Photo: The Rebel

The Rebel — a girl smoking in front of a no-smoking sign (shameful!)

Sarah rebels against the no-smoking signs. I posed her for this; she didn’t notice the sign till afterwards. Somehow, we didn’t get in trouble. It was noon-time, but fortunately the light wasn’t too harsh.

This is from 35mm black-and-white film (developed, printed, and digitized). I decided to burn in sign (in Adobe Photoshop); it adds punch. Don’t smoke kids! Cigarettes are too expensive.
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2008-05-22 Update: This is on my new Gawker Artists page! Read more here.

Canon Elan IIe, EF 50mm 1:1.4, ERA 100 35mm film, 2008-02-29, the-rebel-rxt

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You can use the model’s likeness for anything not defamatory. You are one of my “licencees.”

Photo: Ketchup 3

Ketchup 3 — a row of black ketchup bottles

These are the evil, dark ketchup bottles. This is a normal still life arrangement, but I used a shallow depth-of-field which I find more interesting. Enjoy!

I made the background pure white, added contrast which darkened the bottles, and brightened the labels. The labels look weathered and are dodged unevenly, which is the look I want.
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Canon Rebel XTi, EF 50mm 1:1.4, 1/5, F1.8, 50mm, ISO100, 2008-01-20T20:23:20-05, 20080121-012320rxt

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More of the Ketchup series.

Photo: The Red-Brick House

The Red-Brick House — black clouds threaten a lonely abode

A house of red bricks stands alone against an impending storm. This is my neighbor’s yard; the clouds formed into an ominous circle right before the rain. The phone pole was not optional, as I couldn’t compose the frame as such while excluding it, but I’ve come to like it; its crookedness keeps the level horizon from becoming boring. I made a decision in post-processing to not give color to anything except the red house, and a tiny bit of green to the grass, which gives punch, and makes this conceptual; the house is unique and alone. Hope you enjoy it; I don’t do many landscapes, but this one I’m proud of.

This was challenging to edit; all the elements were there to start, but needed to be perfected. I burned in the clouds, telephone pole, trees, and edges of the frame, then remapped the tones through curves in the Lab color-space, including the contrast and color channels. I had problems with the shadows remaining dark-red, but corrected them by desaturating everything but the house, grass, and trees in the center. I debated placing the colors as more yellow or blue, but found this compromise to be the most natural and compelling.
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Canon Rebel XTi, EFS 18-55mm, 1/25, F3.5, 18mm, ISO400, 2008-02-26T17:55:09-05, 20080226-225509rxt

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Photo: A Purple Evening

A Purple Evening — barren trees against a darkening purple sky

The sky turned purple in this sunset, so I got this photo of the clouds with some bare trees in front. The clouds were darker above, which you can see at the top of the frame.

I darkened the clouds at the top, shifted the colors to be more purple, and improved the contrast.

Canon Rebel XTi, EF 50mm 1:1.4, 1/80, F2.2, 50mm, ISO400, 2008-01-05T17:53:56-05, 20080105-225356rxt

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Photo: The Black Sunset

The Black Sunset — black clouds crowd out the sun

This dark sunset is from my front yard. The division between light and dark was fascinating, and there were bright red highlights on the clouds, but by the time I’d fetched my camera they’d diminished to this. Still looks good, though.
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Canon Rebel XTi, EF 50mm 1:1.4, 1/125, F2.2, 50mm, ISO100, 2008-01-04T17:44:56-05, 20080104-224456rxt

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Photo: Wine Bottles

Wine Bottles — glass bottles on a shelf

Wine bottles on a shelf. Saw these at a grocery store; I turned the bottles around so the labels are facing away.

This is my first film print for my photography class. I didn’t make a test strip, but instead took a guess at exposing (20 seconds, 50mm lens, F8, 3 1/2 filter), and it developed nicely.

I don’t have a film scanner, so I just put the enlargement on my cheap flat-bed scanner, and then restored the contrast and removed some dust in Adobe Photoshop. Enjoy!
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Canon Elan IIe, EF 50mm 1:1.4, Kodak TRI-X 400 35mm film, 2008-01-28, wine-bottles-rxt

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