Photo: Sunset in the City

Sunset in the City — power lines, cars, and a beautiful pink sunset

A sunset near the Wal-Mart in South Daytona, Florida. I couldn’t move away to exclude the distractions, so I made them part of the scene to represent urban life. The colors and cloud dark clouds at the top drew my eye, as did the cars at the bottom. I made the tail light of a car the dot for the i in City, and the headlight the period for the X. in Richard X. Thripp. Creatively incorporating the title into the piece is nice sometimes.

I added a bunch of contrast, shifted the colors from yellow to pink, and brightened the lights of the cars.

Canon PowerShot A620, 1/160, F3.5, 14.93mm, ISO100, 2007-01-19T18:05:27-05, 2007-01-19_23h05m27b

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Barbie’s Day Out

Barbie's Day Out — a beheaded doll

I spotted this doll’s head on the top of the grate of a storm drain. Didn’t even have to stage it. Great ideas just find me sometimes. :xx:

Canon PowerShot A620, 1/60, F2.8, 7.3mm, ISO50, 2006-10-06T17:31:41-04, 2006-10-06_17h31m41

Location: Nelson Ave., Ormond Beach, FL  32174

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Fatality

Fatality — a dead cockroach

Photo of an American Cockroach, which I found on the floor in our house (we see these pretty often). I hit it a few times with a fly swatter, but then thought to put it on the counter and take a picture of it, with some food and food-related items in the background, plus the fly swatter, to make it more disturbing. On a technicality, he was still alive when I took this photo (moving his legs around a bit), but I didn’t want to hit him anymore so as not to crush him. Luckily he stayed still through the exposure, though you can see in the photo he has one of his legs up. Afterwards he had to be killed, of course. You’d think this’d be distasteful, but it just isn’t for some reason. :sunglasses:
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Fujifilm FinePix A360, 1/5, F2.81, 5.8mm, ISO100, 2006-04-29T23:40:33-04, 2006-04-29_23h40m33

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Pool at Night

The Pool at Night — light and reflections near the bright house

This is what the pool looks like… at night. Got up at 4 A.M. to shoot this during my vacation; I set the camera on the edge near the pool, dialed in a 30-second exposure, set the timer, and then waited. There were some lights on in the house on the left, which gave nice light. You can see the trees are blurred from the wind, as is the water in the pool. Ready for a swim?

Canon Rebel XTi, EFS 18-55mm, 30″, F3.5, 18mm, ISO800, 2008-06-29T03:50:44-04, 20080629-075044rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Florida Lifestyle

The Florida Lifestyle — an orange smoothie in a tropical paradise

I’ve been wondering what the Florida lifestyle I’ve been hearing so much about is, but I’ve found it here. You may not know it, but the Florida lifestyle involves lots of bugs. There were plenty of flies flying around as flies sometimes do, but I shooed them away to snap this shot of an orange smoothie by the pool. I went with a blue border for this photo. Never done that before, but it fits the image so well.

I added contrast, removed specks of dirt from the glass, and touched up the color on the orange slice.

Canon Rebel XTi, EF 50mm 1:1.4, 1/2500, F3.2, 50mm, ISO100, 2008-06-28T14:16:13-04, 20080628-181613rxt

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Photo: Eyes

Eyes — a melancholic dog stares at the camera

Through the eyes of a dog. This is my aunt’s dog named Joseph; I set the camera on the carpet and snapped this of him staring at it. I was lucky to get his eyes in focus. He looks sad and thoughtful.

I edited some dirt away from his eyes, darkened the corners, and added contrast.

Canon Rebel XTi, EF 50mm 1:1.4, 1/25, F2.5, 50mm, ISO400, 2008-06-26T15:37:03-04, 20080626-193703rxt

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Photo: Cars at Night

Cars at Night — a slick road reflecting the headlights of cars

Cars on a slick highway in the evening. I was liking how the lights were reflecting off the pavement, so I grabbed my camera to snap this from the car. 5 minutes after Ominesence, and 20 minutes before Flash in the Night.

Canon Rebel XTi, EF 50mm 1:1.4, 1/200, F2.2, 50mm, ISO400, 2008-06-26T17:49:53-04, 20080626-214953rxt

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Photo: Ominesence

Ominesence — a stormy, ominous sky over the sea and city

Ominesence: the state or quality of being ominous. The real word is ominousness, but I made up this alternate. This is a river and city with dark clouds overhead. The right side is bright light and good weather, though it too is broached by darkness. I took this in a moving car crossing a bridge; you can see the railing at the bottom. Used a 1/250 second shutter speed to freeze the scene, though I had to go up to ISO800 because it was so dark out.

I added contrast, darkened the dark clouds and corners, and removed a lot of noise. There were lots of markers and pylons in the river which were bugging me. I cloned all of them out. Now it looks like it should.

Canon Rebel XTi, EF 50mm 1:1.4, 1/250, F1.8, 50mm, ISO800, 2008-06-26T17:44:30-04, 20080626-214430rxt

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Photo: Flash in the Night

Flash in the Night — a bolt of lightning brightens the dark sky

A bolt of lightning flashes through the dark sky. This was from the storm during my vacation. My grandmother forbade me from going outside ( :neutral: ), so I shot this through the screen window. You can see the pattern of the window on the sky, though it’s out of focus. The blurred spots may have been water drops on the window. I snapped fifty photos, and was lucky enough to get this one as the lightning struck. I put some of my tips from Torrential Rain to good use.

I closed down all the way to F22 in aperture priority mode, yielding a 1.6 second shutter speed. I braced the camera against the window, and fired away. Before this, I set the exposure compensation to -2, so the lightning would not be too bright.

The source image looks brighter than it should. I purposely underexposed when shooting, so the lightning would not be too bright when it popped up. I shifted the colors to be more bluish, removed some dust spots, burned in the corners, and darkened a bit. That’s all the lightning needed!

Canon Rebel XTi, EF 50mm 1:1.4, 1.6″, F22, 50mm, ISO100, 2008-06-26T18:08:28-04, 20080626-220828rxt

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Photo: The Dead Auditorium

The Dead Auditorium — empty red chairs in a dark theater

I shot this after my cousin’s dance recital, once everyone left. It was quite dark, so I pushed it to ISO800 and went down to F1.6, taking the opportunity to use a shallow depth of field. The theater is a dead one if I’ve seen one, in this picture at least. I like the colors of the chairs, and the lighting was nice and indirect, despite the dimness.

What did I do to this? First, I cloned out the open door in the background, which was a big, white, ugly distraction. I couldn’t get the wall to look right; it looked fake and too smooth. I didn’t want to deal with it, so I just pumped up the contrast till the background went to black. An effective solution in a pinch, and it adds to the mood of… deadness. Finally, I made the colors less yellow and burned in the corners (vignetting).

Canon Rebel XTi, EF 50mm 1:1.4, 1/60, F1.6, 50mm, ISO800, 2008-06-22T00:52:14-04, 20080622-005214rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.