Tag Archives: still life


Photo: Orange Bottles

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Orange Bottles

Three bottles of orange juice, lined up on the roof of a black car, with shaded trees (left) and sunny trees (right) in the background.

This was store-bought orange juice I dispersed into water bottles. Then I removed the labels from the water bottles.

I like this composition… the colors, shapes of the bottles, lighting, and spacing came together that day. I made the colors warmer in Photoshop, brightened the bottles, darkened the edges. It’s a lot more idealistic.

The bokeh highlights in the background are eight-sided because my 50mm lens has eight uncurved aperture blades. If I shot this at F1.4 you wouldn’t see them at all because the blades wouldn’t be used, but then the depth of field would be much too shallow. The second and third bottles would look like big orange blobs with little distinct shape at F1.4.

This photo is ironic, because it seems like something completely natural, but in fact is man-made. Plastic bottles don’t occur without us. Orange juice doesn’t become collected itself. This orange juice, like all orange juice sold at the supermarket, is watered down—if you squeeze real oranges you’ll get more potent, sweeter juice that is orange, not yellow. Most people don’t put orange juice in bottles, either.

Whose to say we’re unnatural, though? Only us.

Canon Rebel XTi, EF 50mm 1:1.4, 1/200, F4, 50mm, ISO200, 2008-09-23T17:42:22-04, 20080923-214222rxt

Location: 1985 S. Carpenter Ave., Orange City, FL  32763-7334

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Bricks and Sunshine

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Bricks and Sunshine

The corner of the Riverside National Bank at 1060 W. International Speedway Blvd., Daytona Beach FL. It looks interesting by itself. I angled the camera and set this against a blue, cloudless region of the sky. Then, I made the sky dark and the bricks redder on the computer. Ha ha. Always have to do that sort of editing.

This was an interesting study in geometry and architecture, though I don’t think about those things at all when taking photos. I just photograph what looks unusual.

Canon Rebel XTi, EF 50mm 1:1.4, 1/1250, F4.5, 50mm, ISO100, 2008-09-25T10:13:45-04, 20080925-141345rxt

Location: 1060 W. International Speedway Blvd., Daytona Beach, FL  32114

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Crystal Rose

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Crystal Rose

A glass rose my Grandmother found at a garage sale. Its appearance changes dramatically under different light; the highlights turn out best with bright light shining down or from the side. I think it looks great here.

I bought a new lens: a Canon EF 28-135mm F3.5-5.6. I got a good deal ($260, refurbished). It’s been a lot of fun to work with. Quite a bit heavier than the old 50mm prime, but much more versatile. I like the image stabilization gyroscopes; they really work, unlike on some cheaper cameras. I used them here to hand-hold at 105mm with a 1/30 second exposure time.

I took this ten days ago. I’ve been taking photos, but not getting back to the computer to edit them. Feeling a bit disconnected lately. I’m getting back to my art though; just touched this photo up today. It really doesn’t have that much contrast, but I added lots of contrast in Photoshop. I also did some nice vignetting with the burn tool. There was a pipe on the wall in the background, and the grooves between the bricks are blurry dark lines, but I like them.

Photography is all about light, and I love light, so I love photography. Rather than building a scene from scratch, you start out with a pre-made scene, and then mold and shape it with light, composition, and computerized manipulations. It’s so freeing, because you can do stuff like this fairly quickly. No photo is actually finished quickly; there are dozens of dud photos in-between, and every frame represents years of progress and experience, but it all flows together when you’re working.

Canon Rebel XTi, EF 28-135mm, 1/30, F6.3, 105mm, ISO100, 2008-10-16T12:58:11-04, 20081016-165811rxt

Location: 1985 S. Carpenter Ave., Orange City, FL  32763-7334

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Real Beauty

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Real Beauty — fake pink flowers

An arrangement of beautiful pink flowers and green fern leaves with perfect lighting. All synthetic, of course. But whose to say that makes them less valuable? They sure last longer, for one thing.

Editing involved adding contrast and burning the edges. It was hard to keep the colors in gamut as these are hard to print, but I solved it by toning them down and then selectively re-adding saturation where it would turn out best.

Canon Rebel XTi, EF 50mm 1:1.4, 1/80, F2.8, 50mm, ISO400, 2008-07-12T10:24:02-04, 20080712-142402rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Waterlogged

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Waterlogged — a hard disk platter and arm, dotted with raindrops

The hard drive that never was. Waterlogged is two years old, coming on the heels of Raindrops, but a classic nonetheless. This was the hard drive from my first computer, a budget desktop I got in 2000 (I was 9 then). In February of 2005 it failed, and I’d just left it sitting around till June of 2006 when I cracked the case open (harder than you’d think) and took this shot. The drive is a Seagate ST34311A. I was walking around the yard positioning it as a mirror, creating interesting compositions (Blend In is another), when it started raining. The hard drive got wet, and that inspired this photo. The platters make quite a mirror, making the reflections in the drops quite sharp. After drying, the mirror was covered with spots and dust I never could get off, unfortunately.

Don’t ever open your computer’s hard drive, unless it’s broke and you’ve backed up your data, or you have no hope of recovering it. The read/write head you see in the picture hovers on a cushion of air one-tenth the thickness of a hair, produced by the velocity of the spinning disk(s) (7200RPM is common now). Even a speck of dust on the platter can mess up the drive and destroy your data. Hard drives are really fragile, and generally a bad way to save information, but they’re still the best thing we have to store a lot of changing data, cheaply and quickly. Back up your pictures to CDs or DVDs too, as they’re more stable.

Many hard drives have multiple platters (two to five), but this has just one. I found out the disks aren’t thick (slightly thinner than a CD, though very rigid), and they’re double sided. Underneath is another head that moves in tandem with the top one, reading and writing data to the underside. I still have pieces of this drive scattered around the house somewhere.

My finger sneaked into the frame on the top-right, darn it. Had to clone it out in Photoshop. Same for the bright edge at the bottom-left, and the silver bolt at the top, because they were too distracting. I converted to black and white and added a good bit of contrast, making the image more appealing.
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Fujifilm FinePix A360, 1/139, F2.81, 5.8mm, ISO64, 2006-06-25T19:03:53-04, 2006-06-25_19h03m53

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Last Battle

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The Last Battle — a twig vs. the incoming black clouds

The only remaining twig, fighting the last battle against the incoming storm clouds. All the other ones have been washed away, or struck by lightning or something. I ripped this plant life off a bush of some sort in our yard (it’s a jungle out there), because it has a nice shape and pattern of leaves. It fit the bright space in the sky well, so I held it up with one hand while snapping the shot with the other.

It was a bit bluish out; I found the image worked better in black and white. I added a lot of contrast to push the branch to black and the bright parts of the sky to near white, then darkened the dark clouds to add punch. It was late, so I under-exposed to gain a fast enough shutter speed, and because I knew I wouldn’t need shadow detail anyway. That’s why the original image is dark.
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Buy a 4*6 copy for $0.95 (USA only). Lustre finish. After adding, go to your shopping cart.

Canon PowerShot A620, 1/100, F2.8, 7.3mm, ISO100, 2007-05-13T19:56:32-04, 2007-05-13_23h56m32

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Florida Lifestyle

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The Florida Lifestyle — an orange smoothie in a tropical paradise

I’ve been wondering what the Florida lifestyle I’ve been hearing so much about is, but I’ve found it here. You may not know it, but the Florida lifestyle involves lots of bugs. There were plenty of flies flying around as flies sometimes do, but I shooed them away to snap this shot of an orange smoothie by the pool. I went with a blue border for this photo. Never done that before, but it fits the image so well.

I added contrast, removed specks of dirt from the glass, and touched up the color on the orange slice.

Canon Rebel XTi, EF 50mm 1:1.4, 1/2500, F3.2, 50mm, ISO100, 2008-06-28T14:16:13-04, 20080628-181613rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Dead Auditorium

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The Dead Auditorium — empty red chairs in a dark theater

I shot this after my cousin’s dance recital, once everyone left. It was quite dark, so I pushed it to ISO800 and went down to F1.6, taking the opportunity to use a shallow depth of field. The theater is a dead one if I’ve seen one, in this picture at least. I like the colors of the chairs, and the lighting was nice and indirect, despite the dimness.

What did I do to this? First, I cloned out the open door in the background, which was a big, white, ugly distraction. I couldn’t get the wall to look right; it looked fake and too smooth. I didn’t want to deal with it, so I just pumped up the contrast till the background went to black. An effective solution in a pinch, and it adds to the mood of… deadness. Finally, I made the colors less yellow and burned in the corners (vignetting).

Canon Rebel XTi, EF 50mm 1:1.4, 1/60, F1.6, 50mm, ISO800, 2008-06-22T00:52:14-04, 20080622-005214rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Graceful Flag

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The Graceful Flag — a United States flag keeping still on a windless day

The stars and stripes fly low on a windless day. There was a nice background of clouds, so I shot this of the flag from the ground. I placed the pole off-center a bit, as that’s more appealing to the eye.

I added some contrast and color through curves.

Canon Rebel XTi, EF 50mm 1:1.4, 1/800, F7.1, 50mm, ISO100, 2008-06-12T11:14:07-04, 20080612-151407rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Color and Light

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Color and Light — the morning sun shines on refrigerator magnets

These are magnets that are holding up 4*6 copies of my photos on the refrigerator. The sun shines through the window in the morning, lighting them up like this. I didn’t notice it before (not usually up in the mornings), but I had to snap this when I saw it.

I toned down the blue channel while adding to the red channel, and darkened a bit.

Canon Rebel XTi, EFS 18-55mm, 1/50, F5.6, 55mm, ISO400, 2008-05-30T07:39:13-04, 20080530-113913rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.