Tag Archives: conceptual


Photo: Day’s End

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Day's End

The dishes are washed and the kitchen is closed. This was lit by a beautiful sunset outside my door. It was at dusk when I shot this, but I balanced the camera on the counter for a 2.5-second exposure to give the sensor enough light.

What goes on around the sunset is often a lot more interesting than the sunset itself. Or the solar eclipse, or full moon, or the big thunderstorm. Take shots of everything, or take shots of something and focus on it. Usually for me, the first shot I take of an object or scene is the best, and then it goes downhill as I tweak and experiment with different angles. So trust your instincts.

This shot is wide-angle (18mm). It seemed better than backing up and going telephoto.

Canon Rebel XTi, EFS 18-55mm, 2.5″, F3.5, 18mm, ISO100, 2008-10-09T19:01:34-04, 20081009-230134rxt

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Vegetarianism

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Vegetarianism

Sarah (another Sarah) pretending to eat a blue light bulb. No animals were involved in the creation of that light bulb. The light bulb is a perfect vegetarian snack.

You can’t see that the light bulb is blue, because I converted this to black and white. It makes more sense that way.

Sarah has some nice teeth. Eating a light bulb is probably a bad idea, at least as far as her teeth are concerned.

If you want to be more like Sarah, read Becoming a Vegetarian.

Canon Rebel XTi, EF 50mm 1:1.4, 1/160, F3.5, 50mm, ISO100, 2008-10-01T15:55:18-04, 20081001-195518rxt

Location: Daytona State College, 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

Photo: Isolation, Contemplation

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Isolation, Contemplation

The last shot from my adventure with Sarah, and the most artsy. We went to the college theater, where they have a meshed window that makes patterns of light like this on the wall. I had her sit on the carpet so the light was right on her cheek, and told her to look down like she was thinking, and that’s how we got this.

I’m proud of her; she was quite shy and this was her first time modeling, but she let go of her shyness and let her spirit shine through. I think there’s a bit of shyness in this photo, but it works.

At first she thought she wasn’t “photogenic.” That’s a limiting belief. It’s like saying you’re not lingual or musical or logical. You are photogenic; you just have to start thinking of the camera as your friend rather than a deadly weapon.

Canon Rebel XTi, EF 50mm 1:1.4, 1/60, F2.5, 50mm, ISO400, 2008-10-01T13:31:17-04, 20081001-173117rxt

Location: Daytona State College, Building 210, Theater Center, Floor 1, stairwell, 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

Photo: Basketball Hoop

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Basketball Hoop

Looking up through a basketball hoop.

I tried thinking of a more abstract title, but nothing is better than “Basketball Hoop.” Sure, if this were a plain, ordinary photo of a basketball hoop, a creative title might add some jazz, but when the photo is creative on it’s own, a mundane title is a good contrast. A creative title would work too, but a mundane title for a creative piece is far better than an unfitting creative title.

I took this at F2.5, so even parts of the netting are out of focus. The background was a dull blue sky, but it works quite well when converted to black and white. Then, I added lots of contrast. No vignetting, because it would feel contrived on this image.

Someone somewhere has done a photo just like this, but I haven’t. :cool:

Canon Rebel XTi, EF 50mm 1:1.4, 1/200, F2.5, 50mm, ISO100, 2008-09-13T07:19:31-04, 20080913-111931rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Light the Way

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Light the Way

A car with yellow headlights illuminates the road on a dark, cloudy evening.

This car had lights that were unusually colored. I bet they had a yellow filter over them, but they looked brighter than normal too.

For editing, I decided to go with really warm colors, much more so than the actual scene. It gives a better mood than bluish tones. Also, I dodged the ground to make it look like the headlights are brighter, while adding contrast and burning the corners to make the scene more eye-catching. Because I shot this at ISO400, I brought out a good bit of grain with the editing.

I borrowed a Sigma 105mm lens from a friend to take this and other photos, which I recently returned. It was a lot of fun to play with. I might have to buy my own if I can save up $400. It’s hard, being unemployed and all, but it’s so worth it. :cool:

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 1/160, F2.8, 105mm, ISO400, 2008-09-04T19:41:01-04, 20080904-234101rxt

Location: Golf Ave., Ormond Beach, FL  32174

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Fiery Hearts

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Fiery Hearts

I had this idea of drawing a heart with a laser pointer. I set the camera up on a tripod, set the timer to ten seconds, and then drew this with the laser in the 3.2 seconds the picture was exposed.

Actually, it wasn’t easy like that. It took me 50 tries to get right. Have you ever tried to draw a heart on the wall with a laser pointer? I did two of them, and getting them to look anything like hearts, timed to 3.2 seconds, is quite a feat itself. This was the best I could do. I like the hearts—they look jagged, which is good because hearts aren’t perfect, nor is love. Perfection just doesn’t exist, and life would be boring if it did. The only perfect state is continuous personal growth; you can’t become perfect and then stagnate, wallowing in your perfection.

I drew the hearts on a window because the reflections on the glass turn up much brighter in the camera. In Photoshop, I brightened the laser trails and heart outline to make it more distinctive, while adding contrast and darkness to the surroundings. This was at ISO1600, so the end result is grainy and riddled with artifacts, but spirited nonetheless.

When your hearts meet, let them have fire!

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 3.2″, F2.8, 105mm, ISO1600, 2008-09-06T02:26:48-04, 20080906-062648rxt

Location: Thripp Residence, Ormond Beach, FL  32174-7227

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: In the Fog

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In the Fog — foggy traffic lights in black and white

This is what it feels like to live in the fog all the time. Took this of some green traffic lights at night. How did I get the fog? I blew on the lens, and the condensation made the photo turn out like this, no fog required.

I added a ton of contrast, burned in the sides, and switched to black and white. The added contrast amplified the noise considerably, so this is a noisy image. It works because of the lack of color, though.

Canon Rebel XTi, EF 50mm 1:1.4, 1/100, F2.2, 50mm, ISO800, 2008-06-21T21:15:48-04, 20080622-011548rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Silent Bouquet

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The Silent Bouquet — a quiet batch of roses

These roses refuse to make a sound. You can see the rose in the middle wants to speak up, but is too afraid. These flowers were at Publix. They were on the top shelf in the floral department, so I held the camera up high and just guessed at the composition. Several guesses later, I had this.

I made the colors a lot cooler to make the image feel cold and uninviting, just like you’d feel around someone who refuses to speak. Then, I toned down the color, added contrast, and darkened the edges.

Canon Rebel XTi, EF 50mm 1:1.4, 1/160, F2.8, 50mm, ISO100, 2008-07-12T12:22:13-04, 20080712-162213rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Glass Rain

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Glass Rain — torrential rain on the windshield at night, with stop lights

Torrential rain on the windshield at night, with stop lights. This is with a lot of droplets on the windshield, and traffic lights and oncoming traffic ahead. Neat patterns, the droplets made.

For editing, I darkened it all a lot, added contrast to push the whites to the limit, and desaturated a bit. Enjoy.
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Canon Rebel XTi, EF 50mm 1:1.4, 1/400, F2, 50mm, ISO1600, 2008-07-16T22:28:56-04, 20080717-022856rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Real Beauty

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Real Beauty — fake pink flowers

An arrangement of beautiful pink flowers and green fern leaves with perfect lighting. All synthetic, of course. But whose to say that makes them less valuable? They sure last longer, for one thing.

Editing involved adding contrast and burning the edges. It was hard to keep the colors in gamut as these are hard to print, but I solved it by toning them down and then selectively re-adding saturation where it would turn out best.

Canon Rebel XTi, EF 50mm 1:1.4, 1/80, F2.8, 50mm, ISO400, 2008-07-12T10:24:02-04, 20080712-142402rxt

Download the high-res JPEG or download the source image.

This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.