Photo: Gridiron Sky

Gridiron Sky

The science building, #410 at Daytona State College. The side of the building is all clear glass in a white grid formation, but from this angle all it does is reflect the sky. It was a bright and sunny day out, and with the fluffy white clouds behind, the effect was quite charming.

I forgot my polarizing filter when shooting this, but I added the polarization effect through burning in Photoshop, so I’m including it under the polarizer tag.

Editing brought out the colors quite a bit. I added lots of contrast, burned in the sky, the corners, and the clouds especially. You can see the dark halo around the clouds from my use of the burn tool, but I like it so it stays. I also brightened the building, as it was a bit dim in relation to the clouds. The turquoise reflection is my favorite part.

Canon Rebel XTi, EFS 18-55mm, 1/1250, F4.5, 18mm, ISO100, 2008-08-25T11:54:20-04, 20080825-155420rxt

Location: Daytona State College, Building 410, Schildecker Science Hall (outside), 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Garden in Blue

The Garden in Blue

I went for a walk and saw these beautiful flowers. I tried putting the sky behind them, but they were too dark then; it looks much better with a green background, which is the plant and shrubs around them. Often we photographers are overly creative, when really the best shot is right in front of us.

This is the sequel to The Garden in Yellow from last year. I added contrast and vignetting for editing. The background was nice and blurry to start because this is at F2.2 on a 50mm lens.

Canon Rebel XTi, EF 50mm 1:1.4, 1/100, F2.2, 50mm, ISO200, 2008-09-13T07:16:33-04, 20080913-111633rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sublime Sunset

Sublime Sunset

My last work with the Sigma 105mm macro lens. This is a closeup of backlit clouds against a cotton candy sunset. The colors are my favorite part of this; the lens really brings them out.

I used to think sunsets were only good as panoramas, but it’s just as interesting to focus on a small piece of the sky.

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 1/200, F3.2, 105mm, ISO200, 2008-09-04T19:48:58-04, 20080904-234858rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Fiery Hearts

Fiery Hearts

I had this idea of drawing a heart with a laser pointer. I set the camera up on a tripod, set the timer to ten seconds, and then drew this with the laser in the 3.2 seconds the picture was exposed.

Actually, it wasn’t easy like that. It took me 50 tries to get right. Have you ever tried to draw a heart on the wall with a laser pointer? I did two of them, and getting them to look anything like hearts, timed to 3.2 seconds, is quite a feat itself. This was the best I could do. I like the hearts—they look jagged, which is good because hearts aren’t perfect, nor is love. Perfection just doesn’t exist, and life would be boring if it did. The only perfect state is continuous personal growth; you can’t become perfect and then stagnate, wallowing in your perfection.

I drew the hearts on a window because the reflections on the glass turn up much brighter in the camera. In Photoshop, I brightened the laser trails and heart outline to make it more distinctive, while adding contrast and darkness to the surroundings. This was at ISO1600, so the end result is grainy and riddled with artifacts, but spirited nonetheless.

When your hearts meet, let them have fire!

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 3.2″, F2.8, 105mm, ISO1600, 2008-09-06T02:26:48-04, 20080906-062648rxt

Location: Thripp Residence, Ormond Beach, FL  32174-7227

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Twilight Sundown

Twilight Sundown

I saw this sunset out the window on the Granada bridge over the Halifax river in Ormond Beach. I was a passenger in the car, so I was able to snap this out the window. It was quite dark, almost night. I had to go all the way up to ISO1600 and all the way down to F1.6 to get a 1/60 shutter speed, so the full size version is quite grainy, but it seems artful.

Canon Rebel XTi, EF 50mm 1:1.4, 1/60, F1.6, 50mm, ISO1600, 2008-08-15T20:20:47-04, 20080816-002047rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Caramel Sunset

Caramel Sunset

This beautiful sunset caught my eye out the window. The skies here are just getting better and better. I ran out with my wide-angle lens (the kit lens) and started snapping different angles of it. It didn’t look like this to start, but I stuck around for ten minutes and the clouds came together in this odd formation. It looks like cotton candy, caramel flavored. I found it really interesting that the sun was like a spotlight, because it was dark outside of the clouds as you can see at the edges of this photo.

I don’t have many angles to work with because of the trees in my neighbor’s yard, but this definitely works best for showing the origin of the light (at the bottom). I did most of my post-processing right in Adobe Camera Raw. To improve the look, all I did was increase the contrast and black levels, and then I added a bit more contrast with the curves tool.

Canon Rebel XTi, EFS 18-55mm, 1/100, F4, 18mm, ISO200, 2008-08-19T20:04:27-04, 20080820-000427rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunset

Sunset — a vivid, fiery mix of orange and white clouds at sundown

I saw the golden colors flooding in through the window just a few hours ago, so I rain out and snapped this photo of the gorgeous sunset that was gracing my front yard. I haven’t seen a sunset this impressive before. The swirls of clouds were awesome, and went far above what you see in the frame. I couldn’t fit them all in even at 18mm, which is as wide as the Canon Rebel XTi kit lens would go.

I punched the contrast up in Photoshop. The camera always captures images in such a dull way, but editing restores the beauty of the scene (Being a Free Photographer).

I literally ran out of the house to catch this, and kept taking pictures afterward, though they are less impressive. You have to work very quickly to get shots of sunsets; within ten minutes it had mostly faded away. I didn’t notice it while the clouds were forming like this; they may have looked even better then.

Canon Rebel XTi, EFS 18-55mm, 1/200, F4.5, 18mm, ISO400, 2008-08-14T20:07:55-04, 20080815-000755rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Night on the River

Night on the River

Nighttime at the docks, under the bridge over the river. This was a fun shoot, though anything at 3 A.M. is. I did three versions: one at 1/6, one at 3.2″, and this one at 30″. In the slower versions the water looks rippled and ugly, but with a longer exposure it’s beautifully smooth, and the streetlights turn to stars. You can see eight points to each light because my lens has eight aperture blades. If I’d have opened up all the way there would be no spikes, and if I opened up further they’d be less prominent.

The number of spikes is equal to the number of aperture blades if even, and double the number if odd, though they’ll be half as bright. They are often a nice touch. For editing, I did simple contrast and color adjustments.

Canon Rebel XTi, EF 50mm 1:1.4, 30″, F9, 50mm, ISO100, 2008-07-21T02:50:56-04, 20080721-065056rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Heart

Heart — silver heart necklaces

Two silver hearts. These were necklaces in the display case at Target. Don’t forget your heart. It’s better to have two, because then if you lose one you still have a back-up.

Canon Rebel XTi, EF 50mm 1:1.4, 1/200, F3.2, 50mm, ISO100, 2008-06-29T18:34:21-04, 20080629-223421rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Long and Winding Road

The Long and Winding Road — a curvy road and fence in the sun

The road is long and winding… don’t you just want to jump over the fence and rest a minute in the grass? Or a day, or a week, or a year? That fence is there for a reason, No matter how long you stay, you know you eventually have to travel that road.

Editing on this involved burning the road and corners considerably, then adding contrast with the curves tool.

Canon Rebel XTi, EFS 18-55mm, 1/320, F5.6, 52mm, ISO100, 2008-07-13T12:43:32-04, 20080713-164332rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.