Tag Archives: yellow


Photo: Yellow Leaf

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Yellow Leaf

A yellow leaf, partially eaten by bugs, lit by sunshine, floating on a background of dark green leaves, greatly out of focus.

I was walking around my yard and saw the sunshine hitting the leaf like this. It was quite dramatic because the background was so dark. I set my camera’s focus point to the center of the lens and shot this.

On the computer, I darkened the background and sharpened the leaf.

Enjoy!

Canon Rebel XTi, EF 28-135mm, 1/160, F5.6, 132mm, ISO100, 2008-11-17T13:32:07-04, 20081117-183207rxt

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Golden Highway

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The Golden Highway

The golden highway: International Speedway Boulevard in Daytona Beach, Florida, near the race track. I shot this through the windshield of the car from a few hundred feet away, with my lens at 135mm, the maximum telephoto. Since my camera has a 22.2×14.8mm (cropped) sensor, that’s the 35mm equivalent of 216mm.

The light around the cars struck me immediately. Shooting through a scratched windshield actually makes the scene more beautiful, because you have streaks of light and contrast around the highlights. The downside is that the photo is initially low-contrast. I cranked up the contrast with curves in Photoshop. Even though this is at ISO100, I managed to bring out quite a bit of grain with the editing. Also, I burned in the corners and shifted the colors more toward gold and red. I’m liking this photo quite a bit.

Don’t give up on the golden highway. It’s there, waiting for you to find it. Even if you have to fabricate it.

Canon Rebel XTi, EF 28-135mm, 1/1600, F5.6, 135mm, ISO100, 2008-11-05T16:54:51-05, 20081105-215451rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Day’s End

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Day's End

The dishes are washed and the kitchen is closed. This was lit by a beautiful sunset outside my door. It was at dusk when I shot this, but I balanced the camera on the counter for a 2.5-second exposure to give the sensor enough light.

What goes on around the sunset is often a lot more interesting than the sunset itself. Or the solar eclipse, or full moon, or the big thunderstorm. Take shots of everything, or take shots of something and focus on it. Usually for me, the first shot I take of an object or scene is the best, and then it goes downhill as I tweak and experiment with different angles. So trust your instincts.

This shot is wide-angle (18mm). It seemed better than backing up and going telephoto.

Canon Rebel XTi, EFS 18-55mm, 2.5″, F3.5, 18mm, ISO100, 2008-10-09T19:01:34-04, 20081009-230134rxt

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Orange Bottles

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Orange Bottles

Three bottles of orange juice, lined up on the roof of a black car, with shaded trees (left) and sunny trees (right) in the background.

This was store-bought orange juice I dispersed into water bottles. Then I removed the labels from the water bottles.

I like this composition… the colors, shapes of the bottles, lighting, and spacing came together that day. I made the colors warmer in Photoshop, brightened the bottles, darkened the edges. It’s a lot more idealistic.

The bokeh highlights in the background are eight-sided because my 50mm lens has eight uncurved aperture blades. If I shot this at F1.4 you wouldn’t see them at all because the blades wouldn’t be used, but then the depth of field would be much too shallow. The second and third bottles would look like big orange blobs with little distinct shape at F1.4.

This photo is ironic, because it seems like something completely natural, but in fact is man-made. Plastic bottles don’t occur without us. Orange juice doesn’t become collected itself. This orange juice, like all orange juice sold at the supermarket, is watered down—if you squeeze real oranges you’ll get more potent, sweeter juice that is orange, not yellow. Most people don’t put orange juice in bottles, either.

Whose to say we’re unnatural, though? Only us.

Canon Rebel XTi, EF 50mm 1:1.4, 1/200, F4, 50mm, ISO200, 2008-09-23T17:42:22-04, 20080923-214222rxt

Location: 1985 S. Carpenter Ave., Orange City, FL  32763-7334

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Finding the Answers

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Finding the Answers

Shaun & Krystal, pretending to study calculus. All the numbers are making sense.

I did editing in the Lab color space, which separates luminance from color, to make them look yellow instead of blue. I could’ve done the same with a cloudy sky, but I can’t control the weather (yet…).

This was around noon at the college. I found Krystal smoking with a group of friends, and paired her up with this guy who was really studying. She’s still holding a cigarette in her hand, you can see on the right. Smoking is as popular as ever. :cool:

Canon Rebel XTi, EF 28-135mm, 1/160, F4, 41mm, ISO100, 2008-10-22T12:37:10-04, 20081022-163710rxt

Location: Daytona State College, 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

Photo: Light the Way

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Light the Way

A car with yellow headlights illuminates the road on a dark, cloudy evening.

This car had lights that were unusually colored. I bet they had a yellow filter over them, but they looked brighter than normal too.

For editing, I decided to go with really warm colors, much more so than the actual scene. It gives a better mood than bluish tones. Also, I dodged the ground to make it look like the headlights are brighter, while adding contrast and burning the corners to make the scene more eye-catching. Because I shot this at ISO400, I brought out a good bit of grain with the editing.

I borrowed a Sigma 105mm lens from a friend to take this and other photos, which I recently returned. It was a lot of fun to play with. I might have to buy my own if I can save up $400. It’s hard, being unemployed and all, but it’s so worth it. :cool:

Canon Rebel XTi, Sigma EF 105mm 1:2.8, 1/160, F2.8, 105mm, ISO400, 2008-09-04T19:41:01-04, 20080904-234101rxt

Location: Golf Ave., Ormond Beach, FL  32174

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Caramel Sunset

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Caramel Sunset

This beautiful sunset caught my eye out the window. The skies here are just getting better and better. I ran out with my wide-angle lens (the kit lens) and started snapping different angles of it. It didn’t look like this to start, but I stuck around for ten minutes and the clouds came together in this odd formation. It looks like cotton candy, caramel flavored. I found it really interesting that the sun was like a spotlight, because it was dark outside of the clouds as you can see at the edges of this photo.

I don’t have many angles to work with because of the trees in my neighbor’s yard, but this definitely works best for showing the origin of the light (at the bottom). I did most of my post-processing right in Adobe Camera Raw. To improve the look, all I did was increase the contrast and black levels, and then I added a bit more contrast with the curves tool.

Canon Rebel XTi, EFS 18-55mm, 1/100, F4, 18mm, ISO200, 2008-08-19T20:04:27-04, 20080820-000427rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunset

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Sunset — a vivid, fiery mix of orange and white clouds at sundown

I saw the golden colors flooding in through the window just a few hours ago, so I rain out and snapped this photo of the gorgeous sunset that was gracing my front yard. I haven’t seen a sunset this impressive before. The swirls of clouds were awesome, and went far above what you see in the frame. I couldn’t fit them all in even at 18mm, which is as wide as the Canon Rebel XTi kit lens would go.

I punched the contrast up in Photoshop. The camera always captures images in such a dull way, but editing restores the beauty of the scene (Being a Free Photographer).

I literally ran out of the house to catch this, and kept taking pictures afterward, though they are less impressive. You have to work very quickly to get shots of sunsets; within ten minutes it had mostly faded away. I didn’t notice it while the clouds were forming like this; they may have looked even better then.

Canon Rebel XTi, EFS 18-55mm, 1/200, F4.5, 18mm, ISO400, 2008-08-14T20:07:55-04, 20080815-000755rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Pale House

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The Pale House — a ghost house with dark clouds

Something about this house just doesn’t feel right. It’s got no color to it. Most things have color. The grass looks warm and inviting… but what’s with those dark clouds overhead? Such oddly shaped clouds too. Like a giant C in the sky.

This is a return to The Red-Brick House… but this time the house has no color at all. Only its surroundings have that privilege, and in the warmest tones. It could be a beautiful afternoon in the country, if not for the ghost house and scary clouds.

This was quite a scene to start; I hadn’t seen a cloud formation that ominous, and it was followed by lots of rain and lightning. Once the rain started pouring, the sky went mucky gray. All the tension disappeared. That happens in most storms.

Editing on this was substantial, because it involves almost everything you see. I shifted the white balance in Adobe Camera Raw to make everything yellow, before importing the image into Photoshop. I went over the house with a desaturation brush at 100%, burned the corners in repeatedly with my pen tablet, and burned that dark line across the sky. It was there to start, but I added the curve going up to the left and around just with the burn tool.

Canon Rebel XTi, EFS 18-55mm, 1/200, F5, 18mm, ISO100, 2008-07-28T16:45:44-04, 20080728-204544rxt

Location: 1832 Nelson Ave., Ormond Beach, FL  32174-7228

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Pool at Night

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The Pool at Night — light and reflections near the bright house

This is what the pool looks like… at night. Got up at 4 A.M. to shoot this during my vacation; I set the camera on the edge near the pool, dialed in a 30-second exposure, set the timer, and then waited. There were some lights on in the house on the left, which gave nice light. You can see the trees are blurred from the wind, as is the water in the pool. Ready for a swim?

Canon Rebel XTi, EFS 18-55mm, 30″, F3.5, 18mm, ISO800, 2008-06-29T03:50:44-04, 20080629-075044rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.