Photo: Gemini Springs

Gemini Springs

Downstream from the springs at the Gemini Springs park in Gemini Springs, Florida. There is a lot of algae and that tree is precariously perched.

Canon Rebel XTi, EF 28-135mm, 1/500, F3.5, 35mm, ISO400, 2008-12-31T09:13:38-05, 20081231-141338rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Spanish Moss

Spanish Moss

A tree covered in spanish moss at DeLeon Springs park (Florida), in black and white.

Canon Rebel XTi, EF 28-135mm, 1/500, F3.5, 28mm, ISO400, 2008-12-31T09:28:49-05, 20081231-142849rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Tired Tree

The Tired Tree

I crouched in the dirt below this barren winter tree, camera pointed straight up, to capture this shot. The sky was white and overcast. The tree is old and tired from all that heavy Spanish moss weighing it down. :silly:

This looks like something from a horror movie, where the tree falls on you and kills everyone… I had to be careful framing this, as there were more youthful palm trees to the left and right which I had to exclude. This is often a great perspective, and it was critical not to cut off the branches at the top of the frame or else the tree wouldn’t seem complete. The branches to the left don’t matter. The trunk at the bottom-right doesn’t extend much passed the frame, but by not including its edges, the tree seems more impressive.

I converted to black and white and added a slight amount of contrast in Photoshop. No vignetting needed at the top, though I darkened the bottom corners. If you look at the source file, you’ll find it’s remarkably similar to the final. The sky really was bright like that and the tree was black against it. I shot in color mode (always do that for versatility), but the source file looks black and white because there was little color in the scene. I think I set the camera to cloudy white balance, appropriate for the bluish clouds. If it was sunny out, the neutral gray point would be closer to yellow, necessitating a lower color temperature (5200 K vs. 6000 K) to match the scene. If I shot this at tungsten white balance (3200 K), it would look really blue, but if I was under incandescent or tungsten lighting (yellow), the scene would look normal. Lower white balance temperatures are for yellow scenes, higher white balance temperatures are for blue scenes, because color temperature represents the color output of an ideal black body radiator at that temperature. 273.15 degrees Kelvin is 0 Celsius, 5200 Kelvin is 4926.85 Celsius which is 8900 degrees Fahrenheit. A black body radiator gets bluer at higher temperatures, say 7000 K, and yellower at lower temperatures, say 3200 K. When you set your camera’s white balance to 3200 K, tungsten, you’re telling it to set the color a black body radiator at 3200 K puts out as neutral gray (yellow). At 7000 K (shade), blue colors are neutral gray. So something that appears blue at 3200 K white balance will appear yellow at 7000 K white balance. An object that would appear blue at 7000 K white balance will be much bluer at 3200 K, and an object that is yellow when the camera is set to 3200 K white balance will be much more yellow when the camera is set at 7000 K white balance.

Canon Rebel XTi, EF 28-135mm, 1/500, F5.6, 30mm, ISO100, 2008-11-04T11:53:02-05, 20081104-165302rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Out of the Frame

Out of the Frame

Rachel, pointing out into space.

She has the same name as my seven-year-old sister, who doesn’t post much.

This was the only pose I could think of. I’m running out of ideas…

Anyway, I took color out of the background so the focus is just on Rachel. She’s pointing up at a squirrel or something.

I also darkened the background a lot.

Rachel is a photographer and has her own photographs here: photographsbyrachelwhited.com. She’s a great model too. I’m only good at photography, fortunately. :grin:

Canon Rebel XTi, EF 28-135mm, 1/200, F6.3, 38mm, ISO400, 2008-01-13T12:04:27-05, 20081113-170427rxt1

Location: Daytona State College, 1200 W. International Speedway Blvd., Daytona Beach, FL  32114

Photo: White Christmas

White Christmas

Christmas is here early! The trees are frosted with ice.

Actually, this is Daytona Beach, Florida, where it doesn’t get cold enough to frost the trees over. I saw this tree in the parking lot at the grocery store; the stark contrast with the background caught my eye. There was a streetlight right near it.

I didn’t have a tripod with me, so I had to hold the camera. The first thing I tried was setting the camera on the ground pointing upward, but I couldn’t get the right composition. My 28-135mm lens only goes down to F3.5, and I didn’t want to go above ISO800 to avoid too much grain, so I held the camera by hand pointing upward, really still, and fired off ten shots. This was the best one. It came out clear even though I had to use a 1/3 second shutter speed due to the darkness. The image stabilization gyroscopes in the lens helped.

Most of the leaves have fallen off this tree. Winter must be here!

Merry Christmas everyone. It’s just 34 days away.

Canon Rebel XTi, EF 28-135mm, 1/3, F3.5, 28mm, ISO800, 2008-11-19T18:04:58-05, 20081119-230458rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Pool at Night

The Pool at Night — light and reflections near the bright house

This is what the pool looks like… at night. Got up at 4 A.M. to shoot this during my vacation; I set the camera on the edge near the pool, dialed in a 30-second exposure, set the timer, and then waited. There were some lights on in the house on the left, which gave nice light. You can see the trees are blurred from the wind, as is the water in the pool. Ready for a swim?

Canon Rebel XTi, EFS 18-55mm, 30″, F3.5, 18mm, ISO800, 2008-06-29T03:50:44-04, 20080629-075044rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Into the Woods

Into the Woods — trees, nature, and green leaves off on the trail

Go into the woods… do not be afraid. :sunglasses: This is my Grandma’s yard. There are houses around, but from where I shot this, they’re all obstructed by trees. The lighting and colors were nice, since we had a rainy white sky.

I added contrast and a glow effect.

Canon Rebel XTi, EFS 18-55mm, 1/60, F3.5, 18mm, ISO100, 2008-06-20T16:31:07-04, 20080620-203107rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Twilight Palm

Twilight Palm — a palm tree in the dark

A palm tree at dusk. Shot this while walking around the campus on break from my class in precalculus algebra. The patterns of darkness between the clouds caught my eye, so I walked far enough away so the palm tree was in the middle of the bright patch.

I went for cooler tones with this one, and added contrast without having the dark clouds go all the way black. Nothing fancy here.

Canon Rebel XTi, EF 50mm 1:1.4, 1/2000, F4.5, 50mm, ISO100, 2008-06-04T19:04:19-04, 20080604-230419rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Sunrays 2

Sunrays 2 — blue beams of sunshine pierce the clouds

An awesome blue sunset. I saw this while my Dad was driving, so I started snapping photos with a fast shutter speed out the window. By luck, I got the timing just right on this frame, including an interesting white fence and some nice palm trees.

I wanted the fence to stand out, as it matched the white rays well, so I dodged it in Photoshop. Then, I added color and contrast with the curves function, and brightened the sunrays. To color the text with the title and my name, I cropped a portion of the photo, stretched it to the size of the text, added a lot of contrast, and then set it as the fill pattern in PhotoFiltre Studio (I use it for text and borders, because it’s much more intuitive than Photoshop).
[quickshop:4*6 Sunrays 2 (lustre):price:0.95:shipping:0.45:shipping2:0.45:end]

Buy a 4*6 copy for $0.95 (USA only). Lustre finish. After adding, go to your shopping cart.

Canon PowerShot A620, 1/640, F2.8, 7.3mm, ISO100, 2007-04-14T19:28:00-04, 2007-04-14_23h28m00

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

More of the Sunrays series.

Photo: Leafy Sunset 5

Leafy Sunset 5 — a terminal orange sky framed by pointy leaves

An orange and yellow sunset, framed by the silhouettes of evergreen leaves. This is from my back yard; the trees and power lines represent the fast pace of life in the modern neighborhood. :shocked:

I brightened up parts, added color, and made the gray leaves black.

Fujifilm FinePix A360, 1/667, F4.7, 17.4mm, ISO64, 2006-02-18T18:02:56-04, 2006-02-18_18h02m56

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

More of the Leafy Sunset series.