I made a custom Internal Server Error page for the Thripp.com network, with all the photos from my portfolio. Error pages are fun again.

I put a lot of ads there too, so I can monetize the outages. Plus, the links are to the photos on my jpgmag.com gallery, and all the thumbnails are on Photobucket, so the page is light-weight, won’t chew up bandwidth, and makes my photos accessible when the database is down. It’s only 10KB!

I posted this to digg too:

Check out this HTTP 500 page; instead of being rudely interrupted with a

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I was looking around today, thinking “What one thing can I do on my website to make it a highly useful photography resource.” It didn’t take long. I decided and set out on releasing my entire portfolio as royalty-free stock images in their high-resolution glory, all free under the least restrictive Creative Commons license. If you’re any sort of digital artist, this is some awesome news, because I’ve literally put years into this stuff. You can do anything with them; even commercial stuff. All you have to do is credit me as Richard X. Thripp, and link back here

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With the addition of Blue Marbles, I’ve now posted my complete photography portfolio here—a collection of thirty of my best works. Check it out here: richardxthripp.thripp.com/portfolio.

It’s on Digg too; you can vote for it to help get the word out.

Thanks!
Richard

The definitive photo of blue marbles. These marbles are my grandmother’s, and the yellow table I arranged them on is on her veranda. I get to take creative shots of them like this, of course. The evening light was just right, and while I originally intended to focus on the first marble, having the focus on the second is more nonconforming and gives a sense of depth. I went back into Photoshop today to revamp this February 2006 piece; my editing skills have improved, so I’m finding the above …

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The capstone of the series, despite nearing two years of age, Pink and Purple Sunset 3 maintains a permanent spot in my portfolio. It is beloved wherever I show it, though vocal few hate it, calling it as over-edited and “phony.” I don’t believe this; this is my photography, as is the work of a whole new generation theirs. Read The “Pure Photography” Myth for further discussion.

I’ve put more time into this photo than any other, as I strive for it to be perfect, which, for …

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A stately orange sunset in my yard is the backdrop for silhouetted leaves of an American sycamore tree. Some of the leaves have been chewed by bugs; as you can see on the left. This only adds to the beauty, of course. There are even some raindrops on the leaves, left over from the storms earlier that day. I didn’t notice those till way after the shoot. This is the best of the Leafy Sunset series, trailing fifteen months after the …

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My self portrait. Where there’s light, there’s darkness, and that darkness, surrounds me. I lit this with a bunch of cheap flashlights, using my camera’s timer. This is how I look after journeying into The Night of Eternal and Unrelenting Darkness. They’re really the same photo, if you look closely.

I removed blemishes, darkened a lot and added contrast, burned the edges of my face to make it more round, re-centered my face in the bottom-right third, and finally converted to black and white, with a bit of blue. …

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Tiny raindrops, levitating in a spiderweb. Most people don’t realize it’s a spider’s web, but if you’re observant, you can figure it out from the stray dirt and threads. I shot this in January 2007 with my old Canon A620 (this is the first release here); I focused as close as it would go (one centimeter) for this, as the drops were really tiny. To increase the depth-of-field, I closed down to F7.1 (the range on the A620 is F2.8-F8). I kept taking photos after this, but disturbed …

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This is the second-anniversary edition of Speed, a photo I took from the passenger’s seat of a car in motion. We were moving at 30 miles per hour, but with the one-second exposure, the center is sharp but the edges are blurred. While I posted this on deviantART back in May 2006, I’ve added nice orange text, a border, and a bit more contrast to this revised version. The street is Derbyshire Road in Daytona Beach, Florida.

Buy a 4*6 copy for $0.95 (USA only). Lustre finish. After adding, go to your shopping cart.

The Call, an English band, put this …

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Raindrops resting on a car’s moonroof. This is looking up from inside, so my title means that this is the glass ceiling in the sky, which the water rests on.

I was going to make this black and white, but prefered the blue tint for being reminiscent of rain. I added contrast and vignetting by burning in the corners.

Buy a 4*6 copy for $0.95 (USA only). Lustre finish. After adding, go to your shopping cart.

Canon PowerShot A620, 1/60, F3.2, 7.3mm, ISO50, 2007-04-10T17:04:39-04, 2007-04-10_21h04m39

Download a perfected high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!