Christmas is here early! The trees are frosted with ice.

Actually, this is Daytona Beach, Florida, where it doesn’t get cold enough to frost the trees over. I saw this tree in the parking lot at the grocery store; the stark contrast with the background caught my eye. There was a streetlight right near it.

I didn’t have a tripod with me, so I had to hold the camera. The first thing I tried was setting the camera on the ground pointing upward, but I couldn’t get the right composition. My 28-135mm lens only goes down to F3.5, …

... CONTINUE READING

The golden highway: International Speedway Boulevard in Daytona Beach, Florida, near the race track. I shot this through the windshield of the car from a few hundred feet away, with my lens at 135mm, the maximum telephoto. Since my camera has a 22.2×14.8mm (cropped) sensor, that’s the 35mm equivalent of 216mm.

The light around the cars struck me immediately. Shooting through a scratched windshield actually makes the scene more beautiful, because you have streaks of light and contrast around the highlights. The downside is that the photo is initially low-contrast. I cranked up the contrast with …

... CONTINUE READING

The corner of the Riverside National Bank at 1060 W. International Speedway Blvd., Daytona Beach FL. It looks interesting by itself. I angled the camera and set this against a blue, cloudless region of the sky. Then, I made the sky dark and the bricks redder on the computer. Ha ha. Always have to do that sort of editing.

This was an interesting study in geometry and architecture, though I don’t think about those things at all when taking photos. I just photograph what looks unusual.

Canon Rebel XTi, EF 50mm 1:1.4, 1/1250, F4.5, 50mm, ISO100, 2008-09-25T10:13:45-04, 20080925-141345rxt

[sniplet …

... CONTINUE READING

I returned to the spot of Gridiron Sky for this shot. These flowers had fallen to the ground, so I picked them up and held them against the reflective building. It makes a nice background.

For editing, I darkened the sky and corners a lot, while adding color and contrast. I use an RGB working color space, so after adding contrast, the colors become over-saturated. I reduced the saturation overall then, and then used the gamut warning tool for toning down parts of the flower. It’s important that the colors look good on screen and in …

... CONTINUE READING

The science building, #410 at Daytona State College. The side of the building is all clear glass in a white grid formation, but from this angle all it does is reflect the sky. It was a bright and sunny day out, and with the fluffy white clouds behind, the effect was quite charming.

I forgot my polarizing filter when shooting this, but I added the polarization effect through burning in Photoshop, so I’m including it under the polarizer tag.

Editing brought out the colors quite a bit. I added lots of contrast, burned in the sky, the …

... CONTINUE READING

Richard's picks:

My favorite lens.
Browse my work.

Looking up through a basketball hoop.

I tried thinking of a more abstract title, but nothing is better than “Basketball Hoop.” Sure, if this were a plain, ordinary photo of a basketball hoop, a creative title might add some jazz, but when the photo is creative on it’s own, a mundane title is a good contrast. A creative title would work too, but a mundane title for a creative piece is far better than an unfitting creative title.

I took this at F2.5, so even parts of the netting are out of focus. The background was a dull …

... CONTINUE READING

Sunrays 6! W00t!

Saw this outside my door, so I ran out into the street snapping pictures. It’s amazing what pops up if you watch the sky every evening. These were the most impressive beams of light and darkness I’ve seen; I didn’t even have to edit much. I did a bit of dodging and burning, and added contrast with the curves tool, but that was it.

The light is good. Let the light guide you to courageously fulfilling your dreams and aspirations. But like any good sunset, your dreams are always on the move. I know …

... CONTINUE READING

… or I’ll cross you right back! Not really, but that’s the best title I can think of for this photo. It’s a church at sunrise, with the ever-wonderful cross towering above.

I edited this in Adobe Camera Raw 4.0 exclusively. Here are the settings I used:

I thought about going for cool, bluish tones in the sky, but the golden yellows work better. As you can see, I added contrast and blackness too, to make sure the cross and building really is a silhouette.

I …

... CONTINUE READING

The fifth entry in the series: a burst of sunshine through the dark clouds. I like the power lines at the bottom-right… they sweep in at the right angle.

Canon Rebel XTi, EFS 18-55mm, 1/4000, F4, 18mm, ISO100, 2008-08-11T17:21:08-04, 20080811-212108rxt

Download a perfected high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

More of the Sunrays series.

This beautiful sunset caught my eye out the window. The skies here are just getting better and better. I ran out with my wide-angle lens (the kit lens) and started snapping different angles of it. It didn’t look like this to start, but I stuck around for ten minutes and the clouds came together in this odd formation. It looks like cotton candy, caramel flavored. I found it really interesting that the sun was like a spotlight, because it was dark outside of the clouds as you can see at the edges of this photo.

I …

... CONTINUE READING