Category Archives: Stock Photos

Free photos by Richard X. Thripp, for manipulation, commerce, or other use.


Photo: Sublime Sunset

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Sublime Sunset

My last work with the Sigma 105mm macro lens. This is a closeup of backlit clouds against a cotton candy sunset. The colors are my favorite part of this; the lens really brings them out.

I used to think sunsets were only good as panoramas, but it’s just as interesting to focus on a small piece of the sky.

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 1/200, F3.2, 105mm, ISO200, 2008-09-04T19:48:58-04, 20080904-234858rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Light the Way

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Light the Way

A car with yellow headlights illuminates the road on a dark, cloudy evening.

This car had lights that were unusually colored. I bet they had a yellow filter over them, but they looked brighter than normal too.

For editing, I decided to go with really warm colors, much more so than the actual scene. It gives a better mood than bluish tones. Also, I dodged the ground to make it look like the headlights are brighter, while adding contrast and burning the corners to make the scene more eye-catching. Because I shot this at ISO400, I brought out a good bit of grain with the editing.

I borrowed a Sigma 105mm lens from a friend to take this and other photos, which I recently returned. It was a lot of fun to play with. I might have to buy my own if I can save up $400. It’s hard, being unemployed and all, but it’s so worth it. :cool:

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 1/160, F2.8, 105mm, ISO400, 2008-09-04T19:41:01-04, 20080904-234101rxt

Location: Golf Ave., Ormond Beach, FL  32174

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Fiery Hearts

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Fiery Hearts

I had this idea of drawing a heart with a laser pointer. I set the camera up on a tripod, set the timer to ten seconds, and then drew this with the laser in the 3.2 seconds the picture was exposed.

Actually, it wasn’t easy like that. It took me 50 tries to get right. Have you ever tried to draw a heart on the wall with a laser pointer? I did two of them, and getting them to look anything like hearts, timed to 3.2 seconds, is quite a feat itself. This was the best I could do. I like the hearts—they look jagged, which is good because hearts aren’t perfect, nor is love. Perfection just doesn’t exist, and life would be boring if it did. The only perfect state is continuous personal growth; you can’t become perfect and then stagnate, wallowing in your perfection.

I drew the hearts on a window because the reflections on the glass turn up much brighter in the camera. In Photoshop, I brightened the laser trails and heart outline to make it more distinctive, while adding contrast and darkness to the surroundings. This was at ISO1600, so the end result is grainy and riddled with artifacts, but spirited nonetheless.

When your hearts meet, let them have fire!

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 3.2″, F2.8, 105mm, ISO1600, 2008-09-06T02:26:48-04, 20080906-062648rxt

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Lilac Dreams

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Lilac Dreams

Lilac (purple) flowers at the Daytona State College campus. These aren’t lilacs, but I like the name so I’m using it to refer to the color.

A friend volunteered to let me borrow his lens: a Sigma EF 105mm 1:2.8. I have it till next week, so I’ve been taking pictures of stuff with the different perspective it offers. Everything’s so close; I can’t get any sort of landscapes with this. But it’s interesting to focus on the details, and I can get closer to flowers than I can with the kit lens.

While I take good care of my camera and lenses, one of the worries in borrowing a lens–or anything for that matter–is that it will break in your possession, or you’ll break it by accident. Breaking your own stuff isn’t so bad as breaking someone else’s stuff, because then you (generally) feel obligated to replace it. What happens more often is the lender will say you broke it when you didn’t. Or if anything goes wrong with it in a period of one month after you return it, the lender blames it on you. I’m not sure why this happens, but it seems to be a common human trait.

I believe it’s rooted in fear. We want a scapegoat for everything. People may even subconsciously lend items they know are about to break, just so they can blame the borrower when the inevitable happens. Obviously, this is something that you and me must work on overcoming. Most people are reasonable and down-to-Earth already; I don’t consider borrowing a lens from a friend high-risk. But, I don’t borrow by contract if it’s reasonable to buy the item instead. Contracts are bad because they’re generally with people you don’t know; it’s much better to lend an item to a friend on honor than to a stranger with the threat of law.

Borrowing is actually condemned in the Bible, and it’s not something people used to do commonly. You should borrow if you’re sure you’ll be able to produce a lot of value for the world from the loan. Unfortunately, this is very rare. Maybe one in ten-thousand loans comply with this stipulation. Borrowing (paying a mortgage) on a house is good, but too often people buy a house they can’t support. You should live beneath your means, because that’s the only way you can leverage your remaining wealth to contribute to the lives of others, effectively increasing your means. Living beneath your means does not include credit-card debt.

Editing on this photo involved adding contrast and vignetting. That bug on the left is interesting. I didn’t notice him till just now. He gets to stay, though.

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 1/640, F5, 105mm, ISO100, 2008-09-03T13:03:40-04, 20080903-170340rxt

Location: Daytona State College, 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunrays 6

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Sunrays 6

Sunrays 6! W00t! :grin:

Saw this outside my door, so I ran out into the street snapping pictures. It’s amazing what pops up if you watch the sky every evening. These were the most impressive beams of light and darkness I’ve seen; I didn’t even have to edit much. I did a bit of dodging and burning, and added contrast with the curves tool, but that was it.

The light is good. Let the light guide you to courageously fulfilling your dreams and aspirations. But like any good sunset, your dreams are always on the move. I know that, because these sunrays disappeared just a few minutes after I found them.

Canon Rebel XTi, EFS 18-55mm, 1/1600, F4, 28mm, ISO100, 2008-08-26T19:06:22-04, 20080826-230622rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

More of the Sunrays series.

Photo: Sunrays 5

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Sunrays 5

The fifth entry in the series: a burst of sunshine through the dark clouds. I like the power lines at the bottom-right… they sweep in at the right angle.

Canon Rebel XTi, EFS 18-55mm, 1/4000, F4, 18mm, ISO100, 2008-08-11T17:21:08-04, 20080811-212108rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

More of the Sunrays series.

Photo: Twilight Sundown

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Twilight Sundown

I saw this sunset out the window on the Granada bridge over the Halifax river in Ormond Beach. I was a passenger in the car, so I was able to snap this out the window. It was quite dark, almost night. I had to go all the way up to ISO1600 and all the way down to F1.6 to get a 1/60 shutter speed, so the full size version is quite grainy, but it seems artful.

Canon Rebel XTi, EF 50mm 1:1.4, 1/60, F1.6, 50mm, ISO1600, 2008-08-15T20:20:47-04, 20080816-002047rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Caramel Sunset

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Caramel Sunset

This beautiful sunset caught my eye out the window. The skies here are just getting better and better. I ran out with my wide-angle lens (the kit lens) and started snapping different angles of it. It didn’t look like this to start, but I stuck around for ten minutes and the clouds came together in this odd formation. It looks like cotton candy, caramel flavored. I found it really interesting that the sun was like a spotlight, because it was dark outside of the clouds as you can see at the edges of this photo.

I don’t have many angles to work with because of the trees in my neighbor’s yard, but this definitely works best for showing the origin of the light (at the bottom). I did most of my post-processing right in Adobe Camera Raw. To improve the look, all I did was increase the contrast and black levels, and then I added a bit more contrast with the curves tool.

Canon Rebel XTi, EFS 18-55mm, 1/100, F4, 18mm, ISO200, 2008-08-19T20:04:27-04, 20080820-000427rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunset

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Sunset — a vivid, fiery mix of orange and white clouds at sundown

I saw the golden colors flooding in through the window just a few hours ago, so I rain out and snapped this photo of the gorgeous sunset that was gracing my front yard. I haven’t seen a sunset this impressive before. The swirls of clouds were awesome, and went far above what you see in the frame. I couldn’t fit them all in even at 18mm, which is as wide as the Canon Rebel XTi kit lens would go.

I punched the contrast up in Photoshop. The camera always captures images in such a dull way, but editing restores the beauty of the scene (Being a Free Photographer).

I literally ran out of the house to catch this, and kept taking pictures afterward, though they are less impressive. You have to work very quickly to get shots of sunsets; within ten minutes it had mostly faded away. I didn’t notice it while the clouds were forming like this; they may have looked even better then.

Canon Rebel XTi, EFS 18-55mm, 1/200, F4.5, 18mm, ISO400, 2008-08-14T20:07:55-04, 20080815-000755rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Night on the River

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Night on the River

Nighttime at the docks, under the bridge over the river. This was a fun shoot, though anything at 3 A.M. is. I did three versions: one at 1/6, one at 3.2″, and this one at 30″. In the slower versions the water looks rippled and ugly, but with a longer exposure it’s beautifully smooth, and the streetlights turn to stars. You can see eight points to each light because my lens has eight aperture blades. If I’d have opened up all the way there would be no spikes, and if I opened up further they’d be less prominent.

The number of spikes is equal to the number of aperture blades if even, and double the number if odd, though they’ll be half as bright. They are often a nice touch. For editing, I did simple contrast and color adjustments.

Canon Rebel XTi, EF 50mm 1:1.4, 30″, F9, 50mm, ISO100, 2008-07-21T02:50:56-04, 20080721-065056rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.