The science building, #410 at Daytona State College. The side of the building is all clear glass in a white grid formation, but from this angle all it does is reflect the sky. It was a bright and sunny day out, and with the fluffy white clouds behind, the effect was quite charming.

I forgot my polarizing filter when shooting this, but I added the polarization effect through burning in Photoshop, so I’m including it under the polarizer tag.

Editing brought out the colors quite a bit. I added lots of contrast, burned in the sky, the corners, and the clouds especially. You can see the dark halo around the clouds from my use of the burn tool, but I like it so it stays. I also brightened the building, as it was a bit dim in relation to the clouds. The turquoise reflection is my favorite part.

Canon Rebel XTi, EFS 18-55mm, 1/1250, F4.5, 18mm, ISO100, 2008-08-25T11:54:20-04, 20080825-155420rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

Sunrays 6! W00t!

Saw this outside my door, so I ran out into the street snapping pictures. It’s amazing what pops up if you watch the sky every evening. These were the most impressive beams of light and darkness I’ve seen; I didn’t even have to edit much. I did a bit of dodging and burning, and added contrast with the curves tool, but that was it.

The light is good. Let the light guide you to courageously fulfilling your dreams and aspirations. But like any good sunset, your dreams are always on the move. I know that, because these sunrays disappeared just a few minutes after I found them.

Canon Rebel XTi, EFS 18-55mm, 1/1600, F4, 28mm, ISO100, 2008-08-26T19:06:22-04, 20080826-230622rxt

Download a perfected high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

More of the Sunrays series.

… or I’ll cross you right back! Not really, but that’s the best title I can think of for this photo. It’s a church at sunrise, with the ever-wonderful cross towering above.

I edited this in Adobe Camera Raw 4.0 exclusively. Here are the settings I used:

I thought about going for cool, bluish tones in the sky, but the golden yellows work better. As you can see, I added contrast and blackness too, to make sure the cross and building really is a silhouette.

I don’t subscribe to Christianity myself, but I see it as a largely good force in this world. People are (ideally) more generous, forgiving, and loving because of the Bible. 80% of people are like that. The other 20% use religion as an oppressive weapon. If they’re high up in the church, they stomp on other people and shun their non church-going friends. They don’t help those in need at all, yet continue asking for donations to line their pockets.

Every field has people like this. Christianity is supposed to be better, because it aspires to higher, Jesus-like perfection, but it isn’t because not everyone will reach Jesus-like levels. In theory, it could happen in this life, but in reality it won’t. It can only happen in an afterlife of some sort, where the bad ones are relegated to Hell or eternal death.

I don’t like Christianity when it brings people down. This isn’t entirely the religion’s fault; these people aren’t willing to go far on their own. But they leave important parts of their life up to the “decision” of God rather than taking initiative themselves. This is bad, bad, bad.

I don’t like that Christians are afraid of tackling big problems. They’ll stay out of politics (the Jehovah’s Witnesses for example) when they should be openly denouncing the crimes our government is committing. They accept being steam-rolled, by politicians and by the vocal atheists.

In the United States, we’ve lost most of our Christian values in my Dad’s lifetime. People have lost modesty, temperance, chastity, love, dignity, etc. We accept abortion, mercy-killing, eugenics, prostitution, eternal dating (do people still get married anymore?), war, murders, torture, crime, and other crap. Don’t tell me that this country is being ruled by fanatical Christians, because it certainly is not.

Canon Rebel XTi, EFS 18-55mm, 1/2000, F5.6, 55mm, ISO100, 2008-08-10T07:57:32-04, 20080810-115732rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

The fifth entry in the series: a burst of sunshine through the dark clouds. I like the power lines at the bottom-right… they sweep in at the right angle.

Canon Rebel XTi, EFS 18-55mm, 1/4000, F4, 18mm, ISO100, 2008-08-11T17:21:08-04, 20080811-212108rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

More of the Sunrays series.

This beautiful sunset caught my eye out the window. The skies here are just getting better and better. I ran out with my wide-angle lens (the kit lens) and started snapping different angles of it. It didn’t look like this to start, but I stuck around for ten minutes and the clouds came together in this odd formation. It looks like cotton candy, caramel flavored. I found it really interesting that the sun was like a spotlight, because it was dark outside of the clouds as you can see at the edges of this photo.

I don’t have many angles to work with because of the trees in my neighbor’s yard, but this definitely works best for showing the origin of the light (at the bottom). I did most of my post-processing right in Adobe Camera Raw. To improve the look, all I did was increase the contrast and black levels, and then I added a bit more contrast with the curves tool.

Canon Rebel XTi, EFS 18-55mm, 1/100, F4, 18mm, ISO200, 2008-08-19T20:04:27-04, 20080820-000427rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

I saw the golden colors flooding in through the window just a few hours ago, so I rain out and snapped this photo of the gorgeous sunset that was gracing my front yard. I haven’t seen a sunset this impressive before. The swirls of clouds were awesome, and went far above what you see in the frame. I couldn’t fit them all in even at 18mm, which is as wide as the Canon Rebel XTi kit lens would go.

I punched the contrast up in Photoshop. The camera always captures images in such a dull way, but editing restores the beauty of the scene (Being a Free Photographer).

I literally ran out of the house to catch this, and kept taking pictures afterward, though they are less impressive. You have to work very quickly to get shots of sunsets; within ten minutes it had mostly faded away. I didn’t notice it while the clouds were forming like this; they may have looked even better then.

Canon Rebel XTi, EFS 18-55mm, 1/200, F4.5, 18mm, ISO400, 2008-08-14T20:07:55-04, 20080815-000755rxt

Download a perfected high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

A windshield with raindrops, on the drive home. Behind it are some clouds and trees. I added sharpness which gives the image an edge, as do the vignetting and improved contrast. This has a slightly blue hue; I didn’t go straight to black and white as blue matches the overcast sky better.

Canon Rebel XTi, EFS 18-55mm, 1/500, F5, 43mm, ISO100, 2008-07-11T17:45:31-04, 20080711-214531rxt

Download a perfected high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

Something about this house just doesn’t feel right. It’s got no color to it. Most things have color. The grass looks warm and inviting… but what’s with those dark clouds overhead? Such oddly shaped clouds too. Like a giant C in the sky.

This is a return to The Red-Brick House… but this time the house has no color at all. Only its surroundings have that privilege, and in the warmest tones. It could be a beautiful afternoon in the country, if not for the ghost house and scary clouds.

This was quite a scene to start; I hadn’t seen a cloud formation that ominous, and it was followed by lots of rain and lightning. Once the rain started pouring, the sky went mucky gray. All the tension disappeared. That happens in most storms.

Editing on this was substantial, because it involves almost everything you see. I shifted the white balance in Adobe Camera Raw to make everything yellow, before importing the image into Photoshop. I went over the house with a desaturation brush at 100%, burned the corners in repeatedly with my pen tablet, and burned that dark line across the sky. It was there to start, but I added the curve going up to the left and around just with the burn tool.

Canon Rebel XTi, EFS 18-55mm, 1/200, F5, 18mm, ISO100, 2008-07-28T16:45:44-04, 20080728-204544rxt

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This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

The road is long and winding… don’t you just want to jump over the fence and rest a minute in the grass? Or a day, or a week, or a year? That fence is there for a reason, No matter how long you stay, you know you eventually have to travel that road.

Editing on this involved burning the road and corners considerably, then adding contrast with the curves tool.

Canon Rebel XTi, EFS 18-55mm, 1/320, F5.6, 52mm, ISO100, 2008-07-13T12:43:32-04, 20080713-164332rxt

Download a perfected high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

A brilliant sunset with deep blue sunrays. Shot this through the windshield from my Grandma’s car. The colors were interesting, and the contrast and light patterns beautiful.

Editing involved noise reduction, heaps of added contrast and darkening, and lots of burning on the upper-right quadrant. Enjoy!

Canon Rebel XTi, EFS 18-55mm, 1/2000, F3.5, 18mm, ISO100, 2008-07-11T17:25:14-04, 20080711-212514rxt

Download a perfected high-res JPEG or download the source image (Canon Rebel XTi RAW file).

This work is licensed under a Creative Commons Attribution 3.0 License. Credit me as Richard X. Thripp, and link back to richardxthripp.thripp.com or rxthripp.com. Thanks!

More of the Sunrays series.

A cool-looking sky that crossed my eyes in the yard one evening. I shot this with my wide-angle (a.k.a. kit) lens, zooming in a bit to exclude the surrounding trees. Just sky. It’s like a rift is about to split the clouds from the sky and destroy the planet. It looks like there are sunrays about the clouds, but instead of being brighter, they’re dark, quite interestingly.

Canon Rebel XTi, EFS 18-55mm, 1/1600, F3.5, 24mm, ISO100, 2007-09-13T17:53:49-04, 2007-09-13_21h53m49

Source image. Quick and fun post-processing on this one. I switched to black and white, added contrast, then burned in the corners and dark parts around the clouds. Same for the black sunrays. Makes for a dramatic photo. The scene was dramatic to start, but it takes tweaking to replicate the drama on-screen.

Free high-res stock image.

Raindrops on the windshield of a car, on a foggy morning. I took this while Dad was driving; you can see the headlights of oncoming cars in the background. Photos like these are why I’m glad I always am fiddling with the camera; I could just ignore them, or relegate my photography to scheduled times, but I’d miss great opportunities (The Irrationality of Apportionment).

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Canon Rebel XTi, EFS 18-55mm, 1/160, F5.6, 54mm, ISO200, 2007-09-28T07:52:34-04, 2007-09-28_11h52m34

Source image. This one did well with editing. There were specks of dirt on the windshield, but they couldn’t stay. It was bluish out, but I switched to black and white. I added contrast. I removed droplets that were ugly or distracting, while being careful to not make the clone marks visible, even if they could only be revealed through editing with levels. I did this by using the levels tool to darken the image significantly, then going back and cleaning up the parts I saw that looked spotty. That was for the streaks that were on the windshield in the bright part of the sky.

Free high-res stock image.

A wide-angle shot of a chaotic storm. The water is rolling off the roof above, which you can see at the top of the frame. I liked the feel of the scene.

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Canon Rebel XTi, EFS 18-55mm, 1/2500, F4, 18mm, ISO800, 2007-09-19T14:18:53-04, 2007-09-19_18h18m53

Source image. I desatured 100% and added contrast with the curves tool, being careful not let the whites clip by watching my histogram. I didn’t mind losing details in the shadows, though.

More of the Raindrops series.

Free high-res stock image.

Raindrops coming off the roof of one of our sheds during a storm, with a background of trees and sky. This was one of the first shots I took with my Canon Rebel XTi last year; it’s so much more flexible than a point-and-shoot because you can freeze motion like this even in fairly low light. I like how the swirly drops turned out.

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Canon Rebel XTi, EFS 18-55mm, 1/4000, F4, 25mm, ISO800, 2007-08-10T15:32:14-04, 2007-08-10_19h32m14

Source image. Same editing as Raindrops 1: added contrast and converting to black and white. No spot editing needed, which is always nice.

More of the Raindrops series.

Free high-res stock image.

Raindrops falling off my hand, with the high-contrast black and white effect I love. It’s my hand; I held it up so the rain water would run off it, managing the camera with the other hand (as I’m so good at). Since the sun was behind my, it made my hand a black silhouette. These droplets represent life, because hands and the human touch is the essence of life.

Canon Rebel XTi, EFS 18-55mm, 1/3200, F3.5, 18mm, ISO1600, 2007-08-31T15:47:26-04, 2007-08-31_19h47m26

Source image. Added a touch of contrast, and removed the little bit of color that was there. This one was great out of camera. 1600ISO speed, but there isn’t much noise for some reason. (Maybe because it was cool out?).

Free high-res stock image.

This is what the pool looks like… at night. Got up at 4 A.M. to shoot this during my vacation; I set the camera on the edge near the pool, dialed in a 30-second exposure, set the timer, and then waited. There were some lights on in the house on the left, which gave nice light. You can see the trees are blurred from the wind, as is the water in the pool. Ready for a swim?

Canon Rebel XTi, EFS 18-55mm, 30″, F3.5, 18mm, ISO800, 2008-06-29T03:50:44-04, 20080629-075044rxt

Source image. Moderate contrast enhancements, took out some distractions.

Free high-res stock image.

Go into the woods… do not be afraid. This is my Grandma’s yard. There are houses around, but from where I shot this, they’re all obstructed by trees. The lighting and colors were nice, since we had a rainy white sky.

Canon Rebel XTi, EFS 18-55mm, 1/60, F3.5, 18mm, ISO100, 2008-06-20T16:31:07-04, 20080620-203107rxt

Source image. Added contrast and a glow effect, nothing more!

Free high-res stock image.

I found this bug in our yard, hanging upside-down from a branch on a tree. He looked at me in a way that made me feel uncomfortable. That’s why he’s rebellious.

This is the sequel to the free stock photo, Yellow Grasshopper.

Canon Rebel XTi, EFS 18-55mm, 1/100, F5.6, 50mm, ISO800, 2008-06-10T017:16:31-04, 20080610-211631rxt

Source image. I added contrast and burned the corners a lot to contain the creature.

Free high-res stock image.

This is a cool effect called zooming. While the photo is exposing and the shutter is tripped, you zoom the lens while keeping the camera steady. That way, the middle of the frame is sharp but the edges have cool motion blur. I used it here on some trees in my yard, and at the bottom you can see our clothes line (we avoid the dryer to save energy). It looks like the world is exploding!

Read more about the technique in How to Use Zooming for Explosive Photos.

Canon Rebel XTi, EFS 18-55mm, 1/8, F14, 18mm, ISO100, 2008-04-20T18:30:51-04, 20080420-223051rxt

Source image. Since the zoom effect is in-camera, there wasn’t much to do here. I just added contrast and toned the colors a bit.

Free high-res stock image.

These are magnets that are holding up 4*6 copies of my photos on the refrigerator. The sun shines through the window in the morning, lighting them up like this. I didn’t notice it before (not usually up in the mornings), but I had to snap this when I saw it.

Canon Rebel XTi, EFS 18-55mm, 1/50, F5.6, 55mm, ISO400, 2008-05-30T07:39:13-04, 20080530-113913rxt

Source image. I toned down the blue channel while adding to the red channel, and darkened a bit.

Free high-res stock image.

I was waiting for this quick-moving train to pass, so I took a picture of it, moving the camera with the this car as I exposed the image. It took me 30 tries, but I got this good one. To get a slow shutter speed, I closed way down to F22. Panning is a good technique; you should try it!

Canon Rebel XTi, EFS 18-55mm, 1/13, F22, 18mm, ISO100, 2008-05-13T17:08:44-04, 20080513-210844rxt

Source image. I think there’s some dust on my sensor, but I’m not going to try removing it because it only shows up at small apertures like F22 here. I cloned it out and added some nice colors and contrast. The sky is over-exposed, but I don’t mind it here; seems to match the movement of the train somehow.

Free high-res stock image.

I found this red ornament on the ground while walking with my camera, and was inspired to set it on a nearby tree branch and reach my hand out as a reflection. The ornament represents your dreams, and the hand represents your continued pursuit of them. Don’t give up!

Canon Rebel XTi, EFS 18-55mm, 1/80, F5.6, 55mm, ISO400, 2008-05-12T19:06:17-04, 20080512-230617rxt

Source image. For this, I brightened the ornament while darkening my fingers, added contrast, a blurry glow effect, and stripped the background down to black and white (selective color).

Free high-res stock image.

Orange sunrays emerge from the black clouds. This is from the car like the second; we passed an open field where I had the chance to snap this. I like how the beams are shining down instead of up like you see normally, and the patterns of light and dark in the clouds and between the sunshine were quite a sight.

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Canon Rebel XTi, EFS 18-55mm, 1/1000, F5.6, 55mm, ISO100, 2007-10-30T17:21:20-04, 2007-10-30_21h21m20

Source image. Added a lot of contrast here, and brightened the sunrays quite a bit, while darkening the spaces in between, to make them more compelling. I wanted the surrounding clouds and land to be black, but I was careful not to over-expose the bright clouds, so they still have detail. This is the kind of editing I enjoy; I’m glad there were no poles and trees to remove like in Pink and Purple Sunset 3. The ones in the bottom-right get to stay because I like them and they’re small.

More of the Sunrays series.

Free high-res stock image.

A stately orange sunset in my yard is the backdrop for silhouetted leaves of an American sycamore tree. Some of the leaves have been chewed by bugs; as you can see on the left. This only adds to the beauty, of course. There are even some raindrops on the leaves, left over from the storms earlier that day. I didn’t notice those till way after the shoot. This is the pinnacle of the Leafy Sunset series, trailing fifteen months after the fifth entry.

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Canon Rebel XTi, EFS 18-55mm, 1/40, F3.5, 18mm, ISO200, 2007-08-31T19:52:43-04, 2007-08-31_23h52m43

Source image. It was a challenge to get the colors and light gradations just right, but it was worth it for the result. As you can see from the original, I underexposed to keep the sunset’s highlights from being clipped in the red channel, knowing that the leaves would be pure black anyway. I finished this up in editing, by bringing up the colors without any clipping, and I made a shift from red to burnt orange, which I find more appealing, as is more easily printed.

More of the Leafy Sunset series.

Free high-res stock image.

A helium balloon, escaping into the great blue beyond, in black and white. I got this balloon for my sixteenth birthday (2007-08-17), and by nine days later, it still was trying to get away, so I set it free and photographed it. I’ve given out print copies, but this is the first online publication. I hope you enjoy it.

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Canon Rebel XTi, EFS 18-55mm, 1/100, F16, 18mm, ISO100, 2007-08-26T14:52:54-04, 2007-08-26_18h52m54

Source image. I switched to black and white, cropped out tree branches that snuck into the frame, and made the sky and balloon almost black with the curves function.

Free high-res stock image.