Photo: The Golden Highway

The Golden Highway

The golden highway: International Speedway Boulevard in Daytona Beach, Florida, near the race track. I shot this through the windshield of the car from a few hundred feet away, with my lens at 135mm, the maximum telephoto. Since my camera has a 22.2×14.8mm (cropped) sensor, that’s the 35mm equivalent of 216mm.

The light around the cars struck me immediately. Shooting through a scratched windshield actually makes the scene more beautiful, because you have streaks of light and contrast around the highlights. The downside is that the photo is initially low-contrast. I cranked up the contrast with curves in Photoshop. Even though this is at ISO100, I managed to bring out quite a bit of grain with the editing. Also, I burned in the corners and shifted the colors more toward gold and red. I’m liking this photo quite a bit.

Don’t give up on the golden highway. It’s there, waiting for you to find it. Even if you have to fabricate it.

Canon Rebel XTi, EF 28-135mm, 1/1600, F5.6, 135mm, ISO100, 2008-11-05T16:54:51-05, 20081105-215451rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Day’s End

Day's End

The dishes are washed and the kitchen is closed. This was lit by a beautiful sunset outside my door. It was at dusk when I shot this, but I balanced the camera on the counter for a 2.5-second exposure to give the sensor enough light.

What goes on around the sunset is often a lot more interesting than the sunset itself. Or the solar eclipse, or full moon, or the big thunderstorm. Take shots of everything, or take shots of something and focus on it. Usually for me, the first shot I take of an object or scene is the best, and then it goes downhill as I tweak and experiment with different angles. So trust your instincts.

This shot is wide-angle (18mm). It seemed better than backing up and going telephoto.

Canon Rebel XTi, EFS 18-55mm, 2.5″, F3.5, 18mm, ISO100, 2008-10-09T19:01:34-04, 20081009-230134rxt

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Bricks and Sunshine

Bricks and Sunshine

The corner of the Riverside National Bank at 1060 W. International Speedway Blvd., Daytona Beach FL. It looks interesting by itself. I angled the camera and set this against a blue, cloudless region of the sky. Then, I made the sky dark and the bricks redder on the computer. Ha ha. Always have to do that sort of editing.

This was an interesting study in geometry and architecture, though I don’t think about those things at all when taking photos. I just photograph what looks unusual.

Canon Rebel XTi, EF 50mm 1:1.4, 1/1250, F4.5, 50mm, ISO100, 2008-09-25T10:13:45-04, 20080925-141345rxt

Location: 1060 W. International Speedway Blvd., Daytona Beach, FL  32114

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sublime Sunset

Sublime Sunset

My last work with the Sigma 105mm macro lens. This is a closeup of backlit clouds against a cotton candy sunset. The colors are my favorite part of this; the lens really brings them out.

I used to think sunsets were only good as panoramas, but it’s just as interesting to focus on a small piece of the sky.

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 1/200, F3.2, 105mm, ISO200, 2008-09-04T19:48:58-04, 20080904-234858rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Light the Way

Light the Way

A car with yellow headlights illuminates the road on a dark, cloudy evening.

This car had lights that were unusually colored. I bet they had a yellow filter over them, but they looked brighter than normal too.

For editing, I decided to go with really warm colors, much more so than the actual scene. It gives a better mood than bluish tones. Also, I dodged the ground to make it look like the headlights are brighter, while adding contrast and burning the corners to make the scene more eye-catching. Because I shot this at ISO400, I brought out a good bit of grain with the editing.

I borrowed a Sigma 105mm lens from a friend to take this and other photos, which I recently returned. It was a lot of fun to play with. I might have to buy my own if I can save up $400. It’s hard, being unemployed and all, but it’s so worth it. :cool:

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 1/160, F2.8, 105mm, ISO400, 2008-09-04T19:41:01-04, 20080904-234101rxt

Location: Golf Ave., Ormond Beach, FL  32174

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Fiery Hearts

Fiery Hearts

I had this idea of drawing a heart with a laser pointer. I set the camera up on a tripod, set the timer to ten seconds, and then drew this with the laser in the 3.2 seconds the picture was exposed.

Actually, it wasn’t easy like that. It took me 50 tries to get right. Have you ever tried to draw a heart on the wall with a laser pointer? I did two of them, and getting them to look anything like hearts, timed to 3.2 seconds, is quite a feat itself. This was the best I could do. I like the hearts—they look jagged, which is good because hearts aren’t perfect, nor is love. Perfection just doesn’t exist, and life would be boring if it did. The only perfect state is continuous personal growth; you can’t become perfect and then stagnate, wallowing in your perfection.

I drew the hearts on a window because the reflections on the glass turn up much brighter in the camera. In Photoshop, I brightened the laser trails and heart outline to make it more distinctive, while adding contrast and darkness to the surroundings. This was at ISO1600, so the end result is grainy and riddled with artifacts, but spirited nonetheless.

When your hearts meet, let them have fire!

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 3.2″, F2.8, 105mm, ISO1600, 2008-09-06T02:26:48-04, 20080906-062648rxt

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Lilac Dreams

Lilac Dreams

Lilac (purple) flowers at the Daytona State College campus. These aren’t lilacs, but I like the name so I’m using it to refer to the color.

A friend volunteered to let me borrow his lens: a Sigma EF 105mm 1:2.8. I have it till next week, so I’ve been taking pictures of stuff with the different perspective it offers. Everything’s so close; I can’t get any sort of landscapes with this. But it’s interesting to focus on the details, and I can get closer to flowers than I can with the kit lens.

While I take good care of my camera and lenses, one of the worries in borrowing a lens–or anything for that matter–is that it will break in your possession, or you’ll break it by accident. Breaking your own stuff isn’t so bad as breaking someone else’s stuff, because then you (generally) feel obligated to replace it. What happens more often is the lender will say you broke it when you didn’t. Or if anything goes wrong with it in a period of one month after you return it, the lender blames it on you. I’m not sure why this happens, but it seems to be a common human trait.

I believe it’s rooted in fear. We want a scapegoat for everything. People may even subconsciously lend items they know are about to break, just so they can blame the borrower when the inevitable happens. Obviously, this is something that you and me must work on overcoming. Most people are reasonable and down-to-Earth already; I don’t consider borrowing a lens from a friend high-risk. But, I don’t borrow by contract if it’s reasonable to buy the item instead. Contracts are bad because they’re generally with people you don’t know; it’s much better to lend an item to a friend on honor than to a stranger with the threat of law.

Borrowing is actually condemned in the Bible, and it’s not something people used to do commonly. You should borrow if you’re sure you’ll be able to produce a lot of value for the world from the loan. Unfortunately, this is very rare. Maybe one in ten-thousand loans comply with this stipulation. Borrowing (paying a mortgage) on a house is good, but too often people buy a house they can’t support. You should live beneath your means, because that’s the only way you can leverage your remaining wealth to contribute to the lives of others, effectively increasing your means. Living beneath your means does not include credit-card debt.

Editing on this photo involved adding contrast and vignetting. That bug on the left is interesting. I didn’t notice him till just now. He gets to stay, though.

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 1/640, F5, 105mm, ISO100, 2008-09-03T13:03:40-04, 20080903-170340rxt

Location: Daytona State College, 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunrays 5

Sunrays 5

The fifth entry in the series: a burst of sunshine through the dark clouds. I like the power lines at the bottom-right… they sweep in at the right angle.

Canon Rebel XTi, EFS 18-55mm, 1/4000, F4, 18mm, ISO100, 2008-08-11T17:21:08-04, 20080811-212108rxt

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More of the Sunrays series.

Photo: Twilight Sundown

Twilight Sundown

I saw this sunset out the window on the Granada bridge over the Halifax river in Ormond Beach. I was a passenger in the car, so I was able to snap this out the window. It was quite dark, almost night. I had to go all the way up to ISO1600 and all the way down to F1.6 to get a 1/60 shutter speed, so the full size version is quite grainy, but it seems artful.

Canon Rebel XTi, EF 50mm 1:1.4, 1/60, F1.6, 50mm, ISO1600, 2008-08-15T20:20:47-04, 20080816-002047rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Caramel Sunset

Caramel Sunset

This beautiful sunset caught my eye out the window. The skies here are just getting better and better. I ran out with my wide-angle lens (the kit lens) and started snapping different angles of it. It didn’t look like this to start, but I stuck around for ten minutes and the clouds came together in this odd formation. It looks like cotton candy, caramel flavored. I found it really interesting that the sun was like a spotlight, because it was dark outside of the clouds as you can see at the edges of this photo.

I don’t have many angles to work with because of the trees in my neighbor’s yard, but this definitely works best for showing the origin of the light (at the bottom). I did most of my post-processing right in Adobe Camera Raw. To improve the look, all I did was increase the contrast and black levels, and then I added a bit more contrast with the curves tool.

Canon Rebel XTi, EFS 18-55mm, 1/100, F4, 18mm, ISO200, 2008-08-19T20:04:27-04, 20080820-000427rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.