These roses refuse to make a sound. You can see the rose in the middle wants to speak up, but is too afraid. These flowers were at Publix. They were on the top shelf in the floral department, so I held the camera up high and just guessed at the composition. Several guesses later, I had this.

I made the colors a lot cooler to make the image feel cold and uninviting, just like you’d feel around someone who refuses to speak. Then, I toned down the color, added contrast, and darkened the edges.

Canon Rebel XTi, EF 50mm 1:1.4, 1/160, F2.8, 50mm, ISO100, 2008-07-12T12:22:13-04, 20080712-162213rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

A bright pink rose under the noon-day sun. This is normally the worst time to take pictures; the sun was directly overhead. But it didn’t turn out half-bad here; all the light is on the flower, so the background is dark, and the petals are nicely highlighted. It does reveal the defects in the rose, but that gives an air of honesty and truthfulness… right?

Canon Rebel XTi, EF 50mm 1:1.4, 1/640, F3.5, 50mm, ISO100, 2008-04-23T12:37:07-04, 20080423-163707rxt

Source image. There was a lot of dirt on this rose; small specks, but annoying still. I spent a lot of time with the spot healing brush in Photoshop to take them out. Next was to add contrast and blacken the background, and then I got the finished photo you see here.

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This is a brave rose, because she’s trapped behind a chain-link fence. I went out for a walk with my camera this morning and spotted this; the rose was right near the fence, so I moved it to be peeking through one of the diamonds. The background was a house and the rest of the fence, but I opened up to F2.5 to blur it almost completely, keeping your focus on the flower.

Canon Rebel XTi, EF 50mm 1:1.4, 1/100, F2.5, 50mm, ISO100, 2008-05-17T06:47:05-04, 20080517-104705rxt

Source image. By only leaving color in the red channel, everything else went black and white. I used subtle coloring on the rose, a glow effect, and added plenty of contrast. To balance the frame and draw the eye toward the center, I darkened everything else with the burn tool, especially toward the edges. This is a good example of how editing can produce a mood, the mood here being one of sadness and reflection, not only from the rose being behind the fence, but from the dark feel I added, and by alienating the subject from its surroundings with selective coloring.

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A white rose, floating on a background of white. I was going to have the backdrop as a bunch of other flowers, but decided to do something different. This is from my induction into Phi Theta Kappa; white represents purity (and black impurity?).

Canon Rebel XTi, EF 50mm 1:1.4, 1/80, F2, 50mm, ISO1600, 2008-04-19T20:06:38-04, 20080420-000638rxt

Source image. I was working in poor light for this, so I pumped up my camera’s sensor to ISO1600. The rose is very grainy, which serves as a conceptual counterpoint to the ideal of the title. You can see my idea (of the rose being the odd one out among the other flowers), but I abandoned that and instead made it the only item on a white canvas, in an almost creepy way (does the lack of boundaries scare you?).

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An orange rose with water drops; I took this at a Lowe’s flower shop. The bubble in the center is a droplet that looks to be floating; I didn’t use a dropper as this was after a storm.

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Canon PowerShot A620, 1/15, F2.8, 7.3mm, ISO50, 2007-01-18T16:29:42-05, 2007-01-18_21h29m42

Source image. The flower is a red hybrid-tea rose; I made the color shift by changing the white-balance setting in-camera.

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The definition of complicity is “involvement as an accomplice in a questionable act or a crime.” So these roses are not your normal, law-abiding citizens. This is along the same thread as Simplicity and Implicity, my other photos of roses, which have similar backdrops.

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Canon Rebel XTi, EFS 18-55mm, 1/50, F5.6, 55mm, ISO200, 2007-11-11T08:13:21-05, 20071111-131321rxt

Source image. I spent three hours getting the rose and background to look just right. I used the kit lens as it’s the closest I have to macro, but it lacks good “bokeh” (blurring in out-of-focus areas), so I blurred the background in Photoshop, but sharpened the flowers to make them stand out. I desaturated and darkened the background as normal, and went for a less colorful, more contrasty look than Simplicity.

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A lovely pink rose on the ground against a pallid background of dirt and a wilting flower. I recall thinking this would be too clichéd, but I’m glad that didn’t stop me.

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Canon PowerShot A620, 1/50, F2.8, 7.3mm, ISO50, 2007-04-15T15:03:27-04

Source image. Added contrast, the removal of the distracting twig, and a desaturated, darker background give the rose its brilliance.

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Darkness surrounds a fallen yellow rose.

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Canon Rebel XTi, EFS 18-55mm, 1/15, F5.6, 55mm, ISO100, 2007-10-10T17:41:04-04, 2007-10-10_21h41m04

Source image. I darkened and desaturated the rose’s surroundings to make it stand out.

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