.4, 1/60, F1.6, 50mm, ISO800, 2008-06-22T00:52:14-04, 20080622-005214rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Into the Woods

Into the Woods — trees, nature, and green leaves off on the trail

Go into the woods… do not be afraid. :sunglasses: This is my Grandma’s yard. There are houses around, but from where I shot this, they’re all obstructed by trees. The lighting and colors were nice, since we had a rainy white sky.

I added contrast and a glow effect.

Canon Rebel XTi, EFS 18-55mm, 1/60, F3.5, 18mm, ISO100, 2008-06-20T16:31:07-04, 20080620-203107rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Sibling Flowers

The Sibling Flowers — A red flower and a white flower together

A pair of flowers; one white, one deep red. I shot this at the garden section at Wal-Mart; the flowers were already close together, but I moved them closer. It’s a good combination. I got as close as my lens would focus to cut out the background.

I under-exposed compared to my camera’s meter on purpose, as it was blowing out the whites in the auto-exposure mode. In Photoshop, I desaturated everything, but left color in the red flower and a bit of green in the leaves. I didn’t go all the way to black and white, as I feel the green adds to the mood. Then, it was just a matter of darkening everything and adding in some contrast. I also cloned out distracting highlights at the top and burned the corners slightly.

Canon Rebel XTi, EF 50mm 1:1.4, 1/125, F3.5, 50mm, ISO400, 2008-05-04T18:54:55-04, 20080504-225455rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.