Ashley, resting against a palm tree during a windy afternoon. She’s so cool… probably because of the wind and all.

You can see she’s holding her glasses in her right hand. I told her to take them off since they weren’t working; you couldn’t see her eyes or face because you’d just be looking at her glasses.

Her plants were blue, but I changed them to black with color-channel desaturation. No spot-editing needed! I don’t like spot editing… some photographers enjoy it though.

Canon Rebel XTi, EF 50mm 1:1.4, 1/250, F3.5, 50mm, ISO100, 2008-10-10T12:10:52-04, 20081010-161052rxt

When you hide behind sunglasses, you’re hiding in plain sight!

I got Sarah from The Rebel to come back for this shot. She was out of cigarettes, so we compromised by using her neon-green sunglasses as a prop. Once again, she’s looking off-camera. I’d say she’s camera-shy if she wasn’t so good at posing.

Her t-shirt is for the Bad Religion band. I haven’t heard any of their music, but I like the name. Religion is bad if it’s dogmatic rather than being based on logical self-improvement.

I ran out of model release forms after this, so I stopped looking for people to take pictures of, even though I had some time left on my lunch break.

Canon Rebel XTi, EF 50mm 1:1.4, 1/500, F3.2, 50mm, ISO100, 2008-09-24T11:55:05-04, 20080924-155505rxt

Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

You can use the models’ likenesses for anything not defamatory. You are one of my “licencees.”

I met this girl at the college. She was studying some book about history, at least till I found her. She’s not actually studying in the photo, but it reminds me of how someone would look at you if she was busy studying. This is posed, though.

For editing, I brightened this a lot, which helps because she was dark compared to the background. Now the sky is just white. I took the lines out from under her eyes, made her lips a bit redder, and dilated and reshaped her pupils. She looks alive now. I think it was reflections from the glass building nearby that made her pupils seem non-existent in the original. Eyes are a tricky thing, but you can improve them if you’re careful and precise.

The focus is on her hair instead of her face, darn it. It’s still a nice photo though. I’m going to watch focus more closely in portraits, because it’s really important to keep it on the eyes instead of what’s in the middle of the frame.

Canon Rebel XTi, EF 50mm 1:1.4, 1/500, F3.5, 50mm, ISO100, 2008-09-26T12:04:15-04, 20080926-160415rxt

Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

You can use the models’ likenesses for anything not defamatory. You are one of my “licencees.”

A fellow at Daytona Beach College who made the perfect photography subject (sunglasses are always good). It looks like he’s trying to back away, which is the reason for the humorous title. The background is clutted unfortunately, but at least it reveals that the camera is tilted.

Buy a 4*6 copy for $0.95 (USA only). Lustre finish. After adding, go to your shopping cart.

Canon Rebel XTi, EF 50mm 1:1.4, 1/500, F2.8, 50mm, ISO100, 2008-01-16T10:05:13-05, 20080116-150513rxt

Download the high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp and link here.

You can use the model’s likeness for anything not defamatory. You are one of my “licencees.”

I was reading 5 Reasons to Take Your Camera Everywhere in 2008 over at the Digital Photography School Blog, and it really resonated. You need a camera with you to take any sort of photos—this is a point that is not stressed enough in photography guides and classes. I’ve produced my best work on outings not intended for photography: Sky of Fire, Two of Us Against the World, and Sky’s Camouflage, for example. The article is good, but I want to add eight tips so that once you have your camera with you, you’re ready to use it:

1. Leave the SLR at home. Get a small point-and-shoot (P&S) camera so you aren’t loaded down. Make sure shutter lag is slim to nil; the venerable Canon PowerShot A620 (photos) has been in my pocket since 2006, though it’s harder to come by as its gone out of production.

2. Keep one, versatile lens. While this contradicts the above tip, there are some situations where you’ll …

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