Photo: Waterlogged

Waterlogged — a hard disk platter and arm, dotted with raindrops

The hard drive that never was. Waterlogged is two years old, coming on the heels of Raindrops, but a classic nonetheless. This was the hard drive from my first computer, a budget desktop I got in 2000 (I was 9 then). In February of 2005 it failed, and I’d just left it sitting around till June of 2006 when I cracked the case open (harder than you’d think) and took this shot. The drive is a Seagate ST34311A. I was walking around the yard positioning it as a mirror, creating interesting compositions (Blend In is another), when it started raining. The hard drive got wet, and that inspired this photo. The platters make quite a mirror, making the reflections in the drops quite sharp. After drying, the mirror was covered with spots and dust I never could get off, unfortunately.

Don’t ever open your computer’s hard drive, unless it’s broke and you’ve backed up your data, or you have no hope of recovering it. The read/write head you see in the picture hovers on a cushion of air one-tenth the thickness of a hair, produced by the velocity of the spinning disk(s) (7200RPM is common now). Even a speck of dust on the platter can mess up the drive and destroy your data. Hard drives are really fragile, and generally a bad way to save information, but they’re still the best thing we have to store a lot of changing data, cheaply and quickly. Back up your pictures to CDs or DVDs too, as they’re more stable.

Many hard drives have multiple platters (two to five), but this has just one. I found out the disks aren’t thick (slightly thinner than a CD, though very rigid), and they’re double sided. Underneath is another head that moves in tandem with the top one, reading and writing data to the underside. I still have pieces of this drive scattered around the house somewhere.

My finger sneaked into the frame on the top-right, darn it. Had to clone it out in Photoshop. Same for the bright edge at the bottom-left, and the silver bolt at the top, because they were too distracting. I converted to black and white and added a good bit of contrast, making the image more appealing.
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Fujifilm FinePix A360, 1/139, F2.81, 5.8mm, ISO64, 2006-06-25T19:03:53-04, 2006-06-25_19h03m53

Location: Thripp Residence, Ormond Beach, FL  32174-7227

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: The Pool at Night

The Pool at Night — light and reflections near the bright house

This is what the pool looks like… at night. Got up at 4 A.M. to shoot this during my vacation; I set the camera on the edge near the pool, dialed in a 30-second exposure, set the timer, and then waited. There were some lights on in the house on the left, which gave nice light. You can see the trees are blurred from the wind, as is the water in the pool. Ready for a swim?

Canon Rebel XTi, EFS 18-55mm, 30″, F3.5, 18mm, ISO800, 2008-06-29T03:50:44-04, 20080629-075044rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.

Photo: Cars at Night

Cars at Night — a slick road reflecting the headlights of cars

Cars on a slick highway in the evening. I was liking how the lights were reflecting off the pavement, so I grabbed my camera to snap this from the car. 5 minutes after Ominesence, and 20 minutes before Flash in the Night.

Canon Rebel XTi, EF 50mm 1:1.4, 1/200, F2.2, 50mm, ISO400, 2008-06-26T17:49:53-04, 20080626-214953rxt

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Photo: The Fountain

The Fountain — water from a man-made fountain, frozen in motion

A coquina-rock fountain out front of the City Hall in Holly Hill, Florida. I used a 1/1600 shutter speed to freeze the water drops. The bright green lawn and yellow rocks matched well. I tried a shot from down low, with the water against the sky, but it was too dark and lifeless. This is certainly more attractive.

Just simple contrast improvements. I cloned out two distracting droplets at the bottom of the frame, and a red stop sign in the background.

Canon Rebel XTi, EF 50mm 1:1.4, 1/1600, F3.5, 50mm, ISO100, 2008-06-12T11:12:14-04, 20080612-151214rxt

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Photo: Reach for the Dream

Reach for the Dream — the red ornament

I found this red ornament on the ground while walking with my camera, and was inspired to set it on a nearby tree branch and reach my hand out as a reflection. The ornament represents your dreams, and the hand represents your continued pursuit of them. Don’t give up!

For this, I brightened the ornament while darkening my fingers, added contrast, a blurry glow effect, and stripped the background down to black and white (selective color).

Canon Rebel XTi, EFS 18-55mm, 1/80, F5.6, 55mm, ISO400, 2008-05-12T19:06:17-04, 20080512-230617rxt

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Photo: Liquid Suspension

Liquid Suspension — water droplets floating in a spider's web

Tiny raindrops, levitating in a spiderweb. Most people don’t realize it’s a spider’s web, but if you’re observant, you can figure it out from the stray dirt and threads. I shot this in January 2007 with my old Canon A620 (this is the first release here); I focused as close as it would go (one centimeter) for this, as the drops were really tiny. To increase the depth-of-field, I closed down to F7.1 (the range on the A620 is F2.8-F8). I kept taking photos after this, but disturbed the web mistakenly, causing all the drops to fall. This one, while dull at first, came to life with my editing. The reflections in the drops are my favorite element, each representing a microcosm of the world we know and love.

If you haven’t figured it out, spider webs aren’t pretty. There were pieces of dirt and dead bugs strewn in the web. My purpose as an artistic photographer is to present a realistic ideal of the world, through whatever means necessary. My job was to remove those, both from the web and the droplets’ reflections. I only did this in a couple; in the other droplets, I decided that the reflections pass for branches or leaves above or around the web. I used Adobe Photoshop CS2’s spot healing brush and clone stamp to take out the offending elements, while double checking that there were no smudge marks by making the image much darker using the Levels tool, followed by checking the integrity of the highlights. The last step was to crank the contrast into overdrive (curves), because the scene was really dull to start; it was a dreary, overcast day, after all. It all came together in the post-processing stage.
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Canon PowerShot A620, 1/320, F7.1, 7.3mm, ISO50, 2007-01-18T13:16:43-05, 2007-01-18_18h16m43

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Photo: The Sky’s Camouflage

The Sky's Camouflage — a cloudy car in nine colors

Reflections of a vivid sky on a black car. This is my new vision for Sky’s Camouflage; it started with the blue version in the center, and the others I digitally colored for this arrangement.

I’ve been trying this out on my bedroom’s wall for a while; looking at it everyday hasn’t annoyed me yet, so it must be good.

I increased contrast and saturation on the original (blue, center), and mixed up color channels for the eight variations.

Fujifilm FinePix A360, 1/278, F2.81, 5.8mm, ISO64, 2006-06-17T14:44:08-04, the-skys-camouflage-rxt

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Photo: Sky’s Camouflage

Sky's Camouflage — a beautiful blue sky reflected on the body of a car

A reflection of a cloudy, deep-blue sky on the side of a car. This is a black car I saw in a parking lot at Home Depot; it must have just been polished as the reflection is very impressive. Luckily, I had a camera with me and snapped this. :smile:
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Fujifilm FinePix A360, 1/278, F2.81, 5.8mm, ISO64, 2006-06-17T14:44:08-04, 2006-06-17_14h44m08

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This work is licensed under a Creative Commons Attribution 3.0 License. Please credit me as “Photo by Richard Thripp” or something similar.